Obrazem, który przyniósł sławę Adam Pendleton, jest History (Lab 1964 Grey) (2005); znajduje się on w Carnegie Museum of Art, Pittsburgh. Z 1 dzieł Adam Pendleton w naszym katalogu, tych 1 jest najbardziej podziwianych – każde z nich zostało przedstawione wraz z datą powstania, muzeum oraz cechami wyróżniającymi.
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Muzeum, w którym znajduje się najwięcej obrazów prezentowanych na tej stronie.
| Muzea | Miasto | Dzieła artysty Adam Pendleton | Obrazy z tej listy |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Każde datowane arcydzieło Adam Pendleton znajdujące się na tej stronie pochodzi z 2005: oto one.
History (Lab 1964 Grey) (2005)
21 lat: History (Lab 1964 Grey) pochodzi z 2005, a Adam Pendleton urodził(a) się w 1984.
Nasz katalog zawiera 1 dzieł autorstwa Adam Pendleton.
Większość z nich znajduje się w Carnegie Museum of Art (Pittsburgh). Powyższa tabela zawiera listę muzeów po kolei.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: