Papel

Guia de Obras de Estudantes

Nocturnal

Nome Turma Data

fernando de la mora salcedo, Nocturnal (1994), Museum of the Arts of the University of Guadalajara. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
fernando de la mora salcedo wahooart.com/pt/artists/fernando-de-la-mora-salcedo/
Datas do artista
1958 – ?
Pintura
1994
Dimensões originais
100 x 70 cm
Realizado em
Museum of the Arts of the University of Guadalajara wahooart.com/pt/museums/museum-of-the-arts-of-the-university-of-guadalajara-guadalajara/

No contexto

Nocturnal — fernando de la mora salcedo

Qual é o tamanho?

As dimensões originais são 100 × 70 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990

Sombreado: a trajetória de fernando de la mora salcedo (1958–?) ▲ esta obra, 1994

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #462f30

    Paleta catalogada

    • #462F30
    • #26272A
    • #E59D6B
    • #6B3633
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Nocturnal — fernando de la mora salcedo

    The piece depicts an upper body figure in the foreground, following the rules of classical portrait painting. The torso is separated from the background as a result of the effects of light that appear on the shoulders, while the light intensifies towards the face, in an accentuated chiaroscurothat brings to mind a setting evocative of baroque tenebrism. The thin-faced man with sharp features is wearing attire typical of a high social class. A folded handkerchief sticks out of the jacket’s pocket and offers a touch of color to the predominant dark shades.The individual’s scruffy appearance reflects a drama of an existential character that the author stresses with gestural resources, drawing attention to the posture of the hand clenched over the chest, the disheveled hair and the gloomy expression on his face. In line with his body language, the author makes the untidy appearance of the suit evident, the wrinkled shirt due to excessive use, and the poorly knotted tie, creating an ensemble that depicts an atmosphere of agonizing loneliness.

    Artista e museu

    Artista

    fernando de la mora salcedo

    Nascido em Mexico City, Mexico

    A Voice of Passion and Precision

    Born in the vibrant heart of Mexico City on June 7, 1958, Fernando de la Mora Salcedo has carved a legacy that transcends the boundaries of traditional performance, establishing himself as a profound force in the world of operatic music. His journey is one of remarkable dedication, beginning with his formative studies at the National Conservatory of Mexico. Under the meticulous guidance of esteemed maestros such as Leticia Velázquez and Rosa Rimoch, Salcedo developed a foundational mastery of vocal technique that would later become the hallmark of his international career. This rigorous early education instilled in him not only the technical precision required for the demanding Italian and French repertoires but also a deep-seated emotional intelligence that allows him to inhabit the most complex characters on the operatic stage.

    The trajectory of Salcedo’s professional life took a triumphant turn in 1986 with his debut in Jalapa, where his performance in Madame Butterfly signaled the arrival of a significant new tenor. This moment marked the beginning of an illustrious ascent through the most prestigious opera houses in the world. His presence has graced the legendary stages of the Metropolitan Opera House in New York, La Scala in Milan, and the Vienna State Opera, among many others including the Opéra Bastille in Paris and Covent Garden in London. Such a widespread presence across Europe and North America is a testament to his ability to resonate with diverse audiences through a shared language of musical excellence.

    Artistry and Collaborative Excellence

    What distinguishes Salcedo as an artist is his profound ability to convey the emotional depth inherent in the classical canon. His artistry is characterized by a meticulous attention to detail, where every nuance of phrasing and every breath is calculated to serve the dramatic narrative. This commitment to excellence has led him into collaborations with some of the most distinguished conductors of the modern era, including Zubin Mehta, Riccardo Muti, Lorin Maazel, and Richard Bonynge. These partnerships have allowed him to explore the intricate textures of operatic scores, pushing the limits of his vocal versatility and solidifying his reputation as a performer of immense intellectual and emotional depth.

