Papel

Guia de Obras de Estudantes

Madonna della Candeletta

Nome Turma Data

Carlo Crivelli, Madonna della Candeletta (1490), Pinacoteca di Brera. Domínio público.

Informações principais

Artista
Carlo Crivelli wahooart.com/pt/artists/carlo-crivelli_pt/
Datas do artista
1435 – 1495
Pintura
1490
Técnica
Acrylic On Canvas
Dimensões originais
218 x 75 cm
Movimento
Renaissance Decorative Style
Realizado em
Pinacoteca di Brera wahooart.com/pt/museums/pinacoteca-di-brera-milao_pt/
Artistic style
Conservative Late Gothic
Influences
Vivarini, Squarcione
Notable elements or techniques
Symbolism; Trompe l'oeil
Subject or theme
Religious Painting

No contexto

Madonna della Candeletta — Carlo Crivelli

Qual é o tamanho?

As dimensões originais são 218 × 75 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser desenhada à escala nesta página.

Ano de criação

  1. 1430
  2. 1440
  3. 1450
  4. 1460
  5. 1470
  6. 1480
  7. 1490

Sombreado: a trajetória de Carlo Crivelli (1435–1495) ▲ esta obra, 1490

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: wahooart.com/pt/art/similar/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Driftwood #a37e48

    Paleta catalogada

    • #A37E48
    • #CCB789
    • #1F1413
    • #5E412D
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Driftwood
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Sobre esta obra

    Madonna della Candeletta — Carlo Crivelli

    The Madonna della Candeletta is a stunning oil on panel painting created by the Italian artist Carlo Crivelli in 1490. This beautiful work of art is housed in the prestigious Pinacoteca di Brera in Milan, Italy, and is considered one of the most important paintings of the Renaissance period.

    The painting depicts the Virgin Mary holding a child who is also holding a lamb, surrounded by a serene and peaceful natural setting. The scene is filled with symbolism, including the presence of fruits such as apples and oranges, which are scattered throughout the painting. These symbols add depth and meaning to the work, making it a fascinating piece to study and admire.

    Carlo Crivelli was a renowned artist of his time, known for his exceptional skill and attention to detail. His use of color and composition in the Madonna della Candeletta is particularly noteworthy, creating a sense of harmony and balance that draws the viewer's eye.

    Other notable works of art can be found at the Pinacoteca di Brera, including the Montefeltro Altarpiece (detail) by Piero Della Francesca and the Marriage of the Virgin by Raphael (Raffaello Sanzio Da Urbino). These paintings demonstrate the high level of artistic skill and craftsmanship that was present during the Renaissance period.

    Key Features of the Painting

    Some key features of the Madonna della Candeletta include:

    The use of symbolism, including the presence of fruits and the lamb, to add depth and meaning to the work

    The exceptional skill and attention to detail demonstrated by Carlo Crivelli

    The serene and peaceful natural setting, which creates a sense of harmony and balance

    For more information on the Madonna della Candeletta and other works of art by Carlo Crivelli, please visit https://AllPaintingsStore.com. You can also learn more about the Pinacoteca di Brera and its collection of Renaissance art on Wikipedia.

    Artista e museu

    Artista

    Carlo Crivelli

    Nascido em Veneza, Itália

    primeiros anos e formação

    carlo crivelli, pintor do renascimento italiano, nasceu em veneza por volta de 1430-35. vindo de uma linhagem de artistas, ele recebeu sua formação artística entre as vibrantes cidades de veneza e pádua. acredita-se que os primeiros passos de crivelli tenham ocorrido sob a tutela de jacobello del fiore, mestre ainda ativo em 1436, além de ter estudado na prestigiada escola de vivarini, em veneza.

    carreira e estilo

    os anos iniciais de crivelli foram dedicados ao território do veneto, onde absorveu as ricas influências de vivarini, squarcione e mantegna. contudo, por volta de 1458, o artista deixou o veneto para trilhar seu caminho na marca de ancona, onde passaria a maior parte de sua carreira. nesse período, ele desenvolveu um estilo pessoal singular, que se distanciava propositalmente da abordagem de seu contemporâneo veneziano giovanni bellini. a obra de crivelli é definida por uma sensibilidade decorativa conservadora do gótico tardio, marcada por uma qualidade linear rigorosa, um olhar atento aos detalhes minuciosos e o uso magistral de técnicas de "trompe l'oeil", que desafiam a percepção do espectador.

