Untitled (1956) to najsłynniejszy obraz autorstwa Zakhar Hatsyatryan, znajdujący się w Narodowa Galeria Armenii w Erewan. Untitled (1954) i Untitled (1960) to dwa kolejne dzieła, które świat zna najlepiej. Z 80 dzieł Zakhar Hatsyatryan w naszym katalogu, oto 55 najczęściej wybieranych przez kolekcjonerów i zwiedzających muzea, wraz z rokiem powstania, informacją o muzeum oraz historią każdego z nich.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026.
Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Zakhar Hatsyatryan | Obrazy z tej listy |
|---|---|---|---|
 Narodowa Galeria Armenii |
Erewan | 55 | Untitled, Untitled, Untitled |
Untitled (1956), Narodowa Galeria Armenii, Erewan. Następnie pojawiają się Untitled (1954) oraz Untitled (1960).
32 lat: Untitled pochodzi z 1956, a Zakhar Hatsyatryan urodził(a) się w 1924.
Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled, Untitled i Untitled. Powyższy ranking zawiera rok oraz muzeum dla każdego z nich.
Nasz katalog obejmuje 80 dzieł autorstwa Zakhar Hatsyatryan, datowanych od 1954 do 2004.
Większość z nich znajduje się w Narodowa Galeria Armenii (Erewan). Powyższa tabela zawiera listę muzeów po kolei.
W okresie 1970s: 24 z 55 dzieł na tej stronie pochodzi z tego czasu, w tym Untitled.
Najwcześniejszy na tej stronie to Untitled (1954), najpóźniejszy Untitled (2004).
Untitled, Untitled i Untitled to jedne z 55 dzieł na tej stronie znajdujących się w zbiorach Narodowa Galeria Armenii, Erewan.
Zakhar Hatsyatryan was born in the village of Sarnakunq, within the Sisian region. His early years were interrupted by the onset of the Great Patriotic War, a time that pulled him away from his schooling and toward the front lines. When the conflict ended, he returned to his homeland to begin a formal study of art. In 1946, he entered the Yerevan Fine Arts College after Panos Terlemezyan, eventually graduating in 1948. His hands, once shaped by the necessities of war, turned instead to the deliberate movements of the brush.
His life was marked by a steady presence in the Armenian and Russian art communities. He did not merely paint; he taught, serving as a professor at the Armenian State Pedagogical University after Khachatur Abovyan. His commitment to his peers and his history led him to serve as the Chairman of the Veterans’ Association of St. Petersburg and as the President of the Council of war artists veterans in Saint Petersburg. He carried the weight of his experiences into his work, a man who understood both the stillness of a landscape and the heavy reality of history.
The recognition he received reflected a lifetime of disciplined practice and service. His contributions were noted through several specific honors:
The work of Zakhar Hatsyatryan remains held within the National Gallery of Armenia, Yerevan, where many of his pieces reside. His output spanned several decades, with recorded works dating from 1954 to 2004. One notable piece from his early period is an untitled work from 1956. His paintings are not merely objects of observation but are pieces of a life lived through significant shifts in the landscape of the twentieth century. He passed away in his 92nd year, leaving behind a body of work that remains a part of the visual history of his people.
