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Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader
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Obrazem, który przyniósł sławę August Jerndorff, jest Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader (1872); znajduje się on w Statens Museum for Kunst, Kopenhaga. Flora Elisabeth Sophie Hellesen, f. Top (1874) oraz Studie af en ung pige (1876) podążają za nimi w sercach kolekcjonerów i odwiedzających muzea. Z 24 dzieł August Jerndorff w naszym katalogu, tych 24 jest najbardziej podziwianych – każde z nich zostało przedstawione wraz z datą powstania, muzeum oraz cechami wyróżniającymi.
Ranking oparty na naszym wskaźniku popularności, który łączy liczbę wyszukiwań, wizyt oraz zamówień dla każdego dzieła. Aktualizacja: Listopad 2026. Każde arcydzieło na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny, w wybranym przez Ciebie rozmiarze.
3 muzeów, w których znajduje się najwięcej obrazów z tej strony.
| Muzea | Miasto | Dzieła artysty August Jerndorff | Obrazy z tej listy |
|---|---|---|---|
 Statens Museum for Kunst |
Kopenhaga | 10 | Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader, Flora Elisabeth Sophie Hellesen, f. Top, Studie af en ung pige |
 National Museum of Art, Architecture and Design |
Oslo | 7 | "Og dybere bøjede Heksen sig ned over den hvide hals...", "da saa' jeg op paa ham, han ned paa mig...", Illustrasjon til Holger Drachmanns "Elverkongen" i "Troldtøj", København 1889-1890 |
 The Museum of National History at Frederiksborg Castle |
Hillerød | 2 | Portrait of the Danish brewer J. C. Jacobsen, founder of the Carlsberg breweries., Painting of General Olaf Rye |
Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader (1872), Statens Museum for Kunst, Kopenhaga. Następnie pojawiają się Flora Elisabeth Sophie Hellesen, f. Top (1874) oraz Studie af en ung pige (1876).
26 lat: Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader pochodzi z 1872, a August Jerndorff urodził(a) się w 1846.
Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader, Flora Elisabeth Sophie Hellesen, f. Top, Studie af en ung pige, "Og dybere bøjede Heksen sig ned over den hvide hals...", "da saa' jeg op paa ham, han ned paa mig...", Fru Johanne Andersen, f. Schumacher, Arkitekten Thorvald Bindesbøll i en granskov på Kullen, Kunstnerens datter Margrethe, Portrait of the Danish brewer J. C. Jacobsen, founder of the Carlsberg breweries. i Painting of General Olaf Rye. Powyższy ranking zawiera rok oraz muzeum dla każdego z nich.
Nasz katalog obejmuje 24 dzieł autorstwa August Jerndorff, datowanych od 1869 do 1895.
Większość z nich znajduje się w Statens Museum for Kunst (Kopenhaga), National Museum of Art, Architecture and Design (Oslo) i The Museum of National History at Frederiksborg Castle (Hillerød). Powyższa tabela zawiera listę muzeów po kolei.
W okresie 1890s: 9 z 24 dzieł na tej stronie pochodzi z tego czasu, w tym "da saa' jeg op paa ham, han ned paa mig...".
Najwcześniejszy na tej stronie to Coastal scene from Marselisborg (1869), najpóźniejszy Painting of General Olaf Rye (1895).
Domorganist i Roskilde, professor Hans Matthison-Hansen,kunstnerens svigerfader, Flora Elisabeth Sophie Hellesen, f. Top i Studie af en ung pige to jedne z 10 dzieł na tej stronie znajdujących się w zbiorach Statens Museum for Kunst, Kopenhaga.
Tak. Każdy obraz na tej stronie można zamówić jako ręcznie malowaną reprodukcję olejną o jakości muzealnej lub jako wysokiej jakości wydruk artystyczny w wybranym przez Ciebie rozmiarze, bezpośrednio ze strony danego dzieła.
Born in the historic atmosphere of Oldenburg, Lower Saxony, in 1846, August Andreas Jerndorff was destined for a life steeped in the fine arts. As the son of Just Ulrik Jerndorff, a painter to the Oldenburg Court, the language of color and form was his first inheritance. This early immersion in an artistic lineage provided him with a profound foundation, yet it was his journey toward the Royal Danish Academy of Fine Arts that would truly define his creative spirit. Between 1863 and 1868, Jerndorff refined his technical prowess under the guidance of masters like P. C. Skovgaard, beginning his career not as the portraitist he would become, but as a sensitive observer of the natural world through landscape painting.
The evolution of Jerndorff’s artistry is a captivating study in transition and refinement. While his early works captured the quiet majesty of the Danish countryside, a deeper yearning for human narrative soon drew him toward the complexities of the human face and the weight of spiritual themes. His travels to Italy between 1875 and 1878 acted as a transformative crucible; amidst the sun-drenched cityscapes and classical echoes of the Italian landscape, his brushwork gained a new dimension of depth. Though he remained largely untouched by the sweeping tides of European Realism, he possessed a unique ability to infuse his subjects with a psychological presence that felt both timeless and intensely personal.
Jerndorff’s contribution to the Danish art canon is most vibrantly felt in his monumental portraiture and his profound religious compositions. He possessed an uncanny ability to capture the dignity of his subjects, creating works that were not merely likenesses but windows into the character of the era. His portraits, many of which were commissioned for the prestigious Danish Museum of National History at Frederiksborg Castle, stand as enduring testaments to his skill in rendering texture, light, and emotion. Beyond the secular realm, Jerndorff’s devotion to Biblical subjects allowed him to explore the sublime. His religious works, such as the 12 Apostles for Jesus Church in Copenhagen and various altar pieces, demonstrate a masterful command of sacred iconography, blending classical reverence with a palpable sense of human drama.
His artistic reach extended far beyond the canvas, touching the very fabric of Danish decorative culture. In the mid-1880s, Jerndorff engaged in a spirited collaboration with other notable figures like Thorvald Bindesbøll and Joakim Skovgaard, working with ceramics to bridge the gap between fine art and functional beauty. This period of experimentation contributed to the foundation of the Dekorationsforeningen society, reflecting his belief that art should permeate all aspects of life.
The historical significance of August Jerndorff lies not only in his individual masterpieces but also in his role as a pillar of the Danish artistic community. He was a man of institutional influence, co-founding an alternative painting academy at Søkvæsthuset—a vital precursor to the Kunstnernes Frie Studieskoler—which challenged the rigid, outdated views of the established Academy. His ascent within the Royal Academy of Fine Arts, culminating in his appointment as a professor in 1891, ensured that his dedication to technical excellence and narrative depth would influence generations of subsequent painters.
As we reflect on his life, we see an artist who successfully navigated the tension between tradition and innovation. His legacy is preserved through:
Though he passed away in 1906, the quiet intensity of Jerndorff’s gaze remains etched in the history of Northern European art, reminding us of a time when the brush could capture both the majesty of the divine and the intimate truth of the human soul.
!["De høje Rør med de svaje, bløde Duske, og de Siv [...], og de krogede Ellestammer og Buskene langs Aaen" (1890) autorstwa August Jerndorff](/media/artworks/images-thumb/d5/40/d5404848cd7e6199b32b9495226c5a13.jpg)
