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          Robert Bevan, 1865 – 1925

          Obrazy: 100 najsłynniejszych dzieł artysty Robert Bevan, zestawienie

          Najsłynniejszym obrazem Robert Bevan jest From the Artist's Window (1915). Wraz z Horse Dealers (Sale at Ward's Repository No.1) (1918) i Devonshire Valley, No. 2 (1913) tworzy to zestaw trzech dzieł, które zna każdy. Nasz katalog zawiera 106 dzieł autorstwa Robert Bevan; poniższych 100 to te, na które świat patrzy najczęściej – każde z podaniem roku powstania, muzeum, w którym się znajduje, oraz uzasadnieniem jego znaczenia.

          Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Każde arcydzieło na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny, w wybranym przez Ciebie rozmiarze.

          Portret Robert Bevan
          Robert Bevan · 1865 – 1925
          Urodzony · zmarł
          1865 – 1925, Hove
          Nurt
          Fauvism
          Dzieła w naszym katalogu
          106
          Najsłynniejsze
          From the Artist's Window (1915)
          Najwięcej dzieł w
          Yale Center for British Art

          10 najsłynniejszych obrazów artysty Robert Bevan

          From the Artist's Window (1915) autorstwa Robert Bevan
          1

          From the Artist's Window

          1915 · Oil On Canvas

          The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds in a flurry of motion and shadow. Tall buildings line the thoroughfare, their verticality framing a scene of constant transit. Horses pull heavy carriages through the center of the frame, their strength palpable as they navigate the urban flow. A single horse…

          Hand-painted oil reproduction from $181 34 × 29 cm Same size as the original $297 76 × 63 cm Order at original size →
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          Horse Dealers (Sale at Ward's Repository No.1) (1918) autorstwa Robert Bevan
          2

          Horse Dealers (Sale at Ward's Repository No.1)

          1918 · Oil On Canvas

          Horse Dealers (Sale at Ward's Repository No.1) is a work by the British artist Robert Bevan. Created about 1918, the piece emerged during a period of significant stylistic transition for the artist, who was a key figure in the development of modern British art. Bevan was a founding member of several influential collectives, including the Camden Town Group and the Fitzroy Street group, contributing to the evolution of early twentieth-century…

          Hand-painted oil reproduction from $181 37 × 27 cm Same size as the original $247 66 × 48 cm Order at original size →
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          Devonshire Valley, No. 2 (1913) autorstwa Robert Bevan
          3

          Devonshire Valley, No. 2

          1913 · Oil On Canvas

          In the quietude of 1913, just before the world was irrevocably altered by the shadows of the Great War, Robert Polhill Bevan captured a moment of profound serenity in Devonshire Valley, No. 2. This exquisite oil on canvas serves as more than a mere landscape; it is an evocative portal into a lost era of English tranquility. The painting presents a sweeping, panoramic vista of a verdant valley, where rolling…

          Hand-painted oil reproduction from $181 35 × 29 cm Same size as the original $236 58 × 48 cm Order at original size →
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          Queen's Grove, St John's Wood (1918) autorstwa Robert Bevan
          5

          Queen's Grove, St John's Wood

          1918 · Oil On Canvas · Ashmolean Museum of Art and Archaeology, Oksford

          In the quiet, rhythmic pulse of 1918, Robert Bevan captured a moment of suspended animation in Queen's Grove, St John's Wood. This oil on canvas depicts a street scene where the horse-drawn carriage still shared the cobblestone streets with the whispers of a new century. The composition employs a deliberate flattening of perspective, inviting the viewer to step into a world that feels both intimately familiar and dreamily distant. There…

          Hand-painted oil reproduction from $206 35 × 29 cm Same size as the original $267 60 × 50 cm Order at original size →
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          The Smithy, Szeliwy, No. 2 (1906) autorstwa Robert Bevan
          6

