A pintura mais famosa de Erich Klossowski é Death of Procris. O nosso catálogo lista 2 obras de Erich Klossowski; as 1 abaixo são as mais admiradas no mundo, cada uma com o seu ano, o museu que a detém e a sua importância.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada obra-prima nesta página pode ser encomendada como uma reprodução em óleo pintada à mão, com qualidade de museu, ou como uma impressão de fine art, no tamanho de sua escolha.
Death of Procris
O nosso catálogo apresenta 2 obras de Erich Klossowski.
Sim. Todas as pinturas desta página podem ser encomendadas como uma reprodução em óleo pintada à mão com qualidade de museu ou como uma impressão de fine art, no tamanho de sua escolha, a partir da própria página da pintura.
Erich Klossowski enters the world on 19 December 1875 in Ragnit, a town situated in the Province of East Prussia within the German Empire. He is born into a family of Polish nobility, carrying the Rola coat-of-arms. His lineage is defined by the professional standing of his father, Leonard Klossowski, who serves as a lawyer, notary, and judge in Ragnit. His mother is Lisbeth Doeurk de Fréval.
The path toward formal artistic discipline leads him to Breslau. He enrolls at the Königliche Kunst- und Gewerbeschule, an institution focused on applied arts, design, and technical skill. He remains a student there until 1902. This period of study provides the foundation for his later work in painting, graphics, and engraving.
The intellectual weight of his career rests heavily on his scholarship. In Munich, he produces one of the first major monographs on Honoré Daumier, a work that first appears in 1908 and sees a second publication in 1914. This study moves beyond simple biography, analyzing the evolution of the subject from a political caricaturist to a monumental painter. His writing seeks to define the sculptural depth of form through memory and drawing.
His creative output extends into the physical and the theatrical. Following the First World War, he operates within the artistic circles of Munich, working as a stage designer and an engraver. His visual practice is multifaceted, encompassing painting and various graphic disciplines. He also engages in the creation of engravings, contributing to the expressive culture of the era.
Personal and professional lives intersect through his marriage to the artist Baladine Klossowska. Their connection places him at the center of significant intellectual and artistic networks in Paris. While his own paintings and designs remain part of the historical record, his influence is often felt through the scholarly lens he applied to the masters of the previous century.
The shadow of Erich Klossowski’s influence extends through the lineage of his children. He is primarily recognized as the father of the writer-philosopher Pierre Klossowski and the artist Balthus. The latter, known internationally by the single name Balthus, emerged from this family background to become a major figure in European painting. This connection links the art historian's intellectual pursuits to the visual evolution of the next generation.
His own contributions remain anchored in the intellectual shifts of the early 20th century. He left a significant mark through his work in art criticism and his engagement with expressionist culture. In Paris, he acted as a bridge for fellow expatriates, welcoming his compatriot Wilhelm Uhde upon his arrival in the city. These social and intellectual connections placed him at the center of shifting European artistic circles.
The physical presence of Erich Klossowski’s painting is rare. One can find his oil on canvas work, a landscape dating from about 1927, within the permanent collection of the Metropolitan Museum of Art in New York. This specific piece measures 32 x 26 in. (81.3 x 66 cm).
Beyond this single landscape, his presence in major public collections remains sparse. While his name is often linked to the broader movements of the twentieth century through his family, his own hand is most clearly preserved in this New York institution. Other works, such as the undated Death of Procris, exist within private or specialized holdings, but the Metropolitan Museum of Art remains the primary site for viewing his direct output.