    obras notáveis e colaborações

    * a pintura de carlo crivelli, "madonna e o menino entronizados" (106 x 55 cm, museu de belas artes, budapeste, hungria), é um exemplo sublime de sua maestria. o artista também uniu talentos ao colaborar com seu irmão mais novo, vittorio crivelli, em diversos projetos. além disso, contou com a colaboração de pietro alemanno, um pintor que emigrou da alemanha/áustria para a marca de ancona e tornou-se seu pupilo.

    museus e coleções

    * a pinacoteca di brera, em milão, na Itália, abriga diversas obras de crivelli, incluindo a emocionante "pietà" (128 x 241 cm). * o museu san giovanni in bragora, em veneza, possui uma coleção de obras de diversos períodos e estilos, incluindo peças atribuídas ao mestre.

    veja as obras de carlo crivelli em AllPaintingsStore.com

    explore as obras de jacopo robusti em AllPaintingsStore.com

    saiba mais sobre carlo crivelli na wikipedia

    o legado de crivelli continua a inspirar entusiastas e estudiosos da arte, com sua obra permanecendo como um testemunho do poder duradouro da sensibilidade decorativa do gótico tardio.

    Museu

    Pinacoteca di Brera

    Em exibição em Milão, Itália

    A Sanctuary of Italian Masterpieces: Unveiling the Pinacoteca di Brera

    Nestled within the heart of Milan, Italy, the Pinacoteca di Brera is more than merely a museum; it’s an immersive experience, a pilgrimage through centuries of artistic evolution. Originally conceived as a Jesuit convent in the 17th century and dramatically transformed under the visionary hands of Francesco Maria Richini and Giuseppe Piermarini, the Palazzo Brera now stands as a magnificent testament to architectural harmony – a seamless blend of Baroque opulence and Neoclassical grace. Stepping through its grand doors is akin to entering a living narrative, where the echoes of artistic innovation and scholarly pursuit resonate within the very stones, inviting contemplation alongside the masterpieces housed within. The museum’s story is inextricably linked to the Brera Academy of Fine Arts, founded in 1776, initially envisioned as a resource for students studying exemplary works firsthand – a veritable library of artistic achievement. Over time, it blossomed into a public institution dedicated to preserving and showcasing Italy's rich artistic heritage, continually evolving with additions like Palazzo Citterio, introducing a vibrant modern art wing that bridges the gap between past and present—a bold statement of continuity and innovation. The Pinacoteca’s true strength lies in its unparalleled collection, spanning from the 13th century to the late 20th, offering a panoramic view of Italian painting, meticulously curated to highlight key schools and movements. It's a space where Raphael’s serene grace dialogues with Mantegna’s dramatic intensity, inviting visitors on a profound journey through the soul of Italian art.

    A Chronicle of Transformation: From Convent to Cultural Hub

    The Palazzo Brera’s history is as captivating as its artistic treasures. Originally designed as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The building's architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. Constructed as a Jesuit residence and later embellished by Piermarini, it houses an astronomical observatory and served as the seat of the Brera Academy for decades—a space that embodies both artistic grandeur and intellectual fervor. The grand halls, with their soaring ceilings and intricate details, evoke a sense of timeless beauty and scholarly pursuit. Integral to the Pinacoteca’s experience is the Palazzo Brera itself – a magnificent building that has served as both a convent and a cultural center for centuries. Originally conceived as a Jesuit residence, it underwent significant transformations under the guidance of Francesco Maria Richini and later Giuseppe Piermarini, evolving into a vibrant hub for art, science, and culture. The architecture is a captivating blend of Baroque and Neoclassical styles – an elegant backdrop that enhances the viewing experience. The building’s history isn't confined to its artistic function; it has housed an astronomical observatory and served as the seat of the Brera Academy for decades, contributing to a rich intellectual atmosphere that permeates the space. The Palazzo Brera is not merely a container for art; it is art – a testament to the enduring power of beauty and knowledge.

