Mary Beale, 1633 – 1699

65 najsłynniejszych obrazów autorstwa Mary Beale

Obrazem, który przyniósł sławę Mary Beale, jest King Charles II (1675); znajduje się on w National Portrait Gallery, Londyn. Bartholomew Beale (1663) oraz Portrait of a lady (1680) podążają za nimi w sercach kolekcjonerów i odwiedzających muzea. Z 65 dzieł Mary Beale w naszym katalogu, tych 65 jest najbardziej podziwianych – każde z nich zostało przedstawione wraz z datą powstania, muzeum oraz cechami wyróżniającymi.

Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Każde arcydzieło na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny, w wybranym przez Ciebie rozmiarze.

Portret Mary Beale
Mary Beale · 1633 – 1699
Urodzony · zmarł
1633 – 1699, Barrow
Nurt
Baroque
Dzieła w naszym katalogu
65
Najsłynniejsze
King Charles II (1675)
Najwięcej dzieł w
National Portrait Gallery

Mary Beale: dziesięć arcydzieł

King Charles II (1675) autorstwa Mary Beale
1

King Charles II

1675 · Oil On Canvas · National Portrait Gallery, Londyn

The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that suggests the heavy weight of sovereignty. Light sweeps in from the upper left, catching the high ridge of his cheekbone and the delicate, intricate folds of a white lace cravat. This directional glow carves his features out of the darkness, creating a…

Bartholomew Beale (1663) autorstwa Mary Beale
2

Bartholomew Beale

1663 · Oil On Paper · Yale Center for British Art, New Haven

A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a soft, directional light that spills from the upper left, casting gentle shadows across the right side of his face. This light creates a sense of three-dimensional volume, making his youthful features feel tangible and present. His hair, a halo of light brown…

Viscountess Frances Hatton (1664) autorstwa Mary Beale
4

Viscountess Frances Hatton

1664 · Oil On Canvas · Smithsonian American Art Museum, Waszyngton

In this close-up portrait of Viscountess Frances Hatton by Mary Beale, the subject is positioned in a three-quarter view. The figure is contained within a painted trompe l'oeil oval frame that sits against a background of deep, dark umber and black. This dark backdrop creates a sharp contrast with the subject, focusing the viewer's attention on the sitter. The color palette is dominated by warm, muted tones, specifically ochre, gold,…

Więcej arcydzieł artysty Mary Beale, od 11 do 65

Mary Wither of Andwell (1670) autorstwa Mary Beale
#26

Mary Wither of Andwell

1670 · Art Gallery of South Australia

In this Baroque oil on canvas, Mary Beale presents us with Mary Wither of Andwell. Created about 1670, the work is a quiet study of a young subject,…

Zamów reprodukcję →

Tematy, które najczęściej malował Mary Beale

Cztery tematy najczęściej powracające w tych arcydziełach, wraz z najdoskonalszym przykładem każdego z nich.

Gdzie można zobaczyć obrazy Mary Beale

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzeum Miasto Dzieła artysty Mary Beale Obrazy z tej listy
National Portrait Gallery, LondynNational Portrait Gallery Londyn 6 King Charles II, Thomas Sydenham, Charles Beale the Elder
Antony HouseAntony House 3 Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695), Possibly Mary Morice, Lady Carew (d. 1698), Rachel Carew, Mrs Ambrose Manaton (1669–1705)
Sutton HouseSutton House 2 Lady Sadleir, Sir Edwyn Sadleir, 2nd Baronet of Temple Dinsey (1656-1719)
Galeria Dulwich, LondynGaleria Dulwich Londyn 2 Portrait of a Physician, Portrait of a Youth
Osterley Park And House, LondonOsterley Park And House London 2 Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713), Master Child, one of the Sons of Sir Francis Child the Elder (1642-1713)
Penmaenmawr Museum 2 An Unknown Gentleman (believed to be a Member of the Williams Family), An Unknown Lady (believed to be a Member of the Williams Family)
Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Bartholomew Beale
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 1 Portrait of a lady

