Papel

Guia de Obras de Estudantes

Hawk Attacking Wild Duck

Nome Turma Data

Jacques Charles Oudry, Hawk Attacking Wild Duck (1737), Coleção Wallace. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Jacques Charles Oudry wahooart.com/pt/artists/jacques-charles-oudry/
Datas do artista
1720 – 1778
Pintura a óleo
1737
Dimensões originais
195 x 129 cm
Movimento
Rococo Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls.
Realizado em
Coleção Wallace wahooart.com/pt/museums/colecao-wallace-londres_pt/

No contexto

Hawk Attacking Wild Duck — Jacques Charles Oudry

Qual é o tamanho?

As dimensões originais são 195 × 129 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser representada à escala nesta página.

Quando foi pintado?

  1. 1720
  2. 1730
  3. 1740
  4. 1750
  5. 1760
  6. 1770

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 58 ao falecer.

Pintado quando o artista tinha 17. O artista viveu até aos 58. 0 das 3 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Jacques Charles Oudry (1720–1778) ▲ esta obra, 1737 cada pintura datada, década por década

Comparar com

  • Rhinoceros, 1749 wahooart.com/pt/art/jacques-charles-oudry-rhinoceros-D4QDYP-en/
  • Still Life wahooart.com/pt/art/jacques-charles-oudry-still-life-AQZE66-en/
  • NATURE MORTE AU GIBIER wahooart.com/pt/art/jacques-charles-oudry-nature-morte-au-gibier-ARAQXW-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #a0aca4

    Paleta catalogada

    • #A0ACA4
    • #283028
    • #49503E
    • #75795C

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Rosy Brown
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Jacques Charles Oudry nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 66,7%200 visitas
    2. 2 Alemanha 33,3%100 visitas

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de Jacques Charles Oudry

    1. 1 Dogs in a landscape with their catch 66,7%200 visitas
    2. 2 A portrait of a brown and white Toy Spaniel in a landscape 33,3%100 visitas
    3. — Hawk Attacking Wild Duck, 1737 esta obra 0,0%0 visitas

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 13 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Jacques Charles Oudry

    The Aristocratic Eye: Jacques-Charles Oudry and the Rococo Celebration of Nature

    Jacques-Charles Oudry, born in Paris in 1720 and passing away in 1778, stands as a pivotal figure bridging the traditions of Flemish animal painting with the refined elegance of the French Rococo. While often categorized solely as an animalier, this designation scarcely captures the breadth of his talent or the significant role he played within the artistic circles of Louis XV’s court. Oudry wasn't merely depicting creatures; he was crafting narratives, embodying aristocratic leisure, and elevating a genre previously considered secondary to the status of history painting. His life unfolded during a period of shifting aesthetic values, where lightness, grace, and an appreciation for the natural world began to eclipse the more somber tones of the Baroque era.

    Early Training and the Influence of Flemish Masters

    Oudry’s artistic journey commenced under the tutelage of his father, Jacques Oudry I, a respected painter specializing in still life and animal subjects. This familial grounding proved crucial, instilling within him a meticulous attention to detail and an early mastery of technique. However, it was his apprenticeship with Jean-Baptiste Pater – himself influenced by Flemish masters like Frans Snyders and Paul de Vos – that truly shaped his artistic direction. Pater’s vibrant compositions featuring playful animals in idyllic landscapes resonated deeply with the burgeoning Rococo sensibility. Oudry absorbed this influence, developing a similar facility for capturing movement, texture, and the inherent charm of the animal kingdom. He initially worked extensively as a copyist, honing his skills by reproducing works from the royal collections, particularly those of the Flemish painters. This rigorous training provided him with an unparalleled understanding of anatomy, color theory, and composition – foundations that would later distinguish his own unique style.

