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Nome Turma Data

David Mark Weber, Table Clock with Astronomical and Calendrical Dials (1653), The Frick Collection. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
David Mark Weber wahooart.com/pt/artists/david-mark-weber/
Datas do artista
1952 –
Pintura a óleo
1653
Técnica
Oil
Dimensões originais
59 x 25 cm
Movimento
Baroque, Decorative Arts Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Período
Late Medieval
Realizado em
The Frick Collection wahooart.com/pt/museums/the-frick-collection-nova-iorque_pt/
Artistic style
Renaissance
Influences
Weber
Notable elements
Astrolabe, chasing, repoussé
Subject or theme
Timekeeping & Astronomy

No contexto

Table Clock with Astronomical and Calendrical Dials — David Mark Weber

Qual é o tamanho?

As dimensões originais são 59 × 25 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1640
  2. 1680
  3. 1720
  4. 1760
  5. 1800
  6. 1840
  7. 1880
  8. 1920

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

▲ esta obra, 1653 cada pintura datada, década por década

Cores

Medido a partir da imagem

    Cor principal

    Espresso #33332f

    Paleta catalogada

    • #33332F
    • #C0B9A7
    • #9B9786
    • #6C6655

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de David Mark Weber nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%100 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 1 obras mais visualizadas de David Mark Weber

    1. 1 Table Clock with Astronomical and Calendrical Dials, 1653 esta obra 100,0%100 visits

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 1 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. This painting ranks 1 of them, with 100,0% of that attention (100 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    A Celestial Tapestry: Unveiling David Weber’s Astronomical Clock

    David Mark Weber's "Table Clock with Astronomical and Calendrical Dials," crafted around 1653, is more than just a timepiece; it’s a miniature universe captured in silver, brass, and meticulously chased detail. Produced during the height of Augsburg’s clockmaking prowess – a period renowned for its blend of artistry and technical innovation – this remarkable piece offers a rare glimpse into the intellectual curiosity and artistic skill of 17th-century Europe. The Frick Collection's acquisition of this exceptional clock reveals not only a masterful example of horological engineering but also a profound engagement with the cosmos, reflecting a time when understanding the heavens was both a scientific pursuit and a deeply spiritual endeavor.

    The clock’s design immediately commands attention. Its towering form, reminiscent of a miniature astronomical observatory, is far removed from the commonplace table clocks of the era. The dominant central dial, an astrolabe, dominates the front panel, showcasing twenty-one star pointers meticulously arranged to chart the positions of celestial bodies. Two concentric hands, one representing the sun and the other the moon, track their movements across the heavens with remarkable precision. Beneath this grand display lies a smaller alarm dial, hinting at the clock’s practical function – a reminder of earthly time alongside the vast expanse of the universe.

    The Art of Chasing and Repoussé: A Masterclass in Metalwork

    Weber's skill isn't merely confined to the intricate mechanics; it’s evident in every facet of the clock’s surface. The case is adorned with a breathtaking array of floral arrangements and figures, rendered using two distinct techniques – chasing and repoussé. Chasing involves pushing the malleable metal inward, creating delicate grooves and textures that mimic the appearance of foliage and petals. Repoussé, conversely, employs hammering from the reverse side to raise designs in relief, adding depth and dimensionality to the sculpted elements. The result is a surface teeming with life – miniature roses, leaves, and even stylized human figures emerge from the metal, demonstrating Weber’s exceptional control over his materials and his ability to translate complex designs into tangible form.

    The use of silver and brass further enhances the clock's visual impact. Silver, prized for its luster and reflectivity, provides a luxurious backdrop for the intricate details, while brass offers a warm, golden hue that complements the overall aesthetic. The combination creates a rich, opulent effect, suggesting the wealth and status associated with owning such an elaborate timepiece.

    A Window into 17th-Century Knowledge

    Beyond its beauty and craftsmanship, the clock serves as a fascinating window into the intellectual climate of the mid-17th century. The inclusion of astronomical dials – displaying not only the time but also the positions of the sun, moon, and stars – reflects a burgeoning interest in astronomy and a desire to understand the mechanics of the universe. The calendrical dials provide information about the date, lunar phases, and even astrological signs, demonstrating a holistic approach to knowledge that sought to integrate celestial observations with earthly events.