    A Treasury of Italian Art: Collection Highlights

    The Pinacoteca boasts an extraordinary assemblage of artworks, spanning from the 13th century to the late 20th. The collection is meticulously organized, offering visitors a chronological journey through Italian painting. Key highlights include Raphael’s breathtaking “Sposalizio” (The Marriage of the Virgin), a masterpiece of Renaissance grace and composition – a testament to his mastery of perspective and idealized beauty; Andrea Mantegna's powerfully evocative works imbued with classical gravitas, particularly his depictions of St. Sebastian—a poignant portrayal of suffering and faith; Piero della Francesca’s geometric precision lending an ethereal quality to his portraits, capturing the dignity and serenity of Renaissance nobility; Giovanni Bellini’s Venetian grace and spirituality, reflecting the city's unique artistic traditions; Francesco Hayez’s historical paintings capturing emotional intensity – notably “Il Bacio” (The Kiss), a quintessential symbol of Italian romanticism—a tender depiction of love and devotion; Giandomenico Tiepolo's Punchinello scenes, rendered with vibrant color and playful energy, showcasing his fresco artistry and mastery of theatrical composition; Carlo Francesco Nuvolone (“the Guido of Lombardy”), renowned for his dramatic and expressive portraits, capturing the psychological depth and emotional complexity of his subjects; and numerous other significant works by artists representing the diverse schools and movements that shaped Italian art history. Each piece whispers a story—a tale of patronage, innovation, and the enduring human desire to capture beauty and truth.

    Beyond the Paintings: Architectural Jewel and Historical Context

    Established in 1776, the Brera Academy’s mission was to foster artistic excellence by providing students with access to seminal artworks. This commitment to scholarly engagement continues to shape the museum's identity and programming. The Pinacoteca regularly hosts exhibitions exploring diverse themes – retrospectives dedicated to prominent Italian painters, thematic displays examining Venetian art’s influence on European culture, and explorations of specific artistic techniques or periods. The building itself is a significant historical landmark, having served as both a Jesuit residence and the seat of the Brera Academy for decades, fostering an environment of intellectual curiosity and civic pride. The Pinacoteca's location within Palazzo Brera adds another layer to its appeal, offering visitors the opportunity to appreciate the architectural beauty of this historic building alongside its remarkable collection of art. Furthermore, the museum’s connection to the Brera Academy highlights a tradition of artistic education and research that continues to thrive today.

    Notable Exhibitions & Further Exploration

    The Pinacoteca’s programming extends beyond its permanent collection. Regular exhibitions delve into specific themes and artists, providing fresh perspectives on Italian art history. Recent events have included retrospectives dedicated to Giandomenico Tiepolo, exploring the evolution of his style and artistic vision; thematic displays examining Venetian art's influence on European culture, showcasing the vibrant colors and innovative techniques that defined this pivotal period in art history; and explorations of specific artistic techniques or periods. For those seeking a deeper understanding of the Pinacoteca’s collection and its historical context, we recommend visiting the museum’s website at

    https://pinacotecabrera.org/en/

    for information on current exhibitions, events, and educational programs.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Madonna della Candeletta

    wahooart.com/pt/art/download/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

    Como citar esta obra

    MLA
    Crivelli, Carlo. Madonna della Candeletta. 1490, Pinacoteca di Brera. https://wahooart.com/pt/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    APA
    Crivelli, Carlo (1490). Madonna della Candeletta [Painting]. Pinacoteca di Brera. https://wahooart.com/pt/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    Chicago
    Carlo Crivelli. Madonna della Candeletta. 1490. Pinacoteca di Brera. https://wahooart.com/pt/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/
    Harvard
    Crivelli, Carlo (1490) Madonna della Candeletta. Pinacoteca di Brera. Available at: https://wahooart.com/pt/art/carlo-crivelli-madonna-della-candeletta-8DP4ED-en/

    Observe de perto

    Madonna della Candeletta — Carlo Crivelli

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: virgin mary, lamb symbolism, renaissance painting. Concorda? O que acrescentaria ou removeria?
    4. Relembre Virgin and Child (1482), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Carlo Crivelli tinha cerca de 55 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Madonna della Candeletta — Carlo Crivelli

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What is the primary artistic style associated with Carlo Crivelli’s Madonna della Candeletta?

      • A Early Renaissance
      • B Late Gothic Decorative Sensibility
      • C Baroque
    2. 2. Where is the Madonna della Candeletta currently housed?

      • A Louvre Museum, Paris
      • B Pinacoteca di Brera, Milan
      • C Uffizi Gallery, Florence
    3. 3. What symbolic elements are prominently featured in the painting, adding depth and meaning to the scene?

      • A Geometric patterns
      • B Religious icons depicting saints
      • C Fruits like apples and oranges
    4. 4. Which artist is considered alongside Carlo Crivelli as a prominent figure of Renaissance art in Venice?

      • A Leonardo da Vinci
      • B Michelangelo Buonarroti
      • C Giovanni Bellini
    5. 5. What technique did Carlo Crivelli employ to create a sense of harmony and balance within the Madonna della Candeletta?

      • A Perspective projection
      • B Chiaroscuro shading
      • C Trompe l'oeil

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1A · 2B · 3C · 4C · 5C