Guia de Obras de Estudantes
Direitos de autor Esta obra está em domínio público. Arnold Böcklin faleceu em 1901; os direitos autorais duram 70 anos após a morte do artista, portanto, expiraram em 1971.
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The plague — Arnold Böcklin
Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 74 ao falecer.
Pintado quando o artista tinha 71. O artista viveu até aos 74. 25 das 26 obras datadas deste artista em nosso catálogo são anteriores.
Sombreado: a trajetória de Arnold Böcklin (1827–1901) ▲ esta obra, 1898 cada pintura datada, década por década
Primeiras obras: até 1877 Principais anos de atividade: 1877–1887 Obras tardias: a partir de 1887
Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada
Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.
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Medido a partir da imagem
Cor principal
Black #0d0c0c
Paleta catalogada
Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor
Os dez principais países
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Juntas, estas obras representam 81,8% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 180 obras deste artista, das quais 59 foram visualizadas pelo menos uma vez. This painting ranks 17 of them, with 0,8% of that attention (200 visits). Os mesmos números, mês a mês
As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.
Artista e museu
Nascido em Basel, Suíça
Arnold Böcklin, a figure of profound melancholy and haunting beauty, was born on October 16, 1827, in Basel, Switzerland—a city steeped in history and artistic tradition. His father, Christian Frederick Böcklin, descended from an old family rooted in the silk trade, while his mother, Ursula Lippe, hailed from the same city as well. From a young age, Arnold displayed a keen interest in art, enrolling at the Düsseldorf Academy under the tutelage of Johann Wilhelm Schirmer. It was here that he forged a lasting friendship with Anselm Feuerbach, a connection that would profoundly shape his artistic sensibilities. Böcklin’s time in Düsseldorf firmly placed him within the orbit of the Düsseldorf School of Painting, an environment known for its emphasis on realism and meticulous technique. This early training provided him with a solid foundation, but it was his subsequent travels and encounters that truly ignited his unique vision.
Böcklin’s artistic journey took him beyond the familiar landscapes of Düsseldorf, leading him through Paris and Rome—cities brimming with artistic heritage and inspiring new avenues for exploration. In Paris, he found work at the Louvre, immersing himself in the masterpieces of the Old Masters, a period that would deeply influence his later style. His time in Rome proved equally transformative, exposing him to the grandeur of classical architecture and the evocative atmosphere of the Italian countryside. This exposure led Böcklin to incorporate allegorical and mythological figures into his work—a departure from purely landscape painting—and to explore themes of death, mortality, and the subconscious. His early works, such as Great Park, showcased ancient mythology with a dramatic flair, establishing a distinctive style characterized by a blend of Romanticism, Symbolism, and a touch of the macabre. Pieces like Nymph and Satyr (1858) and Sappho (1859) further solidified his reputation as an artist capable of capturing both beauty and unsettling emotion. Notably, Böcklin’s self-portrait, Portrait of Myself with Death Playing the Violin (1872), stands out for its introspective nature and symbolic depth, offering a glimpse into the artist's own preoccupation with mortality.
Perhaps the most enduring legacy of Arnold Böcklin’s career is his five versions of The Isle of the Dead (1880-1886). This series, inspired by the English Cemetery in Florence—where his daughter was buried—became an iconic representation of death and remembrance. The paintings evoke a sense of profound melancholy and timelessness, drawing upon elements of Gothic architecture, classical mythology, and dreamlike imagery. The Isle of the Dead resonated deeply with audiences and artists alike, influencing figures such as the composer Rachmaninoff, who drew inspiration for his symphonic poem of the same name, and the Surrealist painter Salvador Dalí, who saw in Böcklin’s work a precursor to his own explorations of the subconscious. In his later years, Böcklin retreated to Italy, settling near Fiesole, where he continued to paint haunting landscapes and allegorical scenes—works that reflected his deepening preoccupation with death and the mysteries of the afterlife.
Arnold Böcklin’s impact on the art world extends far beyond his own creations. He is considered a pivotal figure in the development of Symbolism, a movement characterized by its emphasis on subjective experience, emotional intensity, and the exploration of hidden meanings. His work anticipated many of the themes and techniques that would later be embraced by Surrealist artists such as Max Ernst and Giorgio de Chirico, who saw in Böcklin’s paintings a profound expression of the irrational and the uncanny. Böcklin's distinctive style—characterized by its somber palette, evocative imagery, and symbolic depth—continues to fascinate and inspire artists today. His influence can be seen in countless works of art, literature, and music, solidifying his place as one of the most important and enigmatic figures in modern European art.
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The plague — Arnold Böcklin
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Arnold Böcklin criou "The plague" aos 71 anos. O artista nasceu em 1827 e a obra data de 1898.
Uma impressão de "The plague", de Arnold Böcklin pode ser encomendada diretamente na sua página de Impressão Fine Art: uma impressão fine art em tela de algodão ou papel canvas de arquivo.
A tonalidade dominante de "The plague", de Arnold Böcklin é Green to Violet Spectrum. A tonalidade é o tom subjacente da paleta.