    Furthermore, the clock’s design aligns with the broader trends in European art and science during this period. Augsburg was a major center for both clockmaking and scientific innovation, attracting skilled artisans and scholars from across Europe. Weber's clock embodies this spirit of intellectual curiosity and artistic experimentation, representing a culmination of centuries of tradition and a testament to the enduring human fascination with time, space, and the cosmos.

    A Timeless Legacy: Reproduction and Inspiration

    Today, reproductions of David Weber’s “Table Clock with Astronomical and Calendrical Dials” continue to captivate collectors and interior designers alike. The clock's intricate detail, rich materials, and profound symbolism make it a truly exceptional piece – one that transcends its functional purpose to become a work of art in its own right. Whether displayed as a statement piece in a grand salon or incorporated into a more intimate setting, this remarkable timepiece serves as a reminder of the ingenuity and artistry of a bygone era.

    Artista e museu

    Artista

    David Mark Weber

    Nascido em Not specified, United States of America

    The Architect of Stellar Worlds

    To encounter the creative essence of David Mark Weber is to step into a meticulously constructed cosmos where the boundaries between history and the future dissolve. Born on October 24, 1952, in Cleveland, Ohio, Weber emerged not merely as a storyteller, but as an architect of vast, interstellar landscapes. His journey began long before his professional debut, ignited by a childhood passion for narrative that took root in the fifth grade. This early spark, nurtured by a lineage of intellectual curiosity—including a mother who was a college English teacher and an advertising professional—allowed him to develop a profound sensitivity to the rhythms of language and the structural complexities of world-building. His formative years, spent navigating the worlds of copywriting, typesetting, and proofreading, instilled in him a craftsman’s precision, a quality that would later define the granular detail of his sprawling universes.

    The literary landscape of the late twentieth century found in Weber a transformative voice, particularly within the realms of military science fiction and fantasy. His debut in 1989, a collaborative effort with Steve White, signaled the arrival of a creator capable of blending the tactical rigor of naval warfare with the sweeping emotional arcs of political intrigue. This period marked the genesis of his most enduring legacy: the Honorverse. Through the character of Honor Harrington, Weber introduced a protagonist who navigated the treacherous waters of interstellar politics and combat with a strength that challenged traditional genre tropes. His work echoes the grand, character-driven legacies of masters like Robert A. Heinlein and C.J. Cherryh, yet it possesses a unique signature characterized by its deep reverence for historical naval traditions and the intricate machinations of statecraft.

    A Legacy of Infinite Horizons

    The true brilliance of Weber’s oeuvre lies in his ability to breathe life into the inanimate, turning starships, planetary systems, and alien cultures into living, breathing entities. His magnum opus, the Honor Harrington series, serves as a masterclass in sustained world-building, where every technological advancement and political treaty feels earned through the weight of history. Beyond this flagship achievement, his creative reach extends into the Safehold series and various standalone explorations such as Apocalypse Troll and Exodus: Endgame. Each work is a testament to his ability to weave complex sociological threads into the fabric of high-stakes adventure, creating a sense of "lived-in" reality that captivates the imagination.

    The significance of Weber’s contribution to modern speculative fiction cannot be overstated. He has mastered the art of the "techno-thriller" in space, utilizing his deep understanding of logistics and command to ground his fantastical elements in a palpable sense of realism. His influence permeates the genre, inspiring a generation of readers to look toward the stars not just as a void to be feared, but as a canvas for complex human drama. As his archives continue to inspire new interpretations of science fiction art and literature, Weber remains a cornerstone of the genre—a creator whose imaginative blueprints continue to expand the boundaries of what we believe possible in the far reaches of the galaxy.