          The Smithy, Szeliwy, No. 2

          1906 · Oil On Canvas

          In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in Robert Polhill Bevan’s 1906 masterpiece, The Smithy, Szeliwy, No. 2. This evocative oil on canvas serves as more than just a depiction of a landscape; it is a portal into a bygone era of communal harmony and pastoral grace. As the viewer…

          Hand-painted oil reproduction from $206 37 × 27 cm Same size as the original $359 91 × 66 cm Order at original size →
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          Robert Bevan, obrazy od 11 do 100

          Two Bridges (1912) autorstwa Robert Bevan
          #13

          Two Bridges

          1912

          In the heart of the early twentieth century, as the gears of modernity began to turn with an unstoppable rhythm, Robert Polhill Bevan captured a fleeting moment of…

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          Mare and Foal (1917) autorstwa Robert Bevan
          #15

          Mare and Foal

          1917

          In the quietude of 1917, amidst a world often defined by upheaval, Robert Polhill Bevan captured a moment of profound stillness and maternal grace in his masterpiece, Mare…

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          Under the Hammer (1914) autorstwa Robert Bevan
          #20

          Under the Hammer

          1914 · Walker Art Gallery

          Under the Hammer, painted in 1914 by Robert Polhill Bevan, is more than just a depiction of a crowded room; it's a meticulously observed snapshot of a pivotal…

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          Hay Carts (1915) autorstwa Robert Bevan
          #66

          Hay Carts

          1915

          In the heart of 1915, amidst a world undergoing profound transformation, Robert Polhill Bevan captured a fleeting moment of rhythmic vitality in his masterpiece, "Hay Carts." This oil…

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          Pod młotem (1913) autorstwa Robert Bevan
          #71

          Pod młotem

          1913 · Walker Art Gallery

          Robert Polhill Bevan, urodzony w Hove w 1865 roku, zajmuje kluczową pozycję w historii sztuki brytyjskiej początku XX wieku – często pomijaną przez historię akademicką. Jego twórczość stanowi…

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          The Chestnut Tree (1919) autorstwa Robert Bevan
          #76

          The Chestnut Tree

          1919 · Ashmolean Museum of Art and Archaeology

          Robert Polhill Bevan's "The Chestnut Tree," painted in 1919, isn’t merely a depiction of a rural scene; it’s a carefully constructed evocation of the English countryside imbued with…

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          Brimley Hill, Devon (1916) autorstwa Robert Bevan
          #80

          Brimley Hill, Devon

          1916 · Herbert Art Gallery - Museum

          Robert Polhill Bevan i Jego „Brimley Hill”: Pionier Fauvizmu na Śląsku Robert Polhill Bevan (1865–1925), choć często pomijany w historii sztuki angielskiej, stanowi istotną postać w okresie przełomowym…

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          Pole Field (1914) autorstwa Robert Bevan
          #83

          Pole Field

          1914 · Reading Museum - Town Hall

          Robert Polhill Bevan (1865–1925) stanowi niezwykle istotną postać w historii sztuki brytyjskiej początku XX wieku, często pomijaną przez historyków sztuki. Jego twórczość wyznaczyła kierunek rozwoju nowoczesnego malarstwa angielskiego…

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          Showing at Tattersall's (1919) autorstwa Robert Bevan
          #85

          Showing at Tattersall's

          1919 · Ashmolean Museum

          Robert Bevan's “Showing at Tattersall’s,” completed in 1919, stands as a remarkable testament to British Modernism and a captivating portrayal of the social fabric surrounding horse racing during…

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          Polish Landscape (1901) autorstwa Robert Bevan
          #92

          Polish Landscape

          1901 · New Walk Museum - Art Gallery

          The Polish Landscape painting by Robert Polhill Bevan is a stunning example of early 20th-century art, showcasing the artist's ability to capture the essence of a peaceful countryside…

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          Polish Tavern (1903) autorstwa Robert Bevan
          #93

          Polish Tavern

          1903 · Fitzwilliam Museum

          The painting "Polish Tavern" by Robert Bevan is a beautiful representation of a farmhouse with a red roof, surrounded by a field. The house has two chimneys on…

