Chaim Soutine, 1893 – 1943

Chaim Soutine Paintings: The 100 Most Famous Works, Ranked

Chaim Soutine's most famous painting is Chicken Hanging in Front of a Brick Wall (1924), in the Kunstmuseum Bern, Berno. With Zawieszony Żabiak (1925) and Suburban Landscape with Red Houses (1917), it completes the three works everyone recognises. Our catalogue lists 118 works by Chaim Soutine; the 100 below are the ones the world looks at most, each with its year, the museum that holds it and why it matters.

Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Every masterpiece on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, at the size you choose.

Portret Chaim Soutine
Chaim Soutine · 1893 – 1943
Urodzony · zmarł
1893 – 1943, Śmiłowicze
Nurt
Expressionism
Dzieła w naszym katalogu
118
Najsłynniejsze
Chicken Hanging in Front of a Brick Wall (1924)
Najwięcej dzieł w
Musée de l'Orangerie

The 10 most famous Chaim Soutine paintings

Zawieszony Żabiak (1925) autorstwa Chaim Soutine
2

Zawieszony Żabiak

1925 · Obraz olejny na płótnie · Ohara Museum of Art, Kurashiki

Chaim Soutine’s “Hanging Duck”: A Study in Texture and Emotion “Hanging Duck,” painted circa 1925 by Chaim Soutine, is more than just an image; it's a distillation of the artist’s distinctive vision—a landscape imbued with psychological depth and rendered with uncompromising physicality. Measuring 91 x 54.5 cm, this oil on canvas resides within the Ohara Museum of Art in Kurashiki, Japan, offering visitors a rare glimpse into Soutine’s artistic process…

Suburban Landscape with Red Houses (1917) autorstwa Chaim Soutine
3

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

Girl in Red (1919) autorstwa Chaim Soutine
4

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

Portrait of a Child (1937) autorstwa Chaim Soutine
5

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

Untitled (1411) autorstwa Chaim Soutine
6

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

Beef and calf's head (1923) autorstwa Chaim Soutine
7

Beef and calf's head

1923 · Oil On Canvas · Musée de l'Orangerie, Paryż

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

The Gipsy (1926) autorstwa Chaim Soutine
8

The Gipsy

1926 · Oil On Canvas · Statens Museum for Kunst, Kopenhaga

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

Return from School After the Storm autorstwa Chaim Soutine
9

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Chaim Soutine, paintings 11 to 100

The big altar boy (1925) autorstwa Chaim Soutine
#13

The big altar boy

1925 · Centre Pompidou

The big altar boy is an oil on canvas portrait by Chaim Soutine. Created about 1925, the work presents a young figure, likely an altar boy, centered within…

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Man with Horse (1920) autorstwa Chaim Soutine
#21

Man with Horse

1920 · Metropolitan Museum of Art

In Man with Horse, Chaim Soutine presents a scene of heavy, shifting forms. Painted about 1920, the work centers on a figure, likely a man, moving alongside a…

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Duck on Blue Background (1925) autorstwa Chaim Soutine
#23

Duck on Blue Background

1925 · Staatliche Kunsthalle Karlsruhe

A single avian form, likely a duck, is caught in a violent, swirling vortex of color. The subject is not rendered with anatomical precision but through a series…

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Little Girl in Blue (1935) autorstwa Chaim Soutine
#24

Little Girl in Blue

1935 · Kunstmuseum Bern

Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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Dead Fowl (1926) autorstwa Chaim Soutine
#25

Dead Fowl

1926 · Art Institute of Chicago

is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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The Table (1919) autorstwa Chaim Soutine
#27

The Table

1919 · Musée de l'Orangerie

The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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The Turkey (1925) autorstwa Chaim Soutine
#28

The Turkey

1925 · Musée de l'Orangerie

is an oil on canvas created by Chaim Soutine. Executed about 1925, the work belongs to the Jean Walter et Paul Guillaume collection. It is currently held at…

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Wiejska Dziewczyna [La Fille de Ferme] (1919) autorstwa Chaim Soutine
#50

Wiejska Dziewczyna [La Fille de Ferme]

1919 · Nagoya City Art Museum

白ロシア共和国(現ベラルーシ共和国)ミンスク近郊の寒村に生まれたスーチンがパリに出たのは19歳の時だった。貧困と、作品に対する無理解に苦しみながら、一人異国の地で模索する、そんな彼の才能をいち早く見い出したのがモディリアーニであった。教養もなければ、礼儀も知らず、野生児そのままといったスーチンに、モディリアーニはナイフやフォークの使い方を教え、制作の助言をし、しばしば絶望感にさいなまれる彼を励ました。しかし、彼は生涯野生児のままであった。30歳目前の若さでアメリカ人のコレクターに見い出され、作品が売れ、流行の背広に身を包むようになっても、彼の孤独と不安は、ついにいやされることはなかった。 スーチンの作品に一貫して表現されているのは、彼の孤独と不安の叫びである。その絵画世界では、あらゆるものがゆがみ、ねじまげられ、苦し気にのたうっているが、それはまさしくスーチン自身の内面の姿にほかならない。 《農家の娘》でも筆致の速さは目立つものの、スーチン特有のうねり、ゆがみの表現は比較的少なく、モデルの素朴な印象が引き立つように色彩は抑えられている。画家の描く対象との向き合い方を物語る一枚である。(出典: 名古屋市美術館展示解説カード)

