Per Krafft the Elder, 1724 – 1793

As 52 pinturas mais famosas de Per Krafft the Elder

A pintura que tornou Per Krafft the Elder famoso(a) é Portrait of Alois Friedrich von Brühl (1739-1793). (1767); ela está exposta no Museu Nacional de Varsóvia, em Varsóvia. Portrait of Natalia Alexandrovna Repnina (1767) e Portrait of Stanisław August Poniatowski (1767) seguem-lhes nos corações de colecionadores e visitantes de museus. Dos 52 trabalhos de Per Krafft the Elder em nosso catálogo, estas 52 são as obras mais admiradas, cada uma apresentada com a sua data, o seu museu e o que a torna única.

Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.

Retrato de Per Krafft the Elder
Per Krafft the Elder · 1724 – 1793
Nascimento · falecimento
1724 – 1793, Arboga
Movimento
Rococo
Obras em nosso catálogo
52
As mais famosas
Portrait of Alois Friedrich von Brühl (1739-1793). (1767)
Mais obras em
Nationalmuseum

Per Krafft the Elder: as dez obras-primas

Portrait of Alois Friedrich von Brühl (1739-1793). (1767) de Per Krafft the Elder
1

Portrait of Alois Friedrich von Brühl (1739-1793).

1767 · Oil On Canvas · Museu Nacional de Varsóvia, Varsóvia

In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned slightly toward the right while his gaze drifts off-camera, suggesting a man preoccupied with matters beyond the immediate room. The composition relies on a careful balance of light and shadow, a technique that sculpts his features and the heavy textures of his…

Hand-painted oil reproduction from $181 27 × 36 cm Same size as the original $527 97 × 128 cm Order at original size →
Portrait of Natalia Alexandrovna Repnina (1767) de Per Krafft the Elder
2

Portrait of Natalia Alexandrovna Repnina

1767 · Oil On Canvas · Museu Hermitage, São Petersburgo

To gaze upon this portrait is to step directly into the gilded salons of 18th-century Sweden, where life was lived with an exquisite, almost breathless elegance. This depiction of Natalia Alexandrovna Repnina captures not merely a likeness, but an entire atmosphere—one steeped in the delicate ornamentation and sophisticated leisure characteristic of the Rococo period. The sitter possesses an air of serene composure; her gaze seems to hold the quiet confidence…

Hand-painted oil reproduction from $181 27 × 37 cm Same size as the original $281 57 × 75 cm Order at original size →
Portrait of Stanisław August Poniatowski (1767) de Per Krafft the Elder
3

Portrait of Stanisław August Poniatowski

1767 · Oil On Canvas · Museu Nacional de Varsóvia, Varsóvia

Portrait of Stanisław August Poniatowski is a work by the Swedish portraitist Per Krafft the Elder. Executed between 1767 and 1768, the painting captures the likeness of the subject, Stanisław August Poniatowski, who reigned as the King of Poland from 1732 to 1798.

Hand-painted oil reproduction from $181 27 × 38 cm Same size as the original $875 132 × 183 cm Order at original size →
Portrait of a Man (1775) de Per Krafft the Elder
4

Portrait of a Man

1775 · Oil On Canvas · Museu Nacional de Cracóvia, Cracóvia

Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward the viewer's left. Despite this orientation, his eyes maintain direct contact with the observer, establishing an immediate, intimate connection. He emerges from an indistinct, dark void, a choice that strips away environmental context to focus entirely on the individual's presence.

