Papel

Guia de Obras de Estudantes

Right there

Nome Turma Data

flávio abel sousa cerqueira, Right there (2014), Faculty of Arts and Humanities of University of Porto. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
flávio abel sousa cerqueira wahooart.com/pt/artists/flavio-abel-sousa-cerqueira/
Datas do artista
1983 – ?
Pintura
2014
Dimensões originais
49 x 20 cm
Realizado em
Faculty of Arts and Humanities of University of Porto wahooart.com/pt/museums/faculty-of-arts-and-humanities-of-university-of-porto-porto/

No contexto

Right there — flávio abel sousa cerqueira

Dimensões

As dimensões originais são 49 × 20 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Sombreado: a trajetória de flávio abel sousa cerqueira (1983–?) ▲ esta obra, 2014

Paleta de cores

Medido a partir da imagem

    Cor principal

    Gray #70716b

    Paleta catalogada

    • #70716B
    • #61605B
    • #3B2C21
    • #B8ADA0
    Nome da cor principal
    Gray
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    flávio abel sousa cerqueira

    Nascido em São Paulo, Brazil

    Flávio Abel Sousa Cerqueira: Sculpting Memory’s Echoes

    Born in São Paulo, Brazil, in 1983, Flávio Abel Sousa Cerqueira has emerged as a compelling voice within contemporary Brazilian visual art. His work isn't merely about depicting figures; it’s an excavation of forgotten narratives, a deliberate confrontation with the lingering shadows of Brazil’s complex past – specifically, the enduring legacy of slavery and its reverberations through social structures. Cerqueira’s artistic journey is deeply intertwined with a commitment to honoring marginalized histories, often employing traditional sculptural techniques like bronze casting to imbue his subjects with an unexpected weight and dignity.

    Initially trained as a footballer – he spent several years playing as a central defender for clubs in Portugal including Boavista and Vitória Setúbal – Cerqueira’s transition into sculpture wasn't a sudden shift, but rather a gradual evolution. The discipline of sport, the demanding physicality, and the strategic positioning on the field likely fostered an understanding of form, balance, and the power of presence that now informs his artistic practice. This background is subtly reflected in the monumental scale of some of his pieces, creating a sense of imposing stillness and quiet contemplation.

    The Bronze as Testimony

    Cerqueira’s choice of bronze is profoundly significant. Bronze, with its association to ancient monuments and enduring permanence, carries a weighty history – it was used for statues celebrating emperors and heroes, often reinforcing dominant narratives. Yet, Cerqueira subverts this tradition by casting figures who are decidedly anti-heroes, individuals wrestling with internal conflicts, embodying resilience in the face of adversity, and challenging conventional notions of heroism. The process itself—the meticulous pouring, the slow cooling, the eventual revealing of the finished form—mirrors a painstaking effort to unearth and articulate silenced histories.

    His technique is rooted in classical bronze casting methods, particularly the lost-wax process, yet he infuses it with a distinctly contemporary sensibility. The deliberate imperfections – slight asymmetries, subtle textural variations – are not errors but rather evidence of the human hand at work, reminding us that these figures aren’t idealized representations, but tangible embodiments of lived experience.

    Echoes of Macunaíma and Brazil's Fractured Identity

    Cerqueira’s artistic vision is deeply influenced by Mário de Andrade’s seminal novel, Macunaíma. Andrade’s creation, a “hero without any character,” embodies the fragmented nature of Brazilian identity – a nation grappling with its colonial past, racial divisions, and the tension between myth and reality. Cerqueira's figures similarly occupy this liminal space, reflecting the complexities of a society struggling to reconcile its idealized narratives with its painful history. The title “Right There” (referencing one of his most striking works) speaks directly to this struggle – it’s an insistent demand for visibility, for acknowledging the presence and experiences of those historically rendered invisible.

    His work frequently explores themes of displacement, marginalization, and resistance. The figures are often depicted in moments of introspective contemplation, suggesting a quiet defiance against systemic oppression. The use of muted palettes – predominantly earthy tones punctuated by flashes of color – further emphasizes the weight of history and the enduring struggle for recognition.