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The old mill autorstwa Chaim Soutine
#65

The old mill

The old mill is an oil on canvas by Chaim Soutine. It emerged from the artist's brush around 1922-23. The paint clings to the fabric in thick, restless…

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Landscape with trees in the wind (1919) autorstwa Chaim Soutine
#66

Landscape with trees in the wind

1919 · The Ema Klabin House Museum

This arresting landscape, titled “Landscape with trees in the wind,” offers a profound glimpse into the artistic world of Chaim Soutine (1894-1943), a painter whose intensely personal and…

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Windy Day, Auxerre autorstwa Chaim Soutine
#67

Windy Day, Auxerre

The Phillips Collection

Windy Day, Auxerre is a work by Chaim Soutine. Created in the summer of 1939, the painting captures a specific moment of atmospheric tension. The scene is situated…

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The Pheasant autorstwa Chaim Soutine
#69

The Pheasant

The Phillips Collection

The Pheasant is a work by Chaim Soutine, executed between c. 1926 and c. 1927. The artist was born near Minsk, Russia, in what is now Belarus. Following…

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Woman in Profile autorstwa Chaim Soutine
#70

Woman in Profile

The Phillips Collection

Woman in Profile is a portrait of Madame Tennent painted by Chaim Soutine. This work was created about 1937. The composition focuses on the subject from a side…

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Chaim Soutine's paintings by period

The subjects Chaim Soutine painted most

The four subjects that return most often among these masterpieces, with the finest example of each.

Where to see Chaim Soutine's paintings

8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

Muzeum Miasto Dzieła artysty Chaim Soutine Obrazy z tej listy
Musée de l'Orangerie, ParyżMusée de l'Orangerie Paryż 9 Beef and calf's head, The Table, The Turkey
Metropolitan Museum of Art, Nowy JorkMetropolitan Museum of Art Nowy Jork 7 Woman in Red Blouse, Man with Horse, Apples
The Phillips Collection, WaszyngtonThe Phillips Collection Waszyngton 4 Windy Day, Auxerre, The Pheasant, Woman in Profile
Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 3 Still Life with Fowl [Nature Morte à La Volaille], Wiejska Dziewczyna [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Muzeum Izraela, JerozolimaMuzeum Izraela Jerozolima 3 Landscape, Hill in Céret, Calf and Red Curtain
Kunstmuseum Bern, BernoKunstmuseum Bern Berno 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Seated Woman, Still Life with Rayfish
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Dead Fowl, Landscape at Cagnes

Chaim Soutine's most famous painting of each decade

  1. 1910s
    Suburban Landscape with Red Houses (1917) autorstwa Chaim Soutine
    Rank 3 / 100

    Suburban Landscape with Red Houses

    Wiek 17 – 26

    In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

  2. 1920s
    Chicken Hanging in Front of a Brick Wall (1924) autorstwa Chaim Soutine
    Rank 1 / 100

    Chicken Hanging in Front of a Brick Wall

    Wiek 27 – 36 · Kunstmuseum Bern

    The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

  3. 1930s
    Portrait of a Child (1937) autorstwa Chaim Soutine
    #5 of 100

    Portrait of a Child

    Wiek 37 – 46

    In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

Questions about Chaim Soutine's paintings

What is Chaim Soutine's most famous painting?Show the answer

Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Berno. Next come Zawieszony Żabiak (1925) and Suburban Landscape with Red Houses (1917).

How old was Chaim Soutine when Chicken Hanging in Front of a Brick Wall was painted?Show the answer

31 years old: Chicken Hanging in Front of a Brick Wall dates from 1924 and Chaim Soutine was born in 1893.

What are the top 10 paintings by Chaim Soutine?Show the answer

Chicken Hanging in Front of a Brick Wall, Zawieszony Żabiak, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm i Ceret Lanscape. The ranking above gives the year and the museum of each.

How many paintings did Chaim Soutine make?Show the answer

Our catalogue lists 118 works by Chaim Soutine, dated from 1916 to 1937.

Where are Chaim Soutine's most famous paintings?Show the answer

Most of them are in Musée de l'Orangerie (Paryż), Metropolitan Museum of Art (Nowy Jork) i The Phillips Collection (Waszyngton). The table above lists the museums one by one.

When did Chaim Soutine paint the most famous works?Show the answer

In 1920s: 38 of the 100 works on this page date from then, among them Chicken Hanging in Front of a Brick Wall.

What are Chaim Soutine's earliest and latest famous paintings?Show the answer

The earliest on this page is Self-Portrait (1916), the latest Portrait of a Child (1937).

