Guia de Obras de Estudantes
Copyright Esta obra está em domínio público. Abraão Cooper faleceu em 1868; os direitos autorais duram 70 anos após a morte do artista, portanto, expiraram em 1938.
No contexto
The slipper, — Abraão Cooper
Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 81 ao falecer.
Pintado quando o artista tinha 25. O artista viveu até aos 81. 1 das 7 obras datadas deste artista em nosso catálogo são anteriores.
Sombreado: a trajetória de Abraão Cooper (1787–1868) ▲ esta obra, 1812 cada pintura datada, década por década
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Medido a partir da imagem
Cor principal
Espresso #394150
Paleta catalogada
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Os dez principais países
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Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 70 obras deste artista, das quais 11 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 7 posição entre elas, com 9,1% dessa atenção. Os mesmos números, mês a mês
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Artista e museu
Nascido em Londres, Reino Unido
Born in Greenwich, London, Abraham Cooper rose from humble beginnings to become one of the most respected British animal and battle painters of his era. The son of a tobacconist, his path to artistic greatness was far from conventional. His early years were defined by labor rather than leisure; at thirteen, he found employment at Astley's Amphitheatre, and later served as a groom under the care of Henry Meux. It was this intimate connection to the equine world that would ultimately shape his creative destiny. Driven by a desire to capture the likeness of a favorite horse, the young groom took it upon himself to learn the complexities of oil painting through a manual, practicing his craft on canvases hung against stable walls.
This raw, instinctive passion soon blossomed into professional mastery. Encouraged by his master and introduced to the established animal painter Benjamin Marshall, Cooper began to refine his technique by copying prints of horses. His talent for capturing the anatomical precision and spirited energy of animals quickly caught the attention of the art establishment. By 1814, he was exhibiting works such as Tam O'Shanter, and his prowess in depicting historical conflict led to significant recognition, including a prize for his Battle of Ligny in 1816. His ascent within the prestigious Royal Academy was swift, moving from an associate in 1817 to a full Academician by 1820.
Cooper’s oeuvre is characterized by a profound dedication to the drama of the battlefield and the quiet dignity of animal portraiture. He possessed a unique ability to breathe life into his subjects, particularly through his mastery of equine anatomy. While some critics noted a certain flatness in his coloring, none could deny his skill in rendering the muscular tension and dynamic movement of horses in the heat of combat. His works often revisited historical themes, showing a special fondness for the era of the Cavaliers and Roundheads, which allowed him to blend historical research with artistic imagination.
His contributions to British art are marked by several notable achievements and enduring works that continue to resonate in major collections:
The Battle of Marston Moor: A significant work that showcased his ability to handle large-scale, complex historical scenes.
Bosworth Field: An evocative depiction of one of England's most pivotal battles, now held in the Dallas Museum of Art.
Animal Realism: Beyond the battlefield, his paintings such as A Fox and A Dog-fight demonstrate a remarkable ability to capture the essence of wildlife through realistic action and dramatic lighting.
Through his transition from a stable groom to a celebrated Royal Academician, Abraham Cooper left an indelible mark on the nineteenth-century art world. His life serves as a testament to the power of self-directed study and a deep, lived connection to his subject matter. He remains a vital figure for those studying the intersection of historical narrative and the romanticized depiction of the natural world.
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Observe de perto
The slipper, — Abraão Cooper
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"The slipper," de Abraão Cooper é uma composição em Landscape. As proporções valem a pena ser conferidas antes de escolher o tamanho da impressão.
A paleta de "The slipper," possui uma saturação Subtle Color.
Para obter uma impressão de "The slipper," de Abraão Cooper, basta encomendá-la na sua página de Impressão Fine Art: uma impressão fine art em tela de algodão ou papel canvas de arquivo.