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          Ściana stodółka (1904) autorstwa Robert Bevan
          #100

          Ściana stodółka

          1904 · Swindon Art Gallery

          Robert Polhill Bevan i „Zasadzony Dwór”, Polska „Zasadzony Dwór” Roberta Polhilla Bevena, namalowany w 1904 roku, stanowi fascynujące świadectwo pionierskiego ducha brytyjskiego modernizmu oraz głębokiego wpływu impresjonizmu na…

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          Obrazy Robert Bevan według okresów

          Early Period

          1891 – 1917 · 6 dzieł na tej liście
          The Ploughing Team, Dawn (1906), Robert Bevan #8 The Ploughing Team, Dawn 1906 The Horse Mart (Barbican No. 1) (1917), Robert Bevan #17 The Horse Mart (Barbican No. 1) 1917 · Yale Center for British Art Woman from Moëlan cutting bread (1891), Robert Bevan #42 Woman from Moëlan cutting bread 1891 · Musée de Pont-Aven The Farmhouse (1917), Robert Bevan #48 The Farmhouse 1917 Village Houses at Szeliwy (1903), Robert Bevan #65 Village Houses at Szeliwy 1903

          Mature Period

          1904 – 1924 · 20 dzieł na tej liście
          From the Artist's Window (1915), Robert Bevan #1 From the Artist's Window 1915 Devonshire Valley, No. 2 (1913), Robert Bevan #3 Devonshire Valley, No. 2 1913 The Hay Harvest (1916), Robert Bevan #14 The Hay Harvest 1916 Mare and Foal (1917), Robert Bevan #15 Mare and Foal 1917 The Caller at the Mill (1918), Robert Bevan #16 The Caller at the Mill 1918 · Yale Center for British Art

          Early Modernism

          1912 – 1920 · 8 dzieł na tej liście
          Stanislawa Bevan, née de Karlowska (1920), Robert Bevan #12 Stanislawa Bevan, née de Karlowska 1920 · National Portrait Gallery Under the Hammer (1914), Robert Bevan #20 Under the Hammer 1914 · Walker Art Gallery Horse Sale at the Barbican (1912), Robert Bevan #68 Horse Sale at the Barbican 1912 · Tate Gallery Showing at Tattersalls (1919), Robert Bevan #69 Showing at Tattersalls 1919 · Ashmolean Museum of Art and Archaeology Pod młotem (1913), Robert Bevan #71 Pod młotem 1913 · Walker Art Gallery

          Early 20th Century

          1906 – 1922 · 6 dzieł na tej liście
          The Smithy, Szeliwy, No. 2 (1906), Robert Bevan #6 The Smithy, Szeliwy, No. 2 1906 A London Church (1922), Robert Bevan #11 A London Church 1922 Thirsty Cab Horse (1910), Robert Bevan #33 Thirsty Cab Horse 1910 Rosemary la vallée (1916), Robert Bevan #55 Rosemary la vallée 1916 Near Hemyock (1918), Robert Bevan #60 Near Hemyock 1918

          Early Modern

          1912 – 1921 · 6 dzieł na tej liście
          Landscape in the Blackdown Hills, Devon (1917), Robert Bevan #4 Landscape in the Blackdown Hills, Devon 1917 · Alfred East Art Gallery Queen's Grove, St John's Wood (1918), Robert Bevan #5 Queen's Grove, St John's Wood 1918 · Ashmolean Museum of Art and Archaeology Two Bridges (1912), Robert Bevan #13 Two Bridges 1912 Watering Cattle, Poland (1921), Robert Bevan #58 Watering Cattle, Poland 1921 The Green House, St. John/'s Wood (1919), Robert Bevan #73 The Green House, St. John/'s Wood 1919 · Art Gallery of South Australia

          Tematy, które najczęściej malował Robert Bevan

          Cztery tematy najczęściej powracające w tych arcydziełach, wraz z najdoskonalszym przykładem każdego z nich.