What did Chaim Soutine paint most often?Show the answer

Portrait (5), Meat (4) i Woman (4), among the 100 works on this page.

What medium did Chaim Soutine use most?Show the answer

Oil On Canvas: 15 of the 100 works on this page.

Which art movement does Chaim Soutine belong to?Show the answer

Expressionism, as the paintings on this page show.

Which Chaim Soutine paintings can I see at the Musée de l'Orangerie?Show the answer

Beef and calf's head, The Table i The Turkey are among the 7 works on this page held by the Musée de l'Orangerie, Paryż.

Can I buy a reproduction of a Chaim Soutine painting?Show the answer

Yes. Every painting on this page can be ordered as a museum-quality, hand-painted oil reproduction or a fine art print, in the size you choose, from the painting's own page.

About Chaim Soutine

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine, a name synonymous with raw emotion and turbulent landscapes, was born into a world of profound hardship – a stark contrast to the vibrant, expressive canvases he would later create. Born in 1893 (or possibly 1894) in Smilovichi, a small Jewish shtetl near Minsk in present-day Belarus, his early life was steeped in poverty and the constraints of Orthodox religious observance. This formative experience—a childhood marked by material scarcity and the limitations imposed upon his community – would irrevocably shape his artistic vision, fueling a lifelong exploration of inner turmoil and psychological intensity. Despite a lack of formal training initially, Soutine’s innate talent for drawing blossomed, hinting at the passionate force that would define his work. He received limited instruction at an art academy in Vilna (now Vilnius) from 1910 to 1913, but it was his emigration to Paris in 1913 that proved to be a pivotal moment, catapulting him into a vibrant artistic community and setting the stage for his unique development. The initial years in Paris were characterized by extreme poverty – a struggle mirroring the emotional turbulence simmering beneath the surface of his paintings.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, reducing Soutine solely to this label significantly diminishes the complexity of his artistic vision. His style was profoundly individual, a masterful synthesis of traditional European painting – particularly the works of the Dutch Masters like Rembrandt and Chardin, and the Realism of Courbet – filtered through a lens of raw emotional intensity. He didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own deeply personal experience. Bold colors, applied with thick impasto—a textured application of paint that gives his canvases a palpable physicality—and agitated brushwork are hallmarks of his distinctive style. Soutine wasn't interested in precise representation or objective accuracy; he sought to capture the *essence* of his subjects – their emotional state, their inner turmoil – often imbuing them with a sense of unease, vulnerability, and even a touch of unsettling beauty. His landscapes weren’t simply depictions of scenery; they were visceral expressions of feeling, painted with an almost desperate energy. Similarly, his portraits—often depicting working-class individuals—stood apart for their psychological depth, revealing the dignity and fragility of his subjects in a way that challenged conventional portraiture. The influence of Rembrandt is particularly evident in Soutine’s use of light and shadow, while Chardin's quiet realism provides a foundation for his exploration of everyday objects imbued with emotional significance.

Development and Defining Works

Soutine’s artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) were characterized by a struggle to find his voice amidst financial hardship and the overwhelming influence of the established artistic community. He experimented with various styles, absorbing influences from Cubism and other avant-garde movements while simultaneously forging his own distinct approach. A crucial turning point came in 1919 when he spent three years painting at Céret in southern France – a period that proved transformative. Surrounded by the dramatic landscapes of the Pyrenees, Soutine developed his mature style, characterized by vibrant colors, distorted forms, and a sense of almost violent energy. These paintings—landscapes dominated by swirling trees, jagged cliffs, and fields of intense color—became emblematic of his artistic vision. The period also saw the emergence of his iconic series of portraits, particularly those depicting Russian émigrés in Paris – figures rendered with a raw honesty that exposed their vulnerability and resilience. Notable works from this era include “Suburban Landscape,” “Untitled (2161),” and numerous studies capturing the essence of Céret’s dramatic light and atmosphere.

Recognition, Legacy, and Lasting Impact

Despite his artistic brilliance, Soutine remained largely unrecognized during his lifetime. The art dealer Leopold Zborowski played a crucial role in promoting his work and securing his financial stability, recognizing the unique power of Soutine's vision and championing him to discerning collectors. Initial critical reception was mixed, but his reputation gradually grew over time, fueled by the increasing interest in Expressionism and the growing recognition of his distinctive style. Soutine’s innovative use of paint—particularly his mastery of impasto—and his ability to convey profound emotional depth profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in him a kindred spirit – an artist willing to push the boundaries of representation in pursuit of authentic expression. He remains a key figure within the *School of Paris*, a diverse group of artists working in the city during the early 20th century, and his legacy continues to resonate today. His works are held in prestigious museums worldwide—testaments to his enduring artistic significance. Soutine represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. He stands as a testament to the power of art to transform personal experience into universal emotion.

Wszystkie 118 dzieła artysty Chaim Soutine →