Papel

Guia de Obras de Estudantes

Pegasus, (2) (1949)

Nome Turma Data

carl milles, Pegasus, (2) (1949). Domínio público.

Informações principais

Artista
carl milles wahooart.com/pt/artists/carl-milles/
Datas do artista
1875 – 1955
Movimento
Classical

No contexto

Pegasus, (2) (1949) — carl milles

Quando poderá ter sido pintada esta obra?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950

Sombreado: a trajetória de carl milles (1875–1955)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #dcdcd8

    Paleta catalogada

    • #DCDCD8
    • #1F251C
    • #616C5F
    • #A0A49A
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    carl milles

    Carl Milles: A Sculptor of Dynamic Forms and Enduring Symbolism

    Carl Milles (1875-1955) stands as one of Sweden’s most celebrated sculptors, a figure whose monumental works—particularly his breathtaking fountains—continue to captivate audiences worldwide. Born Carl Wilhelm Andersson in Lagga, Uppsala, he possessed an innate artistic sensibility that blossomed during his formative years in Paris, where he honed his skills under the tutelage of Auguste Rodin. This early exposure to the master’s expressive realism profoundly shaped Milles' approach, imbuing his own sculptures with a powerful sense of movement and emotional depth. His life was inextricably linked to his family—his brother Ruth Milles, and half-brother Evert Milles—and his wife, Olga Milles, whose artistic contributions complemented his sculptural endeavors.

    Early Life and Artistic Development

    Milles’ journey began with a planned sojourn to Chile, intended as a temporary posting managing a gymnastics school. However, an unexpected stay in Paris proved transformative. It was there that he immersed himself fully in the artistic milieu, studying diligently and gradually gaining recognition for his burgeoning talent. His early works demonstrated a fascination with classical forms, yet they were quickly infused with a distinctly modern sensibility—a willingness to experiment with scale, material, and narrative. The influence of Rodin is undeniable, particularly in Milles’ ability to capture fleeting expressions and convey raw emotion through the manipulation of clay and bronze. His decision to relocate to Sweden in 1904 marked a pivotal moment, establishing him within his homeland's artistic landscape and ultimately leading to the creation of his most iconic masterpieces.

    Major Sculptural Achievements

    Milles’ career is punctuated by a series of significant commissions that cemented his reputation as a visionary sculptor. The Gustaf Vasa statue at the Stockholm Nordic Museum remains a powerful testament to his ability to render historical figures with both dignity and dynamism. His Poseidon statue, gracing Gothenburg's waterfront, embodies the god’s commanding presence and turbulent power. Equally impressive is the Orpheus group outside the Stockholm Concert Hall, a poignant depiction of the mythical musician’s struggle to reunite his beloved Eurydice. However, Milles is perhaps best known for his fountains—large-scale installations that transform public spaces into immersive theatrical experiences. The Wedding of the Waters in St. Louis, with its playful and often provocative figures, sparked considerable controversy upon its unveiling but quickly became a beloved landmark. His work at Fort Christina in Wilmington, Delaware, depicting the Kalmar Nyckel, stands as a proud symbol of Swedish heritage and exploration.

    The Influence of Cranbrook and American Works

    In 1931, Carl Milles was invited to serve as sculptor-in-residence at Cranbrook Educational Community in Bloomfield Hills, Michigan. This period marked a significant shift in his artistic practice, exposing him to new ideas and collaborations. His time at Cranbrook led to the creation of works like “The Hand of God,” a monumental sculpture commissioned by the United Auto Workers (UAW) as a tribute to Frank Murphy, a prominent American figure. The statue’s depiction of a reaching hand—a symbol of strength and justice—became an enduring emblem of Detroit's civic pride. Milles’ willingness to embrace diverse commissions, even those that challenged his sensibilities, demonstrated his adaptability and commitment to his craft.

    Legacy and Enduring Symbolism

    Carl Milles’ legacy extends far beyond the individual sculptures that bear his name. His work continues to inspire artists and captivate audiences with its dynamic forms, evocative narratives, and profound emotional resonance. The Millesgården estate, now a museum dedicated to his life and art, offers a unique glimpse into the world of this extraordinary sculptor. His fountains, in particular, remain a testament to his ability to transform public spaces into vibrant works of art—a legacy that ensures Carl Milles’ place as one of Sweden's most important artistic figures. His home near Stockholm, Millesgården, became his resting place and is now a museum, offering visitors a chance to experience the artist's creative spirit and personal life. The influence of his work can be seen in numerous contemporary sculptures, demonstrating the enduring power of his vision.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Pegasus, (2) (1949)

    wahooart.com/pt/art/download/carl-milles-pegasus-2-1949-A26H8D-en/

    Como citar esta obra

    MLA
    milles, carl. Pegasus, (2) (1949). n.d., https://wahooart.com/pt/art/carl-milles-pegasus-2-1949-A26H8D-en/
    APA
    milles, carl (n.d.). Pegasus, (2) (1949) [Painting]. https://wahooart.com/pt/art/carl-milles-pegasus-2-1949-A26H8D-en/
    Chicago
    carl milles. Pegasus, (2) (1949). n.d. https://wahooart.com/pt/art/carl-milles-pegasus-2-1949-A26H8D-en/
    Harvard
    milles, carl (n.d.) Pegasus, (2) (1949). Available at: https://wahooart.com/pt/art/carl-milles-pegasus-2-1949-A26H8D-en/

    Observe de perto

    Pegasus, (2) (1949) — carl milles

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: mythological creature, winged horse sculpture, classical mythology. Concorda? O que acrescentaria ou removeria?
    5. Relembre Pegasus, (3) (1949), visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.

    Sua resposta

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