Papel

Guia de Obras de Estudantes

Oak

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Nome Turma Data
Ivan Ivanovich Shishkin, Oak (1865). Domínio público.

Informações principais

Artista
Ivan Ivanovich Shishkin wahooart.com/pt/artists/ivan-ivanovich-shishkin_pt/
Datas do artista
1832 – 1898
Pintura
1865
Movimento
Realism Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander.

In context

Oak — Ivan Ivanovich Shishkin

Ano de criação

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Sombreado: a trajetória de Ivan Ivanovich Shishkin (1832–1898) ▲ esta obra, 1865

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/ivan-ivanovich-shishkin-oak-8XY9PZ-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Sap Green #636d39

    Paleta catalogada

    • #636D39
    • #B0B08F
    • #202816
    • #E6DFCF
    Nome da cor principal
    Sap Green
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Oak — Ivan Ivanovich Shishkin

    Artista

    Ivan Ivanovich Shishkin

    Born in Yelabuga, Rússia

    The Soul of the Russian Forest: A Life in Landscape

    Ivan Ivanovich Shishkin, a name synonymous with the vast and soulful landscapes of Russia, was born into a world steeped in tradition on January 25, 1832, in Yelabuga, Vyatka Governorate. His early life, though rooted in the mercantile pursuits of his father, revealed an innate sensitivity to the natural world—a sensibility that would blossom into a lifelong artistic obsession. After completing his education at the Kazan Gymnasium, Shishkin embarked on a rigorous academic journey, first at the Moscow School of Painting, Sculpture and Architecture for four years, then continuing at the prestigious Saint Petersburg Imperial Academy of Arts from 1856 to 1860. It was here, under the tutelage of renowned masters, that his technical skills were honed, culminating in a gold medal upon graduation—a testament to his exceptional talent and dedication. This academic foundation provided him with the tools to translate his deep connection with nature onto canvas with unparalleled realism.

    A Master of Realism and the Peredvizhniki Movement

    Shishkin’s artistic development was profoundly shaped by his association with the Peredvizhniki, or Wanderers, a group of Russian artists who rejected the constraints of academic tradition in favor of bringing art directly to the people.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Oak

    wahooart.com/pt/art/download/ivan-ivanovich-shishkin-oak-8XY9PZ-en/

    Como citar esta obra

    MLA
    Shishkin, Ivan Ivanovich. Oak. 1865, https://wahooart.com/pt/art/ivan-ivanovich-shishkin-oak-8XY9PZ-en/
    APA
    Shishkin, Ivan Ivanovich (1865). Oak [Painting]. https://wahooart.com/pt/art/ivan-ivanovich-shishkin-oak-8XY9PZ-en/
    Chicago
    Ivan Ivanovich Shishkin. Oak. 1865. https://wahooart.com/pt/art/ivan-ivanovich-shishkin-oak-8XY9PZ-en/
    Harvard
    Shishkin, Ivan Ivanovich (1865) Oak. Available at: https://wahooart.com/pt/art/ivan-ivanovich-shishkin-oak-8XY9PZ-en/

    Look closely

    Oak — Ivan Ivanovich Shishkin

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Our catalogue files this work under: hills, forests, wood. Do you agree? What would you add, or take away?
    4. Look back at Manhã na Floresta de Pinheiro (1886), earlier in this guide. Name two things it shares with this work, and one that is different.
    5. Realism: Painting ordinary people and ordinary work exactly as they are, without making them prettier or grander. Where can you see that in this work?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.