          Landscape 16 dzieł

          Landscape in the Blackdown Hills, Devon (1917), Robert Bevan #4 Landscape in the Blackdown Hills, Devon 1917 · Alfred East Art Gallery The Ploughing Team, Dawn (1906), Robert Bevan #8 The Ploughing Team, Dawn 1906 The Hay Harvest (1916), Robert Bevan #14 The Hay Harvest 1916 Village Houses at Szeliwy (1903), Robert Bevan #65 Village Houses at Szeliwy 1903

          British art 15 dzieł

          Queen's Grove, St John's Wood (1918), Robert Bevan #5 Queen's Grove, St John's Wood 1918 · Ashmolean Museum of Art and Archaeology The Horse Mart (Barbican No. 1) (1917), Robert Bevan #17 The Horse Mart (Barbican No. 1) 1917 · Yale Center for British Art Under the Hammer (1914), Robert Bevan #20 Under the Hammer 1914 · Walker Art Gallery Pod młotem (1914), Robert Bevan #39 Pod młotem 1914 · Walker Art Gallery

          Early 20th century 10 dzieł

          Devonshire Valley, No. 2 (1913), Robert Bevan #3 Devonshire Valley, No. 2 1913 A London Church (1922), Robert Bevan #11 A London Church 1922 Stanislawa Bevan, née de Karlowska (1920), Robert Bevan #12 Stanislawa Bevan, née de Karlowska 1920 · National Portrait Gallery Two Bridges (1912), Robert Bevan #13 Two Bridges 1912

          Rural landscape 8 dzieł

          The Farmhouse (1917), Robert Bevan #48 The Farmhouse 1917 Rosemary la vallée (1916), Robert Bevan #55 Rosemary la vallée 1916 Watering Cattle, Poland (1921), Robert Bevan #58 Watering Cattle, Poland 1921 Near Hemyock (1918), Robert Bevan #60 Near Hemyock 1918

          Gdzie można zobaczyć obrazy Robert Bevan

          8 muzeów, w których znajduje się najwięcej obrazów z tej strony.

          Muzea Miasto Dzieła artysty Robert Bevan Obrazy z tej listy
          Yale Center for British Art, New HavenYale Center for British Art New Haven 9 "Quiet with all Road Nuisances", A Morning at Tattersall', The Caller at the Mill
          Ashmolean Museum of Art and Archaeology, OksfordAshmolean Museum of Art and Archaeology Oksford 4 Queen's Grove, St John's Wood, Showing at Tattersalls, The Chestnut Tree
          National Portrait Gallery, LondynNational Portrait Gallery Londyn 3 Stanislawa Bevan, née de Karlowska, Self-Portrait, Robert Polhill Bevan
          Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 3 Under the Hammer, Pod młotem, Pod młotem
          Ashmolean Museum, OksfordAshmolean Museum Oksford 3 Queen's Road, St. John's Wood, The Chestnut Tree, Showing at Tattersall's
          Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Parade at Aldridge's, Adelaide Road, N.W.
          National Trust, LondynNational Trust Londyn 2 The Smithy at Szeliwy, Poland, Meadows, Poland
          Alfred East Art Gallery, KetteringAlfred East Art Gallery Kettering 1 Landscape in the Blackdown Hills, Devon

          Najsłynniejsze obrazy Robert Bevan z każdej dekady

          1. 1890s
          2. 1900s
            The Smithy, Szeliwy, No. 2 (1906) autorstwa Robert Bevan
            Miejsce 6 / 100

            The Smithy, Szeliwy, No. 2

            Wiek 35 – 44

            In the quiet corners of the early twentieth century, there existed a profound beauty in the rhythmic simplicity of village life, a sentiment captured with breathtaking tenderness in…

          3. 1910s
            From the Artist's Window (1915) autorstwa Robert Bevan
            Miejsce 1 / 100

            From the Artist's Window

            Wiek 45 – 54

            The city breathes through the narrow canyon of a street, captured from an elevated vantage point that feels intimate yet detached. High above the cobblestones, the world unfolds…

          4. 1920s

          Pytania o obrazy Robert Bevan

          Jakie jest najsłynniejsze dzieło Robert Bevan?Pokaż odpowiedź

          From the Artist's Window (1915). Następnie Horse Dealers (Sale at Ward's Repository No.1) (1918) i Devonshire Valley, No. 2 (1913).