Hand-painted oil reproduction from $181 28 × 36 cm Same size as the original $261 53 × 68 cm Order at original size →
Gustav III (1746–1792), King of Sweden (1791) de Per Krafft the Elder
5

Gustav III (1746–1792), King of Sweden

1791 · Oil On Canvas · Nationalmuseum, Estocolmo

The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform of deep crimson and gold. A cerulean blue sash crosses his chest, and the intricate white lace of a cravat is visible at his neck. His hair is styled in a white, powdered wig that contrasts with the darker tones of his…

Hand-painted oil reproduction from $181 28 × 36 cm
Portrait of Ignacy Krasicki (1767) de Per Krafft the Elder
6

Portrait of Ignacy Krasicki

1767 · Oil On Canvas · Museu Nacional de Varsóvia, Varsóvia

This work is the Portrait of Ignacy Krasicki, a significant oil on canvas executed by the Swedish portraitist Per Krafft the Elder. Painted about 1767, the portrait captures the subject in a moment of quiet authority. The sitter is presented in formal clerical attire, a choice that underscores his ecclesiastical standing and religious devotion. A pectoral cross is visible upon his vestments, providing a specific detail of his high-ranking status…

Hand-painted oil reproduction from $206 28 × 36 cm Same size as the original $639 108 × 143 cm Order at original size →
Reading Boy (1758) de Per Krafft the Elder
7

Reading Boy

1758 · Oil On Canvas · Nationalmuseum, Estocolmo

The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in a moment of quiet study. The subject is shown with his head resting against his hand, appearing absorbed in the pages of an open book. The composition focuses on the individual and his immediate activity, presenting a singular figure engaged in the…

Hand-painted oil reproduction from $181 28 × 36 cm Same size as the original $245 49 × 64 cm Order at original size →
The Artist's Daughter Wilhelmina (1782) de Per Krafft the Elder
8

The Artist's Daughter Wilhelmina

1782 · Oil On Canvas · Nationalmuseum, Estocolmo

The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter. This specific piece is rendered in an oval shape, a common format for intimate portraiture of the period.

Hand-painted oil reproduction from $181 27 × 37 cm Same size as the original $245 50 × 62 cm Order at original size →

Mais obras-primas de Per Krafft the Elder, de 11 a 52

Os temas que Per Krafft the Elder mais pintou

Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.

Onde ver as pinturas de Per Krafft the Elder

Os 7 museus que detêm a maioria das pinturas desta página.

Museus Cidade Obras de Per Krafft the Elder Pinturas desta lista
Nationalmuseum, EstocolmoNationalmuseum Estocolmo 18 Gustav III (1746–1792), King of Sweden, Reading Boy, The Artist's Daughter Wilhelmina
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 17 Ivan Andrejevitj Osterman, 1725-1811, Johan Gustaf Lund, född 1712, kommissarie, Portrait by Carl von Fersen
Museu Nacional de Varsóvia, VarsóviaMuseu Nacional de Varsóvia Varsóvia 5 Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Stanisław August Poniatowski, Portrait of Ignacy Krasicki
Museu Nacional de Cracóvia, CracóviaMuseu Nacional de Cracóvia Cracóvia 5 Portrait of a Man, Portrait of Teresa Poniatowska, Portrait of Izabela Branicka née Poniatowska
Finnish National Gallery, HelsinkiFinnish National Gallery Helsinki 4 Portrait of a Boy, Manufacturer Erik Westén the younger, Secretary Konrad Arvid Johan Mandorf
Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 1 Portrait of Natalia Alexandrovna Repnina
Royal Łazienki Museum, VarsóviaRoyal Łazienki Museum Varsóvia 1 Izabela Lubomirska née Czartoryska

Per Krafft the Elder, década a década: a pintura emblemática de cada uma

  1. 1740s
  2. 1750s
    Reading Boy (1758) de Per Krafft the Elder
    Posição 7 de 52

    Reading Boy

    Idade 26 – 35 · Nationalmuseum

    The oil on canvas painting titled Reading Boy was executed by the Swedish portraitist Per Krafft the Elder in 1758. This work depicts a young boy positioned in…

  3. 1760s
    Portrait of Alois Friedrich von Brühl (1739-1793). (1767) de Per Krafft the Elder
    Nº 1 de 52

    Portrait of Alois Friedrich von Brühl (1739-1793).