Mary Beale, dekada po dekadzie: najważniejsze dzieło każdej z nich

  1. 1650s
  2. 1660s
    Bartholomew Beale (1663) autorstwa Mary Beale
    Miejsce 2 / 65

    Bartholomew Beale

    Wiek 27 – 36 · Yale Center for British Art

    A young boy gazes out from the canvas, his eyes wide and filled with a quiet, thoughtful intensity. He sits slightly off-center, his small form bathed in a…

  3. 1670s
    King Charles II (1675) autorstwa Mary Beale
    1 z 65

    King Charles II

    Wiek 37 – 46 · National Portrait Gallery

    The monarch emerges from a deep, shadowy void, his presence commanding the space within an oval frame. King Charles II gazes outward with a somber, regal expression that…

  4. 1680s
    Portrait of a lady (1680) autorstwa Mary Beale
    Miejsce 3 / 65

    Portrait of a lady

    Wiek 47 – 56 · National Gallery of Victoria

    Mary Beale produced this oil on canvas, titled Portrait of a lady, around 1680. The work measures 76.5 × 63.7 cm. It represents a significant example of the…

  5. 1690s

Arcydzieła Mary Beale: pytania i odpowiedzi

Z jakiego obrazu najbardziej znany jest Mary Beale?Pokaż odpowiedź

King Charles II (1675), National Portrait Gallery, Londyn. Następnie pojawiają się Bartholomew Beale (1663) oraz Portrait of a lady (1680).

Ile lat miał(a) Mary Beale, malując King Charles II?Pokaż odpowiedź

42 lat: King Charles II pochodzi z 1675, a Mary Beale urodził(a) się w 1633.

Jakie są dziesięć najwspanialszych obrazów Mary Beale?Pokaż odpowiedź

King Charles II, Bartholomew Beale, Portrait of a lady, Viscountess Frances Hatton, Lady Elizabeth Cavendish, Countess of Bridgewater (c.1627-1663), Bartholomew Beale, in Profile, An Unknown Man, called John Milton (1608-1674), Portrait of a woman with a black hood, Sir Courtenay Pole, 2nd Bt, MP (1618/19–1695) i Self-Portrait Holding a Palette. Powyższy ranking zawiera rok oraz muzeum dla każdego z nich.

Ile dzieł namalował/a Mary Beale?Pokaż odpowiedź

Nasz katalog obejmuje 65 dzieł autorstwa Mary Beale, datowanych od 1659 do 1697.

W których muzeach można zobaczyć arcydzieła Mary Beale?Pokaż odpowiedź

Większość z nich znajduje się w National Portrait Gallery (Londyn), Antony House i Sutton House. Powyższa tabela zawiera listę muzeów po kolei.

Kiedy Mary Beale namalował swoje arcydzieła?Pokaż odpowiedź

W okresie 1680s: 10 z 65 dzieł na tej stronie pochodzi z tego czasu, w tym Portrait of a lady.

Jakie są pierwsze i ostatnie słynne obrazy artysty Mary Beale?Pokaż odpowiedź

Najwcześniejszy na tej stronie to Anna Maria, Countess of Shrewsbury (1642–1702) (1659), najpóźniejszy Portrait of Nell Gwyl (1697).

Jakie tematy były ulubione dla Mary Beale?Pokaż odpowiedź

Portraits (14), Royalty (12) i Portrait (6), spośród 65 dzieł na tej stronie.

Której techniki preferował Mary Beale?Pokaż odpowiedź

Oil On Canvas: 4 z 65 dzieł na tej stronie.

Do jakiego nurtu artystycznego należy Mary Beale?Pokaż odpowiedź

Baroque, co pokazują obrazy na tej stronie.

Które arcydzieła Mary Beale znajdują się w National Portrait Gallery?Pokaż odpowiedź

King Charles II, Thomas Sydenham i Charles Beale the Elder to jedne z 6 dzieł na tej stronie znajdujących się w zbiorach National Portrait Gallery, Londyn.

Czy mogę stać się właścicielem reprodukcji arcydzieła, którego autorem jest Mary Beale?Pokaż odpowiedź

Tak. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze, bezpośrednio ze strony danego dzieła.