          Ile lat miał Robert Bevan, gdy namalowano From the Artist's Window?Pokaż odpowiedź

          50 lat: From the Artist's Window pochodzi z 1915, a Robert Bevan urodził(a) się w 1865.

          Jakie są 10 najlepszych obrazów autorstwa Robert Bevan?Pokaż odpowiedź

          From the Artist's Window, Horse Dealers (Sale at Ward's Repository No.1), Devonshire Valley, No. 2, Landscape in the Blackdown Hills, Devon, Queen's Grove, St John's Wood, The Smithy, Szeliwy, No. 2, Ploughing, The Ploughing Team, Dawn, "Quiet with all Road Nuisances" i A Morning at Tattersall'. Powyższy ranking zawiera rok oraz muzeum dla każdego z nich.

          Ile obrazów stworzył/a Robert Bevan?Pokaż odpowiedź

          Nasz katalog obejmuje 106 dzieł autorstwa Robert Bevan, datowanych od 1891 do 1924.

          Gdzie znajdują się najsłynniejsze obrazy Robert Bevan?Pokaż odpowiedź

          Większość z nich znajduje się w Yale Center for British Art (New Haven), Ashmolean Museum of Art and Archaeology (Oksford) i National Portrait Gallery (Londyn). Powyższa tabela zawiera listę muzeów po kolei.

          Kiedy Robert Bevan namalował swoje najsłynniejsze dzieła?Pokaż odpowiedź

          W okresie 1910s: 55 z 100 dzieł na tej stronie pochodzi z tego czasu, w tym From the Artist's Window.

          Jakie są najwcześniejsze i najpóźniejsze słynne obrazy Robert Bevan?Pokaż odpowiedź

          Najwcześniejszy na tej stronie to Woman from Moëlan cutting bread (1891), najpóźniejszy Aldwych (1924).

          Co najczęściej malował Robert Bevan?Pokaż odpowiedź

          Landscape (16), British art (15) i Early 20th century (10), spośród 100 dzieł na tej stronie.

          Jakiej techniki najczęściej używał/a Robert Bevan?Pokaż odpowiedź

          Oil On Canvas: 23 z 100 dzieł na tej stronie.

          Do jakiego nurtu artystycznego należy Robert Bevan?Pokaż odpowiedź

          Fauvism, co pokazują obrazy na tej stronie.

          Które obrazy Robert Bevan można zobaczyć w Yale Center for British Art?Pokaż odpowiedź

          "Quiet with all Road Nuisances", A Morning at Tattersall' i The Caller at the Mill to jedne z 9 dzieł na tej stronie znajdujących się w zbiorach Yale Center for British Art, New Haven.

          Czy mogę kupić reprodukcję obrazu Robert Bevan?Pokaż odpowiedź

          Tak. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze, bezpośrednio ze strony danego dzieła.

          O Robert Bevan

          Robert Polhill Bevan (1865–1925): British Painter & Camden Town Group Founder

          Robert Polhill Bevan, born in Hove in 1865, occupies a pivotal yet often understated position within the narrative of early 20th-century British art. Emerging from a Quaker background steeped in banking connections – his parents were Richard Alexander Bevan and Laura Maria Polhill – he defied conventional expectations to become a daring innovator, a key figure in the transition from Impressionism towards more radical explorations of color and form. His journey was one of constant experimentation, absorbing influences from across Europe while forging a distinctly personal artistic vision that would profoundly impact the development of modern art in Britain. Bevan’s early education at Westminster School of Art under Fred Brown provided a solid foundation, but it was his subsequent studies at the Académie Julian in Paris that truly ignited his creative spark. There, he encountered a constellation of rising stars – Paul Sérusier, Pierre Bonnard, Édouard Vuillard, and Maurice Denis – artists who were challenging academic conventions and embracing new approaches to painting. These encounters proved formative, exposing Bevan to the principles of synthetism and laying the groundwork for his future explorations.