    Royal Commissions and the Height of His Career

    Oudry’s talent soon attracted the attention of the court. In 1743, he was accepted into the Académie Royale de Peinture et Sculpture, a testament to his growing reputation. However, it was his appointment as peintre ordinaire du roi (official painter to the king) in 1752 that propelled him to prominence. This position afforded him access to the royal menagerie at Versailles and numerous commissions depicting scenes of hunting, falconry, and domestic animals. These weren’t simply records of sporting activities; they were carefully constructed allegories celebrating the pleasures of aristocratic life. His paintings for the Cabinet des Singuliers at Versailles, a series showcasing exotic birds and mammals, exemplify this approach. Each animal is rendered with astonishing realism, yet presented within an idealized setting that speaks to wealth, power, and refined taste. The meticulous detail extended beyond mere representation; Oudry’s understanding of animal behavior was remarkable, lending authenticity and vitality to his compositions. He also undertook significant tapestry designs for the Gobelins Manufactory, further disseminating his style and imagery throughout France's elite circles.

    Beyond Hunting Scenes: A Broader Artistic Scope

    While Oudry is most celebrated for his hunting scenes, limiting him to this genre overlooks the diversity of his artistic output. He also produced portraits – often incorporating animals as symbolic elements – still lifes demonstrating a keen eye for texture and light, and even mythological paintings where animals played prominent roles. His portraiture, though less numerous than his animal studies, reveals a sensitivity to character and an ability to capture the nuances of human expression. Furthermore, his work wasn’t solely confined to canvas; Oudry was also a skilled engraver, producing prints that further popularized his designs among a wider audience. He even ventured into stage design, creating elaborate backdrops for courtly performances. This versatility underscores his position as a truly multi-faceted artist capable of excelling in various mediums and genres.

    Legacy and Historical Significance

    Jacques-Charles Oudry’s influence extended far beyond the confines of 18th-century France. His naturalistic depictions of animals, combined with his Rococo sensibility, profoundly impacted subsequent generations of artists. He helped elevate animal painting to a new level of respectability, paving the way for later animaliers like Jean-Léon Gérôme and Rosa Bonheur. More broadly, Oudry’s work embodies the spirit of the Rococo – its celebration of pleasure, elegance, and an idealized vision of nature. His paintings offer a fascinating glimpse into the aristocratic world of pre-revolutionary France, capturing not only the beauty of the animal kingdom but also the values and aspirations of the elite who commissioned them. He remains a significant figure in art history, celebrated for his technical mastery, artistic versatility, and enduring contribution to the Rococo aesthetic.

    Museu

    Coleção Wallace

    Em exibição em Londres, Reino Unido

    A Glimpse into Refined Worlds: Unveiling The Wallace Collection

    Immerse yourself in a world of aristocratic elegance within the walls of Hertford House, London’s Wallace Collection – a museum that transcends the typical display case to become a living tableau of 18th and 19th-century European life. More than just a repository of art, it's a meticulously preserved portal into the refined sensibilities of Sir Richard Wallace and his family, a lineage dedicated to assembling a collection that embodied the very pinnacle of their era’s taste. Stepping through its unassuming entrance is akin to entering a hidden salon, where the whispers of powdered wigs and hushed conversations still seem to linger in the air – an invitation to inhabit the passions and daily rhythms of those who once called this extraordinary space home.

    The heart of the Collection undoubtedly lies within its astonishing assemblage of French 18th-century art, a dazzling showcase primarily centered around the Rococo and Neoclassical periods. Here, one is immediately transported to a world of delicate fantasies – François Boucher’s canvases burst with cherubic figures dancing amidst pastel hues and mythological scenes unfolding with playful abandon. The spirit of Fragonard and Watteau permeates the galleries, capturing the subtle nuances of aristocratic courtship with masterful skill; imagine a leisurely stroll through the gardens of Versailles, or a clandestine meeting in a grand salon – these are the atmospheres evoked by their works, rendered tangible through the exquisite detail and vibrant color that define this remarkable collection. Beyond the immediate charm of Rococo, however, lies remarkable depth. The influence of the Enlightenment is palpable, evident in the poignant sentimental scenes of Jean-Baptiste Greuze and the burgeoning Neoclassical style demonstrated by Jacques-Louis David’s early portraits – a testament to the evolving sensibilities of a nation grappling with new ideas and artistic movements.