    Idade 36 – 45 · Museu Nacional de Varsóvia

    In this 1767 portrait, we encounter Alois Friedrich von Brühl in a moment of quiet, dignified repose. He is captured in a three-quarter length view, his body turned…

  4. 1770s
    Portrait of a Man (1775) de Per Krafft the Elder
    #4 de 52

    Portrait of a Man

    Idade 46 – 55 · Museu Nacional de Cracóvia

    Per Krafft the Elder presents a close-up study of a middle-aged man in this 1775 oil portrait. The subject is positioned in a three-quarter view, facing slightly toward…

  5. 1780s
    The Artist's Daughter Wilhelmina (1782) de Per Krafft the Elder
    #8 de 52

    The Artist's Daughter Wilhelmina

    Idade 56 – 65 · Nationalmuseum

    The Artist's Daughter Wilhelmina is an oil on canvas portrait executed by Per Krafft the Elder in 1782. The work identifies its subject as Wilhelmina, the artist's daughter.…

  6. 1790s
    Gustav III (1746–1792), King of Sweden (1791) de Per Krafft the Elder
    Nº 5 de 52

    Gustav III (1746–1792), King of Sweden

    Idade 66 – 69 · Nationalmuseum

    The portrait depicts Gustav III, King of Sweden, in a three-quarter view against a dark, atmospheric background. He is shown from the torso up, wearing a military-style uniform…

As obras-primas de Per Krafft the Elder: perguntas e respostas

Por qual pintura Per Krafft the Elder é mais conhecido(a)?Mostrar a resposta

Portrait of Alois Friedrich von Brühl (1739-1793). (1767), Museu Nacional de Varsóvia, Varsóvia. Seguem-se Portrait of Natalia Alexandrovna Repnina (1767) e Portrait of Stanisław August Poniatowski (1767).

Qual era a idade de Per Krafft the Elder quando pintou Portrait of Alois Friedrich von Brühl (1739-1793).?Mostrar a resposta

43 anos: Portrait of Alois Friedrich von Brühl (1739-1793). data de 1767 e Per Krafft the Elder nasceu em 1724.

Quais são as dez maiores pinturas de Per Krafft the Elder?Mostrar a resposta

Portrait of Alois Friedrich von Brühl (1739-1793)., Portrait of Natalia Alexandrovna Repnina, Portrait of Stanisław August Poniatowski, Portrait of a Man, Gustav III (1746–1792), King of Sweden, Portrait of Ignacy Krasicki, Reading Boy, The Artist's Daughter Wilhelmina, Ivan Andrejevitj Osterman, 1725-1811 e Johan Gustaf Lund, född 1712, kommissarie. O ranking acima apresenta o ano e o museu de cada uma.

Quantas obras Per Krafft the Elder pintou?Mostrar a resposta

Nosso catálogo lista 52 obras de Per Krafft the Elder, datadas de 1748 a 1793.

Em quais museus posso ver as obras-primas de Per Krafft the Elder?Mostrar a resposta

A maioria deles está em Nationalmuseum (Estocolmo), National Portrait Gallery of Sweden (Strängnäs) e Museu Nacional de Varsóvia (Varsóvia). A tabela acima lista os museus um a um.

Quando é que Per Krafft the Elder pintou as suas obras-primas?Mostrar a resposta

Em 1760s: 15 das 52 obras nesta página datam dessa época, entre elas Portrait of Alois Friedrich von Brühl (1739-1793)..

Quais são as primeiras e as últimas pinturas famosas de Per Krafft the Elder?Mostrar a resposta

A obra mais antiga nesta página é de Johan Gustaf Lund, född 1712, kommissarie (1748), e a mais recente é de Gustav IV Adolf, 1778 - 1837, kung av Sverige (1793).

Quais eram os temas favoritos de Per Krafft the Elder?Mostrar a resposta

Man (6), Lace (3) e Dark background (3), entre as 52 obras nesta página.

Qual técnica Per Krafft the Elder preferia?Mostrar a resposta

Oil On Canvas: 8 de um total de 52 obras nesta página.

A que movimento artístico Per Krafft the Elder pertence?Mostrar a resposta

Rococo, como mostram as pinturas nesta página.

