A pintura mais famosa de Sir George Hayter é Queen Victoria (1863), no National Portrait Gallery, em Londres. Com Portrait of Sophia S. Kiselyova (1801-1875) (1831) e Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840), completam-se as três obras que todos reconhecem. O nosso catálogo lista 143 obras de Sir George Hayter; as 100 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work captures the sovereign in a moment of ceremonial dignity. It is an oil on canvas that seeks to document the presence of the Queen through the lens of official portraiture.
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a deep red bodice, laced tightly across the chest, which anchors the composition with a heavy, saturated weight. A golden shawl drapes over her shoulders, its silken sheen catching the directional light from the upper left. Around her head, a wreath of autumnal…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised grace, her presence anchored by a deep crimson dress that catches the light in its heavy folds. Beside her, the young Princess Adelaide offers a soft contrast, her small form draped in a gown of pure, luminous white. The two figures occupy…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850, long after the actual ceremony took place. The work focuses on the young Queen Victoria, draped in her heavy coronation regalia. She is a figure of quiet gravity amidst the weight of her ceremonial robes.
In this 1835 portrait, George Hayter presents Victoria, Duchess of Kent, within a setting that feels both intimate and grand. The subject is positioned slightly off-center, standing amidst a lush, natural landscape that provides a sense of serenity. There is a quiet dignity in her posture, a stillness that suggests the weight of her station without the need for overt displays of power. The composition relies on the fluid, organic…
In the quiet, commanding presence of George Hayter’s 1832 masterpiece, Portrait of Countess Yelizaveta Vorontsova, one finds more than a mere likeness of nobility; one encounters a window…
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Os quatro temas que mais se repetem entre estas obras-primas, com o melhor exemplo de cada um.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Sir George Hayter | Pinturas desta lista |
|---|---|---|---|
 Royal Collection |
Londres | 20 | The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850), William Lamb, 2nd Viscount Melbourne (1799-1848) |
 National Portrait Gallery |
Londres | 18 | Queen Victoria, Charles Wood, 1st Viscount Halifax, Philip Stanhope, 5th Earl Stanhope |
 Buckingham Palace |
Londrina | 5 | Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Victoria, Duchess of Kent (1786-1861), Queen Victoria (1819-1901) |
 Yale Center for British Art |
New Haven | 3 | Queen Victoria Taking the Coronation Oath, June 28, 1838, Studies for the Duke of Wellington, Portrait Study of Martha, Lady Hayter |
 Museu Hermitage |
São Petersburgo | 2 | Portrait of Sophia S. Kiselyova (1801-1875), Portrait of Countess Yelizaveta Vorontsova |
 National Gallery of Ireland |
Dublin | 2 | Portrait of George Tierney (1761-1830), MP and English Statesman, Portrait of Richard Burke, Son of Edmund Burke, Parliamentary Agent of the Catholic Committee (1758-1794) |
 National Maritime Museum |
Londres | 2 | Thomas Brunton, 1774-1833, Captain William Stanway Parkinson |
 Museum of Fine Arts |
Houston | 2 | Henry Winston Barron, M.P., Fitzstephen French, M.P. |
A Study in Crimson and Gold The sitter emerges from a dark, atmospheric void, her presence defined by the play of light across pale skin. She wears a…
The air in the portrait feels heavy with the scent of velvet and the quiet stillness of a private chamber. Feodora, Princess of Hohenlohe-Langenburg, sits with a poised…
The oil on panel titled Queen Victoria Taking the Coronation Oath, June 28, 1838, captures a singular moment of transition. Sir George Hayter rendered this scene in 1850,…
This portrait of Queen Victoria, painted by George Hayter, offers a formal study of the monarch during a significant period of her reign. Created in 1863, the work…
Queen Victoria (1863), National Portrait Gallery, Londres. Seguem-se Portrait of Sophia S. Kiselyova (1801-1875) (1831) e Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide (1840).
71 anos: Queen Victoria data de 1863 e Sir George Hayter nasceu em 1792.
Queen Victoria, Portrait of Sophia S. Kiselyova (1801-1875), Feodora, Princess of Hohenlohe-Langenburg with her daughter Princess Adelaide, Queen Victoria Taking the Coronation Oath, June 28, 1838, Victoria, Duchess of Kent (1786-1861), The Assumption of the Virgin, Studies for the Duke of Wellington, Portrait of George Tierney (1761-1830), MP and English Statesman, Thomas Brunton, 1774-1833 e Charles Wood, 1st Viscount Halifax. O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo lista 143 obras de Sir George Hayter, datadas de 1818 a 1863.
A maioria deles está em Royal Collection (Londres), National Portrait Gallery (Londres) e Buckingham Palace (Londrina). A tabela acima lista os museus um a um.
Em 1830s: 15 das 100 obras nesta página datam dessa época, entre elas Portrait of Sophia S. Kiselyova (1801-1875).
A obra mais antiga nesta página é de The Assumption of the Virgin (1818), e a mais recente é de Queen Victoria (1863).
Victorian era (15), Portraiture (12) e Portrait (12), entre as 100 obras nesta página.
Oil On Canvas: 5 de um total de 100 obras nesta página.
Neoclassicism, como mostram as pinturas nesta página.
The Assumption of the Virgin, Louise, Queen of the Belgians (1812-1850) e William Lamb, 2nd Viscount Melbourne (1799-1848) estão entre as 17 obras nesta página pertencentes ao Royal Collection, Londres.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.