          Early Influences & Artistic Formation

          Bevan’s formative years instilled in him a deep appreciation for meticulous observation and disciplined technique—traits that would characterize his entire artistic career. The Westminster School of Art under Frederick Brown fostered these qualities, equipping him with foundational skills in draughtsmanship and composition. However, it was the Académie Julian in Paris that truly unlocked Bevan's potential, immersing him in the vibrant intellectual and artistic milieu of the Belle Époque. He benefited enormously from the tutelage of influential artists who championed a revolutionary vision of painting—a rejection of naturalistic representation in favor of expressive color and simplified forms. Artists like Paul Sérusier, Pierre Bonnard, Édouard Vuillard, and Maurice Denis actively questioned established aesthetic standards, advocating for a bold embrace of synthetism – a technique that prioritized symbolic content over accurate depiction. This exposure to avant-garde ideas profoundly shaped Bevan’s artistic sensibilities, propelling him toward experimentation with color and form that would distinguish him from many of his peers.

          Brittany & The Fauvist Impulse

          The allure of Brittany proved irresistible to Bevan, triggering two significant expeditions in 1890 and 1891. He found himself captivated by the landscape’s dramatic light and bold hues—a visual language powerfully articulated by artists like Gauguin who had pioneered a radically new approach to painting. The influence of Gauguin's expressive palette and simplified forms resonated deeply with Bevan, informing his early drawings and prints and establishing a cornerstone for his artistic development. Around 1904, Bevan embarked on a path of experimentation with pure color that anticipated the emergence of Fauvism on the continent—a movement characterized by unrestrained chromatic intensity and a deliberate disregard for traditional tonal values. His painting “Courtyard” stands as a remarkable testament to this proto-Fauvist impulse, demonstrating a willingness to abandon naturalistic representation in favor of emotive color harmonies – a boldness that cemented Bevan’s position at the forefront of British artistic innovation.

          The Camden Town Group & Collaborative Vision

          Bevan's artistic pursuits extended beyond individual experimentation; he actively sought connection with fellow artists who shared his conviction that art should engage with contemporary social realities. He joined forces with Charles Ginner, Spencer Gore and Joseph Crawhall to form the Camden Town Group—a collective dedicated to depicting urban life in Britain during the Edwardian era. This group’s members were united by a desire to challenge academic conventions and explore new artistic languages—particularly those inspired by Impressionism and Post-Impressionism. Bevan's participation in the Camden Town Group fostered a dynamic exchange of ideas, propelling him toward stylistic developments that reflected the broader cultural currents of his time. The Group’s focus on capturing the atmosphere of London’s industrial landscape—characterized by gritty textures and vibrant colors—represented a decisive break from traditional artistic traditions.

          Legacy & Artistic Significance

          Robert Polhill Bevan's contribution to British art history is undeniable. He remains a vital figure for understanding the complex evolution of British painting in the early twentieth century, embodying the spirit of innovation and experimentation that defined the era. His landscapes—particularly those depicting the Blackdown Hills and Luppitt—are celebrated for their expressive brushwork and masterful use of color—a legacy that continues to inspire artists today. Bevan’s paintings are housed in prestigious collections across Britain and internationally, ensuring that his artistic vision endures as a testament to his enduring influence on British art. His retrospective exhibition at Colnaghi’s in 1961 served as a crucial moment of recognition, solidifying his place among the foremost painters of his generation—a figure whose pioneering spirit continues to resonate with artists and scholars alike.
          Wszystkie 106 dzieła artysty Robert Bevan → Robert Bevan painting reproductions, with prices →