Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) é a pintura mais famosa de Bhadrabāhu, guardada pelo Metropolitan Museum of Art em Nova York. Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) e Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) são as próximas duas obras que o mundo melhor conhece. Dos 73 trabalhos de Bhadrabāhu em nosso catálogo, aqui estão os 68 que colecionadores e visitantes de museus mais observam, com o ano, o museu e a história de cada um.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Bhadrabāhu | Pinturas desta lista |
|---|---|---|---|
| Nova York | 66 | Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) |
Bhadrabāhu trabalhou durante 1049 anos, de 401 a 1449: aqui está essa longa carreira ano a ano, através das suas pinturas mais conhecidas.
Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449), Metropolitan Museum of Art, Nova York. Seguem-se Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) e Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449).
Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) e Leaf from a Kalpa Sutra (Jain Book of Rituals). O ranking acima apresenta o ano e o museu de cada uma.
Nosso catálogo lista 73 obras de Bhadrabāhu, datadas de 401 a 1449.
A maioria deles está em Metropolitan Museum of Art (Nova York). A tabela acima lista os museus um a um.
Em 1449: 63 das 68 obras nesta página datam dessa época, entre elas Leaf from a Kalpa Sutra (Jain Book of Rituals).
A obra mais antiga nesta página é de Leaf from a Kalpa Sutra (Jain Book of Rituals) (401), e a mais recente é de Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449).
Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) e Leaf from a Kalpa Sutra (Jain Book of Rituals) estão entre as 66 obras nesta página pertencentes ao Metropolitan Museum of Art, Nova York.
Ācārya Bhadrabāhu stands as a pivotal figure in the history of Jainism, particularly within the Digambara sect. Born into a Brahmin family during a period when Pundravardhana served as a secondary capital of the Mauryan Empire, his early life was marked by prophecy – at just seven years old, Govarddhana Mahamuni foretold that Bhadrabāhu would be the last Shruta Kevalin (one who attains omniscience through hearsay or indirect knowledge). This designation highlights his unique position as a spiritual leader possessing profound understanding transmitted through tradition. His life coincided with significant political shifts, notably the rise of Chandragupta Maurya, whom he served as a spiritual advisor.
Bhadrabāhu is most renowned for his authorship or, more accurately, compilation and preservation of the Kalpa Sutras. This extensive body of work details the proper performance of Jain religious ceremonies, outlines rules for monks and nuns, and provides a comprehensive guide to monastic life. The Kalpa Sutras are considered essential texts within the Digambara tradition, shaping their practices and beliefs. The preservation of these sutras is particularly significant as they represent a vital link to earlier Jain traditions and teachings.
Bhadrabāhu’s life was also instrumental in shaping the early divisions within Jainism. During his time, a severe famine struck northern India, prompting Bhadrabāhu to lead a significant portion of the monastic community (the sangha) southward to Karnataka and Tamil Nadu. This migration was accompanied by a doctrinal dispute concerning the length of fasting periods. Bhadrabāhu advocated for stricter adherence to traditional practices, while others favored more lenient interpretations. This disagreement resulted in a formal split within the Jain community, with Bhadrabāhu’s followers becoming known as the Digambaras (meaning "sky-clad," referring to their practice of nudity), and those who remained behind forming the Svetambara sect ("white-clad").
Ācārya Bhadrabāhu’s legacy extends far beyond his lifetime. As the last Shruta Kevalin recognized by the Digambara sect, he represents a crucial link in the chain of spiritual transmission within Jainism. His relationship with Chandragupta Maurya underscores his political and religious influence during a formative period in Indian history. Most importantly, his meticulous compilation and preservation of the Kalpa Sutras ensured that core Jain principles and practices would endure, shaping the Digambara tradition for centuries to come. He remains a revered figure embodying dedication, scholarship, and spiritual leadership within the Jain community.