Quais obras-primas de Per Krafft the Elder estão expostas no Nationalmuseum?Mostrar a resposta

Gustav III (1746–1792), King of Sweden, Reading Boy e The Artist's Daughter Wilhelmina estão entre as 18 obras nesta página pertencentes ao Nationalmuseum, Estocolmo.

Posso adquirir uma reprodução de uma obra-prima de Per Krafft the Elder?Mostrar a resposta

Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.

A vida de Per Krafft the Elder

Per the Elder Krafft: A Swedish Portraitist Embodied in Rococo Elegance

To step into the world of Per the Elder Krafft is to enter a realm of gilded salons and breathless elegance, where the light of the Enlightenment meets the delicate ornamentation of the Rococo. Born in 1724 in Arboga, Sweden, Krafft emerged as a pivotal figure in Swedish art history, a master whose brush captured not merely the physical likenesses of his era, and but the very soul of the eighteenth-century aristocratic elite. His life and work serve as a window into a period defined by a fascinating juxtaposition of grace and burgeoning neoclassical structure, reflecting a society caught between the playful whimsy of the past and the disciplined ideals of a new age.

Krafft’s artistic evolution was shaped by a lineage of profound influence. His early training began in Uppsala, where his interest in the arts first took root, but it was through his studies under established masters that his technical virtuosity truly blossomed. In Stockholm, he became a dedicated pupil of the court painter Johan Henrik Scheffel, whose influence is clearly visible in Krafft’s early self-portraits and intimate family depictions. This foundation of precision was further enriched when Krafft traveled to Copenhagen, where he encountered the works of Carl Gustaf Pilo. From these mentors, Krafft inherited a meticulous attention to detail and an unparalleled ability to manipulate light, learning how to use chiaroscuro to sculpt form and imbue his subjects with a palpable, breathing presence.

The Art of the Aristocratic Narrative

The essence of Krafft’s oeuvre lies in its ability to weave complex narratives through the medium of portraiture. His canvases were far more than simple records of identity; they were carefully constructed tapestries of status, lineage, and moral virtue. Utilizing the soft, pastel palettes characteristic of the Rococo movement, Krafft breathed life into shimmering fabrics, intricate lacework, and the subtle sheen of silk. He possessed a rare technical ability to render the ephemeral softness of human skin alongside the tangible weight of luxurious textiles, creating an illusion of depth that draws the viewer into a close, intimate encounter with the sitter.

His subject matter often centered on the most prominent figures of European nobility, documenting the splendor of dynasties such as the Czartoryski. In his portrait of Izabela Lubomirska née Czartoryska, one can observe his mastery in conveying a sense of refined dignity and serene composure. Similarly, his depiction of the celebrated Russian ballerina, Natalia Alexandrovna Repnina, serves as a breathtaking testament to his skill. In this work, the artist captures an entire atmosphere of sophisticated leisure, where every fold of fabric and every glint of light whispers tales of wealth and societal expectation. Through these works, Krafft did not just paint people; he painted the very concept of nobility.

Legacy and Artistic Lineage

Beyond his individual achievements, Per the Elder Krafft’s historical significance is cemented by the artistic legacy he left within his own family. He was a patriarch of Swedish painting, father to artists who would continue to shape the nation's aesthetic landscape. His children, Per Krafft the Younger and the miniaturist Wilhelmina Krafft, both studied at the Royal Swedish Academy of Fine Arts, carrying forward the technical excellence and emotive depth instilled by their father. This familial continuity ensured that the refined sensibilities of his era would resonate well into the next century.

Ultimately, the work of Per the Elder Krafft remains a vital touchstone for understanding the cultural heartbeat of eighteenth-century Sweden. His ability to balance the playful asymmetry and organic curves of the Rococo with a profound psychological depth allows his portraits to transcend their historical moment. Even today, when we gaze upon his meticulously rendered subjects, we are reminded of a time when art was a grand celebration of beauty, grace, and the enduring allure of the human spirit.