    Museu

    The Frick Collection

    Em exibição em Nova Iorque, Estados Unidos da América

    A Sanctuary of Gilded Age Grandeur: The Frick Collection

    Nestled within a meticulously preserved mansion on Fifth Avenue in New York City, The Frick Collection is more than simply a museum; it’s an immersive journey into the heart of the American Gilded Age. Designed as the residence of Henry Clay Frick, the industrialist and art collector, this extraordinary space seamlessly blends architectural splendor with a breathtaking collection of European masterpieces spanning from the 14th to the 19th centuries. Stepping through its doors is akin to entering a private salon—a testament to Frick’s discerning taste and his profound belief that “the house must be as beautiful as the paintings.” The entire experience is orchestrated to elevate the art, transforming the mansion into an intimate stage for these extraordinary works.

    The collection itself is a remarkably cohesive narrative, carefully curated by Frick himself. It’s not merely a random assortment of artworks; rather, it represents a deliberate evolution of artistic ideals and techniques. Begin your exploration with Giovanni Bellini's “St. Francis in Meditation,” a luminous panel that immediately establishes the collection’s commitment to spiritual contemplation—a theme that resonates throughout the rooms. Nearby, Jean-Honoré Fragonard’s “The Swing” offers a delightful counterpoint, injecting a dose of playful Rococo charm into the experience. However, the true heart of The Frick lies in its portraits – a genre where the collection truly shines. Goya's penetrating gaze reveals the complexities of human character with startling honesty, offering a stark contrast to the idealized beauty often found elsewhere. Gainsborough’s elegant depictions of English society capture aristocratic grace and social nuance with remarkable precision, while Rembrandt’s masterful use of light and shadow illuminates the inner lives of his subjects, revealing a profound psychological depth. These are not simply paintings; they are windows into worlds long past, rendered with an unparalleled skill that speaks to the enduring power of artistic representation.

    An Architectural Dialogue: The House as Art

    What truly distinguishes The Frick Collection is its unique setting—a mansion designed specifically to complement and enhance its artworks. Unlike many museums housed in purpose-built structures, this collection resides within Henry Clay Frick’s original home, transforming it into an immersive experience where the distinction between viewing space and artwork itself seems to blur. The grand gallery, with its soaring ceilings adorned with intricate plasterwork—a deliberate choice by architect Thomas Hastings to create a dramatic backdrop—provides a stage for monumental canvases like Bellini's “St. Francis.” Smaller rooms offer more intimate settings for delicate miniatures and exquisite bronzes, allowing visitors to appreciate the nuances of craftsmanship alongside artistic beauty. The Frick House isn’t merely a container for art; it’s an integral part of the artistic experience—a tangible embodiment of the Gilded Age aesthetic, reflecting Frick’s unwavering belief that “the house must be as beautiful as the paintings.” Notice how natural light is carefully considered in each room, enhancing the colors and textures of the artworks. The meticulous attention to detail extends beyond the grand spaces, with every element – from the furniture to the textiles – contributing to a cohesive and harmonious atmosphere.

    Sculpting Elegance: Jacques Augustin Pajou’s Contributions

    Amongst the collection's celebrated treasures is the remarkable contribution by Jacques Augustin Pajou (1766-1828), a prominent French Neoclassical sculptor renowned for his portrait busts. Pajou’s sculptures exemplify the stylistic ideals of his time—characterized by refined elegance and meticulous attention to detail. His works capture the likenesses of influential figures, such as Louis XVI and Napoleon, with remarkable accuracy and psychological depth, revealing not only their physical appearance but also their inner character and demeanor. Pajou’s sculptural technique – employing Carrara marble and employing subtle modeling techniques – demonstrates a mastery of material and form that aligns perfectly with The Frick Collection's overarching aesthetic vision. Consider the delicate rendering of features, the subtle play of light on the marble, and the overall sense of dignified composure – these are hallmarks of Pajou’s exceptional skill. His busts offer intimate glimpses into the lives and personalities of some of history’s most significant figures, adding another layer of richness to the museum's narrative.

