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Chrysanthemums

Nome Turma Data

alma gogin, Chrysanthemums (1927). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
alma gogin wahooart.com/pt/artists/alma-gogin/
Pintura
1927
Dimensões originais
34 x 51 cm
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

No contexto

Chrysanthemums — alma gogin

Qual é o tamanho?

As dimensões originais são 34 × 51 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1920

▲ esta obra, 1927

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #554032

    Paleta catalogada

    • #554032
    • #7C5E49
    • #AE8B6B
    • #D5BEA1
    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    alma gogin

    Alma Gogin (1854–1948): A Pioneer of Victorian Coastal Art

    Alma Susan Broadbridge Gogin, born October 1st, 1854, in Brighton, Sussex, was a British artist who achieved considerable renown during the Victorian era. Her life’s journey intertwined with that of her husband, Charles Gogin (1844–1931), a fellow painter and furniture maker, shaping both their artistic careers and establishing them as prominent figures within the burgeoning Pre-Raphaelite movement. Despite facing personal tragedies – including the untimely death of her son in infancy – Alma persevered, producing a prolific body of work that continues to captivate audiences today.

    Early Life & Education: Alma’s formative years were spent amidst the intellectual vibrancy of Brighton’s artistic circles. Her father, Edward Broadbridge, was a professor of music and furniture dealer, fostering an appreciation for both craftsmanship and creative expression from a young age. She attended Hove High School for Girls alongside her sister Kate, honing her artistic skills and preparing for a life dedicated to art.

    Marriage & Artistic Partnership: Alma married Charles Gogin in 1894, forging a collaborative relationship that proved instrumental to their artistic success. Together they established Warwick Studios in Hampstead, London, attracting students from across Europe who sought guidance under their tutelage. This studio became a hub for Pre-Raphaelite experimentation and innovation.

    Notable Works & Artistic Style: Alma Gogin’s oeuvre encompasses landscapes, portraits, and genre scenes—primarily focused on coastal vistas and intimate domestic interiors. Her distinctive style is characterized by meticulous observation of nature, combined with a masterful command of color and texture. Influenced heavily by Sir Lawrence Alma-Tadema and Jules Bastien Lepage, she skillfully employed techniques reminiscent of classical antiquity to convey emotion and atmosphere.

    The Influence of Pre-Raphaelitism & Artistic Techniques

    Alma Gogin’s artistic vision firmly rooted itself within the tenets of Pre-Raphaelite aesthetics—a reaction against the perceived artificiality of academic art. Rejecting idealized representations and prioritizing emotional sincerity, Pre-Raphaelites sought inspiration from medieval art and literature, emphasizing detailed realism and symbolic imagery. Alma Gogin embraced this ethos wholeheartedly, meticulously studying anatomy and incorporating elements of Byzantine iconography into her paintings. Her brushstrokes were deliberate and expressive, layering pigments to achieve luminous effects and capturing the subtle nuances of light and shadow—a hallmark of Victorian landscape painting. She was particularly adept at portraying the moods of the sea and shore, conveying both beauty and melancholy with remarkable sensitivity.

    Key Inspirations: Alma Gogin’s artistic sensibilities were profoundly shaped by artists such as Sir Lawrence Alma-Tadema and Jules Bastien Lepage, who championed classical ideals alongside meticulous observation of nature.

    Painting Techniques: She skillfully utilized glazing techniques—applying thin layers of translucent pigment over underlying colors—to create depth and luminosity, mirroring the stylistic innovations prevalent during her time.

    Major Achievements & Legacy

    Alma Gogin’s artistic accomplishments spanned several decades, culminating in a distinguished career marked by exhibitions at prestigious institutions including the Royal Academy, the Royal Society of British Artists (RBA), and the Society of Women Artists. Her landscapes—particularly those depicting Brighton's coastline—became celebrated for their evocative beauty and technical precision. Notably, her painting “So for good or ill in leaves of tea / Do maidens find their fortune told” garnered acclaim for its masterful depiction of light and color, solidifying her reputation as a leading Victorian artist. Furthermore, Alma Gogin’s legacy extends beyond her individual artworks; she established Warwick Studios, nurturing the talents of aspiring artists and fostering a vibrant artistic community. Her influence can be discerned in subsequent generations of British painters who embraced Pre-Raphaelite principles and championed realism alongside expressive artistry—a testament to her enduring contribution to art history.

    Further Exploration

    For more information about Alma Gogin’s life and work, consult resources such as:

    Alma Gogin (1854–1948): Find a Grave

    Alma Gogin - Art UK

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Chrysanthemums

    wahooart.com/pt/art/download/alma-gogin-chrysanthemums-ARAFYW-en/

    Como citar esta obra

    MLA
    gogin, alma. Chrysanthemums. 1927, https://wahooart.com/pt/art/alma-gogin-chrysanthemums-ARAFYW-en/
    APA
    gogin, alma (1927). Chrysanthemums [Painting]. https://wahooart.com/pt/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Chicago
    alma gogin. Chrysanthemums. 1927. https://wahooart.com/pt/art/alma-gogin-chrysanthemums-ARAFYW-en/
    Harvard
    gogin, alma (1927) Chrysanthemums. Available at: https://wahooart.com/pt/art/alma-gogin-chrysanthemums-ARAFYW-en/

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    Chrysanthemums — alma gogin

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    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: floral art, still life, vintage painting. Concorda? O que acrescentaria ou removeria?
    4. Relembre Regrets, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

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