Życie artysty Mary Beale

A Life Illuminated: The World of Mary Beale

Born in the quiet Suffolk rectory of Barrow in late March 1633, Mary Cradock entered a world where artistic inclination was considered an acceptable pastime, but a profession for a woman remained largely uncharted. Her father, John Cradock, a rector with a painter’s hand himself, provided her initial grounding in the arts—a fortunate circumstance that would shape her destiny. Growing up near Bury St Edmunds, young Mary likely encountered established artists like Peter Lely and Matthew Snelling, absorbing influences that would later blossom into her own distinctive style. This early exposure to the burgeoning London art scene planted a seed of ambition within her, even as societal expectations sought to confine her talents to the domestic sphere. The loss of her mother at age ten brought hardship, but also a strengthened bond with her father and an increased focus on artistic pursuits as a source of solace and expression.

Navigating Convention: Portraiture and Family Life

In 1652, Mary married Charles Beale, a civil servant who would become not only her husband but also her indispensable partner in navigating the complexities of a professional life. Theirs was an unusual collaboration for the era—a true partnership built on mutual respect and shared ambition. The Beales established a home and family, welcoming two sons, Bartholomew and Charles Jr., while simultaneously building Mary’s artistic career. Initially working from their residences in Covent Garden and later Albrook, Hampshire, she began to accept commissions, slowly gaining recognition for her skill. Charles played a pivotal role, managing the practicalities of her studio—preparing materials, handling finances, meticulously recording every detail of her work in his now-famous notebooks. These records offer an invaluable glimpse into 17th-century artistic practice and provide compelling evidence of Mary’s burgeoning success. Her portraits weren't merely likenesses; they were intimate studies of character, capturing the essence of her sitters with a remarkable degree of realism and sensitivity. She specialized in depicting members of her family, friends, local gentry, nobility, and clergy—a diverse clientele that speaks to her growing reputation.

A Baroque Sensibility: Style and Technique

Mary Beale’s artistic style was deeply rooted in the Baroque period, characterized by dramatic lighting, rich colors, and a keen attention to detail. However, she wasn't simply an imitator of prevailing trends. She developed a distinctive approach that set her apart from contemporaries like Lely, infusing her portraits with a warmth and psychological depth that resonated with her sitters. Her technique involved careful observation and meticulous rendering, but also a willingness to experiment with materials and methods. Charles Beale’s notes reveal her innovative exploration of cheaper supports for paintings—such as onion bags and bed-ticking—demonstrating both resourcefulness and a commitment to accessibility. She was particularly adept at capturing the textures of fabrics and the nuances of human expression, creating portraits that felt remarkably alive. Her 1663 manuscript on painting techniques, specifically focusing on apricot hues, stands as the earliest known instructional text by a female painter in English—a testament to her knowledge, skill, and willingness to share her expertise.

Breaking Barriers: Legacy and Historical Significance

Mary Beale’s career was not without its challenges. As a woman artist in 17th-century England, she faced societal constraints that limited opportunities for professional advancement. Yet, she persevered, establishing a thriving practice while simultaneously fulfilling her roles as wife and mother—a remarkable feat in an era when women were largely excluded from public life. Her financial independence, achieved through her art, was particularly noteworthy, challenging conventional expectations and demonstrating her business acumen. She received praise from prominent artists like Sir Peter Lely and recognition in contemporary writings about British art, solidifying her position within the artistic community. Beale’s legacy extends beyond her individual achievements; she paved the way for future generations of women artists, proving that talent knew no gender. In recent decades, her work has experienced a well-deserved rediscovery, with increased scholarly attention and exhibitions showcasing her remarkable contributions to English portraiture. The detailed records kept by Charles Beale provide invaluable insights into the art world, social customs, and daily life of 17th-century England, ensuring that Mary Beale’s story—and her artistry—continues to inspire and captivate audiences today. Her work is preserved on platforms like WahooArt, WahooArt, and others, guaranteeing her enduring presence in the cultural landscape.

Useful Information

Wszystkie 65 dzieła artysty Mary Beale →