    Exhibitions and Recognition

    Flávio Cerqueira’s work has garnered increasing attention within Brazil and internationally. He has participated in numerous exhibitions, including a notable showing at the Bologna Children's Book Fair, where his sculptures were presented alongside children’s literature – highlighting the universality of themes related to identity, memory, and social justice. His pieces have been featured in publications such as Jornal da USP, underscoring their critical engagement with Brazilian history and culture.

    Cerqueira's commitment to preserving and amplifying marginalized voices through his art positions him as a significant contemporary artist pushing the boundaries of sculptural practice while simultaneously confronting Brazil’s complex past. His work serves as a powerful reminder that true progress requires not only acknowledging historical injustices but also actively seeking to give voice to those who have been silenced for far too long.

    Museu

    Faculty of Arts and Humanities of University of Porto

    Em exibição em Porto, Portugal

    About the Faculty of Arts and Humanities Museum of University of Porto

    The Faculty of Arts and Humanities Museum at the University of Porto (FBAUP) is a compelling cultural institution dedicated to preserving and showcasing Portugal’s rich artistic and humanistic heritage. Situated within one of Portugal's leading universities, the museum offers a unique blend of academic rigor and public engagement.

    Specializations & Collection Highlights

    Art Education History:

    The museum provides invaluable insights into the evolution of art education in Portugal, tracing its development through historical materials and artworks.

    Cultural Exhibits:

    Dynamic exhibitions explore a wide range of cultural themes, offering visitors diverse perspectives on Portuguese society and artistic expression.

    Heritage Management:

    A significant focus is placed on the principles and practices of heritage management, showcasing innovative approaches to conservation and preservation.

    Fine Arts Collection:

    The museum boasts a collection of fine arts pieces, including works potentially by

    Maximiano Lemos

    , offering a glimpse into Portugal’s artistic talent.

    History & Architecture

    As an integral part of the Faculty of Arts and Humanities, the museum's history is intertwined with the university’s own evolution. While specific details regarding its founding date are not readily available, it has grown alongside the faculty to become a vital resource for students, researchers, and the public alike.

    The museum building itself reflects the architectural style prevalent within the University of Porto campus, often blending traditional Portuguese elements with modern design. The spaces are designed to facilitate both display and scholarly study.

    What Makes it Unique

    Academic Integration:

    Its close connection to a leading university fosters a unique environment where research, education, and public outreach converge.

    Focus on Heritage:

    The museum’s strong emphasis on heritage management sets it apart, offering valuable insights into the challenges and opportunities of preserving cultural assets.

    Cultural Significance:

    It serves as a key repository for understanding Portuguese art, culture, and intellectual history.

    Whether you are an art enthusiast, a student of humanities, or simply curious about Portugal’s cultural heritage, the Faculty of Arts and Humanities Museum offers a rewarding and enriching experience.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Right there

    wahooart.com/pt/art/download/flavio-abel-sousa-cerqueira-right-there-D5GA3A-en/

    Como citar esta obra

    MLA
    cerqueira, flávio abel sousa. Right there. 2014, Faculty of Arts and Humanities of University of Porto. https://wahooart.com/pt/art/flavio-abel-sousa-cerqueira-right-there-D5GA3A-en/
    APA
    cerqueira, flávio abel sousa (2014). Right there [Painting]. Faculty of Arts and Humanities of University of Porto. https://wahooart.com/pt/art/flavio-abel-sousa-cerqueira-right-there-D5GA3A-en/
    Chicago
    flávio abel sousa cerqueira. Right there. 2014. Faculty of Arts and Humanities of University of Porto. https://wahooart.com/pt/art/flavio-abel-sousa-cerqueira-right-there-D5GA3A-en/
    Harvard
    cerqueira, flávio abel sousa (2014) Right there. Faculty of Arts and Humanities of University of Porto. Available at: https://wahooart.com/pt/art/flavio-abel-sousa-cerqueira-right-there-D5GA3A-en/

    Observe de perto

    Right there — flávio abel sousa cerqueira

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. flávio abel sousa cerqueira tinha cerca de 31 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

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