    Beyond the Walls: Scholarship & a Legacy of Knowledge

    The Frick Art Research Library, established by Henry Clay Frick’s daughter Helen Clay Frick in 1920, represents another invaluable resource for art historians and researchers worldwide. This vast repository—containing sales catalogs, books, periodicals, and photographs—provides an unparalleled depth of knowledge about Western art history, spanning from the Renaissance to the Impressionist era. The library’s commitment to scholarly inquiry underscores The Frick Collection’s dedication not only to preserving artistic treasures but also to fostering a deeper understanding and appreciation of them. Furthermore, temporary exhibitions continue to illuminate new perspectives on artistic themes and artists, engaging audiences with fresh insights and stimulating intellectual discourse. Currently, the museum operates at 945 Madison Avenue, furthering its mission to disseminate knowledge and inspire creativity. The reopening in April 2025 promises an even richer experience for visitors, ensuring that this Gilded Age sanctuary continues to enchant generations to come.

    Useful Links:

    The Frick Collection

    Wikipedia - Frick Collection

    Additional Research:

    Mistress and Maid (Johannes Vermeer)

    Officer with a Laughing Girl (Johannes Vermeer)

    Jacques Augustin Pajou

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Table Clock with Astronomical and Calendrical Dials

    wahooart.com/pt/art/download/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/

    Como citar esta obra

    MLA
    Weber, David Mark. Table Clock with Astronomical and Calendrical Dials. 1653, The Frick Collection. https://wahooart.com/pt/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    APA
    Weber, David Mark (1653). Table Clock with Astronomical and Calendrical Dials [Painting]. The Frick Collection. https://wahooart.com/pt/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    Chicago
    David Mark Weber. Table Clock with Astronomical and Calendrical Dials. 1653. The Frick Collection. https://wahooart.com/pt/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    Harvard
    Weber, David Mark (1653) Table Clock with Astronomical and Calendrical Dials. The Frick Collection. Available at: https://wahooart.com/pt/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/

    Observe de perto

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: clockwork, astronomical, dials. Concorda? O que acrescentaria ou removeria?
    4. Baroque, Decorative Arts: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Onde você pode observar isso nesta obra?
    5. Temas recorrentes na obra de David Mark Weber: augsburg clockmaking tradition, renaissance astronomical design, weber’s intricate craftsmanship. Quais deles você consegue identificar aqui?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What is the primary function of the astronomical and calendrical dials on the Table Clock with Astronomical and Calendrical Dials?

      • A To display the current date only.
      • B To provide information about astronomical events, calendar dates, and horary time.
      • C To serve as a decorative element without any functional purpose.
    2. 2. The intricate carvings on the clock case primarily demonstrate which artistic techniques?

      • A Chasing and repoussé.
      • B Gilding and enamel work.
      • C Staining and wood carving.
    3. 3. In what century was the Table Clock with Astronomical and Calendrical Dials likely created?

      • A 13th Century
      • B 1653
      • C 19th Century
    4. 4. The astrolabe dial on the clock is designed to display information related to:

      • A Lunar phases and tides.
      • B The positions of the sun, moon, and stars.
      • C The movement of the Earth around the Sun.
    5. 5. According to the description, what was a key characteristic of clocks produced in Augsburg during the period when this clock was made?

      • A They were always highly accurate timekeepers.
      • B They were prized as luxury goods despite often being inaccurate.
      • C They were primarily designed for military use.

    Minha pontuação: ____ de 5

    Gabarito — para o professor

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    1B · 2A · 3B · 4B · 5B

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    Perguntas e Respostas

    Qual tamanho de impressão de "Table Clock with Astronomical and Calendrical Dials", de David Mark Weber se adequa ao ambiente recomendado?

    Para um(a) Living Room, sugere-se que "Table Clock with Astronomical and Calendrical Dials" seja impresso no tamanho Medium.

    Qual é o formato e as dimensões de "Table Clock with Astronomical and Calendrical Dials"?

    "Table Clock with Astronomical and Calendrical Dials", de David Mark Weber é uma composição em Portrait com dimensões de 59 x 25 cm no original.

    Como posso descobrir obras de arte semelhantes a "Table Clock with Astronomical and Calendrical Dials", de David Mark Weber?

    Obras semelhantes a "Table Clock with Astronomical and Calendrical Dials" estão listadas na página de Obras semelhantes desta obra.