1
The Woman with the Tambourine
Hand-painted oil reproduction from $181 36 × 27 cm
Same size as the original $366 97 × 73 cm Order at original size →
The Woman with the Tambourine (1867) to najsłynniejszy obraz autorstwa Jean Benner, znajdujący się w Musée des Beaux-Arts de Mulhouse w Mulhouse. La petite folle de Capri (1868) i Athéniennes surprises par des Pélages de Lemnos (1876) to dwa kolejne dzieła, które świat zna najlepiej. Z 18 dzieł Jean Benner w naszym katalogu, oto 18 najczęściej wybieranych przez kolekcjonerów i zwiedzających muzea, wraz z rokiem powstania, informacją o muzeum oraz historią każdego z nich.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Październik 2026. Każde arcydzieło na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny, w wybranym przez Ciebie rozmiarze.
8 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty Jean Benner | Obrazy z tej listy |
|---|---|---|---|
 Musée des Beaux-Arts de Mulhouse |
Mulhouse | 3 | The Woman with the Tambourine, Untitled (ARCRXK), À la France, toujours |
 musée Bartholdi |
Colmar | 2 | La petite folle de Capri, Frédéric Auguste Bartholdi |
 Musée d'Arts de Nantes |
Nantes | 2 | Salomé, Jeune fille de Capri |
 musée Petiet de Limoux |
Limoux | 1 | The Wreck or The Italian |
 Musée d'Art Moderne et Contemporain de Strasbourg |
Strasbourg | 1 | Ecstasy |
 Château de Nemours |
Nemours | 1 | Briseïs pleurant sur le corps de Patrocle |
 Musée des Beaux-Arts |
Reims | 1 | Portrait of a Little Girl |
 Musée National Jean-jacques Henner |
Paris | 1 | Vue de Capri |
The Woman with the Tambourine (1867), Musée des Beaux-Arts de Mulhouse, Mulhouse. Następnie pojawiają się La petite folle de Capri (1868) oraz Athéniennes surprises par des Pélages de Lemnos (1876).
31 lat: The Woman with the Tambourine pochodzi z 1867, a Jean Benner urodził(a) się w 1836.
The Woman with the Tambourine, La petite folle de Capri, Athéniennes surprises par des Pélages de Lemnos, The Wreck or The Italian, Ecstasy, Frédéric Auguste Bartholdi, Untitled (ARCRXK), Salomé, À la France, toujours i Briseïs pleurant sur le corps de Patrocle. Powyższy ranking zawiera rok oraz muzeum dla każdego z nich.
Nasz katalog obejmuje 18 dzieł autorstwa Jean Benner, datowanych od 1867 do 1906.
Większość z nich znajduje się w Musée des Beaux-Arts de Mulhouse (Mulhouse), musée Bartholdi (Colmar) i Musée d'Arts de Nantes (Nantes). Powyższa tabela zawiera listę muzeów po kolei.
W okresie 1870s: 3 z 18 dzieł na tej stronie pochodzi z tego czasu, w tym Athéniennes surprises par des Pélages de Lemnos.
Najwcześniejszy na tej stronie to The Woman with the Tambourine (1867), najpóźniejszy À la France, toujours (1906).
The Woman with the Tambourine, Untitled (ARCRXK) i À la France, toujours to jedne z 3 dzieł na tej stronie znajdujących się w zbiorach Musée des Beaux-Arts de Mulhouse, Mulhouse.
Tak. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze, bezpośrednio ze strony danego dzieła.
The story of Jean Benner is one deeply woven into the very fabric of nineteenth-century French artistry, a narrative defined by familial bonds and a profound connection to the landscape. Born in 1836 in Mulhouse, Alsace, Jean entered the world as a twin alongside his brother, Emmanuel Benner. Their shared beginnings were rooted in the industrious spirit of their father, Jean Benner-Fries, whose work as a textile designer provided the brothers with an early education in pattern and precision. Before they were masters of the brush, the Benner brothers served as designers in the prominent mills and factories of Mulhoause, a period that undoubtedly instilled in them a meticulous eye for detail and a deep appreciation for the interplay of color and form that would later define their fine art.
As his innate talent blossomed, Jean sought to transcend the industrial design of his youth, embarking on a rigorous academic journey. He immersed himself in the prestigious traditions of French Academic painting, studying under luminaries such as Léon Bonnat, Eck, and the ethereal master Jean-Jacques Henner. This period of intense mentorship was transformative; from Henner, he inherited a sensitivity to light and shadow, while his exposure to the classical principles of his instructors allowed him to master the idealized beauty and technical precision required for the grand stages of the era. His official debut at the Paris Salon in 1868 served as a triumphant announcement of his arrival, marking the moment when his personal vision began to merge with the broader movements of European art.
While his training was rooted in the rigorous academies of France, Benner’s soul found a profound resonance in the sun-drenched landscapes of the Mediterranean. His fascination with the island of Capri became a cornerstone of his creative identity. During an era when Capri served as a vibrant colony for the world's most celebrated painters, Benner was not merely a visitor but an active participant in its artistic community. He moved within the same circles as Frederic Leighton, John Singer Sargent, and Walter McLaren, finding in the island’s exotic flora and dramatic vistas a perfect subject for his evolving style.
This Mediterranean influence breathed a new vitality into his work, allowing him to expand his repertoire far beyond the confines of traditional portraiture. His output became a rich tapestry of diverse genres:
His technical achievements were recognized by his peers and institutions alike; notably, in 1881, he was awarded a medal at the Paris Salon for his painting Le Repos. This period of his career saw him producing works of significant scale and emotional depth, such as A House in Capri and Women of Capri, which demonstrated his ability to marry the grandiosity of Academic technique with the intimate, atmospheric qualities of the landscape.
The historical significance of Jean Benner lies not only in his individual mastery but in his role as a bridge between the industrial precision of the mid-nineteenth century and the evocative, atmospheric sensibilities of the late century. He carried forward a family dynasty of creativity; as the father of the artist Emmanuel Michel Benner (known as Many Benner), he ensured that the Benner name remained synonymous with artistic excellence for another generation. His life was a testament to the idea that art is both a learned discipline and an inherited passion.
Though he passed away in Paris in 1906, his legacy remains preserved in the quiet beauty of his canvases. Through his ability to capture the light of Capri and the dignity of his subjects, Benner left behind a body of work that continues to resonate with those seeking the intersection of classical grace and natural splendor. His paintings remain enduring windows into a lost era of European elegance, reminding us of a time when the boundaries between the designer's hand and the painter's soul were beautifully blurred.