    Beyond the live stage, Salcedo has left an indelible mark on the recorded history of classical music. His extensive discography, which boasts over 20 recordings primarily released on Telarc Records, serves as a permanent archive of his breathtaking artistry. These recordings offer more than just musical documentation; they are windows into his unique interpretations of celebrated works, capturing the essence of his vocal prowess for scholars and enthusiasts alike. Through these media, his voice continues to reach beyond the concert hall, ensuring that his contribution to the operatic tradition remains a living, breathing part of the global musical heritage.

    Museu

    Museum of the Arts of the University of Guadalajara

    Em exibição em Guadalajara, Mexico

    A Sanctuary of Expression: The Soul of Guadalajara

    In the beating heart of Guadalajara’s historic center, where the echoes of colonial grandeur meet the vibrant pulse of modern Mexican life, lies a sanctuary for the senses known as the Museum of the Arts of the University of Guadalajara, or MUSA. To step through its doors is to enter a dialogue between eras. The museum itself is housed in an elegant neoclassical structure, originally built in 1914 as part of the university’s rectory, and this architectural dignity provides a profound stage for the raw, emotive power of the works within. For the art lover or the discerning collector, MUSA offers more than just a gallery visit; it offers an immersion into the very identity of Jalisco and the broader Mexican spirit.

    The museum’s most breathtaking encounter awaits those who find themselves within the Enrique Díaz de León Auditorium suite. Here, the walls and ceilings cease to be mere structural elements and instead become living chronicles of human struggle and triumph. The legendary muralist José Clemente Orozco left an indelible mark on this space with two colossal frescoes completed between 1935 and 1937. In

    The Creator and Rebel

    , the domed ceiling erupts with a cosmic, expressionistic energy, while

    The People and Their False Leaders

    blankets the wall behind the podium with a biting, social realism. Orozco’s mastery of dramatic chiaroscuro and his aggressive, textured brushstrokes capture the tumultuous essence of the Mexican Revolution, making these murals not just historical artifacts, but visceral experiences that command the room's entire atmosphere.

    Beyond the monumental shadows of Orozco, MUSA reveals a kaleidoscopic collection that speaks to the evolution of contemporary thought. The museum serves as a vital bridge between tradition and innovation, showcasing a diverse array of works ranging from vibrant canvases by local Jalisco masters to avant-garde installations that challenge our perception of form and materiality. For interior designers seeking inspiration, the museum’s rotating exhibitions offer a masterclass in color theory, texture, and thematic depth, often exploring indigenous Mexican traditions alongside global contemporary movements. This constant state of renewal ensures that the museum remains a living organism, perpetually redefining itself through new artistic voices.

    What truly distinguishes MUSA is its role as a cultural cornerstone that remains deeply accessible to the community it serves. It is a place where academic rigor meets public passion, fostering an environment where students, tourists, and art enthusiasts can converge. Whether one is drawn by the historical weight of its neoclassical halls, the profound social commentary etched into its frescoes, or the cutting-edge dialogue of its modern galleries, MUSA stands as an essential destination. It is a testament to the enduring power of art to document our past, reflect our present, and inspire the limitless possibilities of our future.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Nocturnal

    wahooart.com/pt/art/download/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/

    Como citar esta obra

    MLA
    salcedo, fernando de la mora. Nocturnal. 1994, Museum of the Arts of the University of Guadalajara. https://wahooart.com/pt/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    APA
    salcedo, fernando de la mora (1994). Nocturnal [Painting]. Museum of the Arts of the University of Guadalajara. https://wahooart.com/pt/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    Chicago
    fernando de la mora salcedo. Nocturnal. 1994. Museum of the Arts of the University of Guadalajara. https://wahooart.com/pt/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/
    Harvard
    salcedo, fernando de la mora (1994) Nocturnal. Museum of the Arts of the University of Guadalajara. Available at: https://wahooart.com/pt/art/fernando-de-la-mora-salcedo-nocturnal-D744MC-en/

    Observe de perto

    Nocturnal — fernando de la mora salcedo

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. fernando de la mora salcedo tinha cerca de 36 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.