    A Legacy of Georgian Grandeur: The House Itself

    What truly distinguishes The Wallace Collection is not just its art but also its architecture – Hertford House itself. Originally constructed in 1776 for the Earl of Hertford, it later became home to Sir Richard Wallace and his family, meticulously preserving the atmosphere of a lived-in private townhouse. The building’s design reflects the evolving tastes and sensibilities of its occupants, transitioning from the flamboyant grandeur of the late 18th century to the more restrained elegance of the early 19th. The interior has been painstakingly restored, creating an immersive experience that transcends the typical museum visit. Paintings hang as they would have in their original settings, furniture is arranged as if awaiting guests, and porcelain adorns cabinets and shelves – a deliberate effort to recreate the sensory richness of a grand salon. The house isn’t merely a container for art; it's an integral part of the experience, offering visitors a rare opportunity to witness art integrated seamlessly into daily life, revealing how these masterpieces were not simply objects of contemplation but vital components of social interaction and domestic harmony.

    Beyond the Brushstrokes: Arms, Armour & Hidden Stories

    While the French 18th-century paintings are undoubtedly the stars of the show, The Wallace Collection’s collection extends far beyond this realm. Don't overlook its exceptional array of arms and armour – gleaming suits reflecting soft light stand as silent sentinels of bygone eras, alongside intricately decorated swords hinting at tales of chivalry and conflict. This juxtaposition of utility and aesthetic splendor reveals a deeper layer to the collection, showcasing the craftsmanship and artistry involved in creating these objects for both practical and decorative purposes. The arms and armour are not simply historical artifacts; they’re tangible reminders of power, status, and the dramatic narratives of warfare and courtly life – offering glimpses into the lives of those who wielded them with skill and pride.

    A Welcoming Space: Engagement & Evolution

    The Wallace Collection continues to evolve, embracing a philosophy of accessibility and engagement. Recent exhibitions have explored themes such as “Fashion & Function” and “The Art of the Portrait,” demonstrating a commitment to showcasing diverse aspects of its holdings. The museum actively fosters connections through guided tours, lectures delving into specific artworks and historical contexts, workshops exploring decorative arts techniques, and family activities designed to ignite young imaginations. Admission remains free, ensuring that this extraordinary treasure trove of art and history is open to everyone – a deliberate reflection of the spirit of Sir Richard Wallace and Lady Wallace, who envisioned their collection as a source of inspiration and enjoyment for generations to come. Ongoing research and conservation efforts guarantee that these remarkable works of art will be enjoyed by future visitors, with new lighting and interactive displays planned to further enhance the visitor experience, promising an ever-evolving journey through the elegance and artistry of a bygone era.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Hawk Attacking Wild Duck

    wahooart.com/pt/art/download/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/

    Como citar esta obra

    MLA
    Oudry, Jacques Charles. Hawk Attacking Wild Duck. 1737, Coleção Wallace. https://wahooart.com/pt/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    APA
    Oudry, Jacques Charles (1737). Hawk Attacking Wild Duck [Painting]. Coleção Wallace. https://wahooart.com/pt/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    Chicago
    Jacques Charles Oudry. Hawk Attacking Wild Duck. 1737. Coleção Wallace. https://wahooart.com/pt/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/
    Harvard
    Oudry, Jacques Charles (1737) Hawk Attacking Wild Duck. Coleção Wallace. Available at: https://wahooart.com/pt/art/jacques-charles-oudry-hawk-attacking-wild-duck-AQZE64-en/

    Observe de perto

    Hawk Attacking Wild Duck — Jacques Charles Oudry

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: hawk hunting, wild duck scene, 18th century wildlife. Concorda? O que acrescentaria ou removeria?
    4. Relembre Rhinoceros (1749), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Rococo: Light, playful, pastel-coloured pictures of leisure, made for private rooms rather than public halls. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quem é o artista por trás de "Hawk Attacking Wild Duck"?

    "Hawk Attacking Wild Duck" foi criado por Jacques Charles Oudry. As informações nesta página descrevem a obra original de Jacques Charles Oudry.

    Quão clara é a obra "Hawk Attacking Wild Duck" no geral?

    No geral, "Hawk Attacking Wild Duck" é registrado como shadow. A luminosidade percebida descreve o quão clara ou escura a obra parece ser.

    Como posso adquirir uma impressão de "Hawk Attacking Wild Duck", de Jacques Charles Oudry?

    Para obter uma impressão de "Hawk Attacking Wild Duck", de Jacques Charles Oudry, basta encomendá-la na sua página de Impressão Fine Art: uma impressão fine art em tela de algodão ou papel canvas de arquivo.