Papel

Guia de Obras de Estudantes

Windmill

Nome Turma Data

Eddie Arning, Windmill (1966). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Eddie Arning wahooart.com/pt/artists/eddie-arning/
Datas do artista
1898 – 1993
Pintura
1966
Dimensões originais
61 x 48 cm
Movimento
Geometric Abstraction Abstraction built strictly from squares, circles and straight edges rather than free gesture.

No contexto

Windmill — Eddie Arning

Dimensões

As dimensões originais são 61 × 48 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 95 ao falecer.

Pintado quando o artista tinha 68. O artista viveu até aos 95. 3 das 21 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Eddie Arning (1898–1993) ▲ esta obra, 1966 cada pintura datada, década por década

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/eddie-arning-windmill-AQTV8T-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Bronze #d97c07

    Paleta catalogada

    • #D97C07
    • #210F12
    • #723F18
    • #C26208

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Dark A família de cores predominante na imagem.
    Nome da cor principal
    Bronze
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Vivid Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Eddie Arning nos últimos doze meses — 2 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 83,3%
    2. 2 Estados Unidos da América 16,7%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 6 obras mais visualizadas de Eddie Arning

    1. 1 The Forest, 1964 33,3%
    2. 2 Man with Newport Cigarettes, 1970 16,7%
    3. 3 Benson and Hedges in a Barbershop, 1971 16,7%
    4. 4 Blue Churn on Yellow, 1964 16,7%
    5. 5 Colonel Sanders, 1968 16,7%
    6. Windmill, 1966 esta pintura 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 21 obras deste artista, das quais 5 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Eddie Arning

    A Vision in Crayon: The Singular World of Eddie Arning

    Eddie Arning (1898-1993) was an American outsider artist whose work, largely created during the latter half of his life, offers a profoundly unique and compelling vision of faith, Americana, and everyday existence. Born in Texas, Arning lived a relatively quiet life as a farmer and handyman before embarking on a prolific artistic journey that would only gain recognition after his death. He wasn’t formally trained; his medium was almost exclusively crayon, and his subjects sprang from the depths of his personal beliefs and observations. To call him “self-taught” feels inadequate – Arning didn't seek instruction, he simply needed to create, driven by an inner compulsion that manifested in a vibrant, often startlingly direct style. His art isn’t about technical mastery; it’s about raw expression, unwavering conviction, and the unfiltered translation of his internal world onto paper.

    From Farm Life to Artistic Revelation

    Arning's early life provided little indication of the artistic fervor that would later consume him. He worked the land, a practical existence far removed from galleries or art schools. The turning point appears to have come in his 60s, when he began producing an astonishing number of crayon drawings and paintings. These weren’t sketches or preliminary studies; they were fully realized works, often large in scale, depicting scenes ranging from biblical narratives – particularly those surrounding Jesus Christ – to depictions of contemporary American life, rural landscapes, and even abstract patterns. The sheer volume of his output is remarkable, suggesting a relentless creative energy that demanded release. He wasn’t creating for an audience; he was creating because he had to. This inherent need is crucial to understanding the power and authenticity of his work. His home became filled with these images, transforming his living space into a personal chapel and gallery simultaneously.

    Themes and Symbolism: A Personal Mythology

    The core of Arning’s artistic vision revolves around religious themes, specifically his interpretation of Christianity. However, his depictions of Jesus are far from conventional. They are often intensely emotional, sometimes unsettling, and imbued with a distinctly personal symbolism. Figures radiate light, appear in multiple forms within the same composition, or are surrounded by swirling patterns that suggest divine energy. Beyond religious iconography, Arning’s work is populated with scenes of everyday life – families, farm animals, cars, houses – rendered with a naive simplicity that belies their emotional depth. He frequently incorporated text into his works, often repeating phrases or biblical verses, further emphasizing the spiritual and moral weight he attached to his subjects. Vintage Americana is also a key element; images of mid-century automobiles, clothing styles, and domestic interiors ground his visions in a specific time and place, creating a fascinating juxtaposition between the sacred and the mundane. The repetition of certain motifs – stars, crosses, swirling lines – suggests a personal mythology that unfolds across the breadth of his oeuvre.

    Technique and Style: The Power of Crayon

    Arning’s choice of crayon as his primary medium is perhaps one of the most striking aspects of his work. It's an unconventional material for serious art, often associated with childhood or amateur expression. Yet, Arning wielded it with remarkable skill and intensity. He layered colors to create depth and texture, used bold outlines to define forms, and exploited the inherent vibrancy of the crayon itself. His style is characterized by a naive simplicity, a lack of traditional perspective or anatomical accuracy that contributes to the raw emotional power of his images. The slightly waxy texture of the crayon adds another layer of tactility to his work, inviting viewers to engage with it on a visceral level. He often worked on large sheets of paper or cardboard, creating expansive compositions that envelop the viewer in his world. This deliberate choice of scale and medium reinforces the sense of immediacy and authenticity that defines his art.

    Legacy and Historical Significance: The Outsider’s Voice

    Eddie Arning remained largely unknown during his lifetime. His work was discovered after his death by a collector who recognized its extraordinary power and originality. Since then, it has gained increasing attention from the art world, earning him recognition as a significant figure in outsider art and American folk art. Arning’s work challenges conventional notions of artistic training and skill, demonstrating that profound creativity can emerge from unexpected sources. His unwavering faith, his unique vision, and his raw emotional expression resonate deeply with viewers, offering a glimpse into the inner world of an artist who remained true to himself despite – or perhaps because of – his isolation. He stands as a testament to the power of art as a means of personal revelation and spiritual exploration, a voice from the margins that continues to captivate and inspire.

    His work is now held in numerous private collections and museums.

    Arning’s “Jesus craze” artwork has become particularly sought after by collectors.

    He represents a significant example of self-taught American art from the 20th century.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Windmill

    wahooart.com/pt/art/download/eddie-arning-windmill-AQTV8T-en/

    Como citar esta obra

    MLA
    Arning, Eddie. Windmill. 1966, https://wahooart.com/pt/art/eddie-arning-windmill-AQTV8T-en/
    APA
    Arning, Eddie (1966). Windmill [Painting]. https://wahooart.com/pt/art/eddie-arning-windmill-AQTV8T-en/
    Chicago
    Eddie Arning. Windmill. 1966. https://wahooart.com/pt/art/eddie-arning-windmill-AQTV8T-en/
    Harvard
    Arning, Eddie (1966) Windmill. Available at: https://wahooart.com/pt/art/eddie-arning-windmill-AQTV8T-en/

    Observe de perto

    Windmill — Eddie Arning

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract ferris wheel, geometric design, vibrant colors. Concorda? O que acrescentaria ou removeria?
    4. Relembre Red Boat on Blue (1964), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Geometric Abstraction: Abstraction built strictly from squares, circles and straight edges rather than free gesture. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quem criou "Windmill"?

    "Windmill" foi criado por Eddie Arning. As informações nesta página descrevem a obra original de Eddie Arning.

    Posso usar realidade aumentada para ver "Windmill" de Eddie Arning no meu ambiente?

    "Windmill" possui uma prévia em realidade aumentada: a página de Visualização em RA da obra mostra como ela ficaria no seu próprio espaço através de um dispositivo compatível.

    Quais são as dimensões da obra original "Windmill" de Eddie Arning?

    A obra original "Windmill" de Eddie Arning mede 61 x 48 cm.