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Berkeley No. 22

4 parts 1 The artwork2 In context3 Artist and museum4 Look closely

Imię i nazwisko Klasa Data
Richard Diebenkorn, Berkeley No. 22 (1954). Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw.

Informacje podstawowe

Artysta
Richard Diebenkorn wahooart.com/pl/artists/richard-diebenkorn_pl/
Daty życia artysty
1922 – 1993
Obraz olejny
1954
Wymiary oryginału
150 x 145 cm

In context

Berkeley No. 22 — Richard Diebenkorn

How big is it?

The original measures 150 × 145 cm (height × width), drawn here beside an adult of average height.

Data powstania

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990

Shaded: lata życia Richard Diebenkorn (1922–1993) ▲ to dzieło, 1954

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: wahooart.com/pl/art/similar/richard-diebenkorn-berkeley-no-22-AR2H2J-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Quinacridone Magenta #846744

    Paleta w katalogu

    • #846744
    • #747374
    • #3E4B5C
    • #A49D92
    Paleta kolorów
    Earthy Dominująca gama kolorystyczna obrazu.
    Kolor główny
    Quinacridone Magenta
    Intensywność
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Serene W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Discordant Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Artysta i muzeum

    Berkeley No. 22 — Richard Diebenkorn

    Artysta

    Richard Diebenkorn

    Born in Portland, Stany Zjednoczone

    Early Life and Artistic Foundations

    Richard Diebenkorn, born in Portland, Oregon, in 1922, embarked on a journey that would establish him as one of the most significant American painters of the postwar era. His family’s relocation to San Francisco when he was just two years old proved formative, imbuing his artistic sensibility with the light and atmosphere of California—a landscape that would become inextricably linked to his work. Even in childhood, a profound inclination towards drawing manifested itself, signaling an early dedication to visual expression. This innate passion led him to Stanford University in 1940, where he encountered pivotal mentors like Victor Arnautoff, who instilled a rigorous classical discipline with oil paint, and Daniel Mendelowitz, who shared his admiration for the evocative realism of Edward Hopper. Hopper’s influence is readily apparent in Diebenkorn's early paintings, characterized by a quiet introspection and a masterful handling of light and shadow. These formative years laid the groundwork for a career defined by both technical skill and emotional depth.

    Navigating Abstraction and Figuration

    The landscape of American art underwent a dramatic shift in the wake of World War II, with the center of artistic innovation moving from Paris to New York.

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Berkeley No. 22

    wahooart.com/pl/art/download/richard-diebenkorn-berkeley-no-22-AR2H2J-en/

    Cytowanie dzieła

    MLA
    Diebenkorn, Richard. Berkeley No. 22. 1954, https://wahooart.com/pl/art/richard-diebenkorn-berkeley-no-22-AR2H2J-en/
    APA
    Diebenkorn, Richard (1954). Berkeley No. 22 [Painting]. https://wahooart.com/pl/art/richard-diebenkorn-berkeley-no-22-AR2H2J-en/
    Chicago
    Richard Diebenkorn. Berkeley No. 22. 1954. https://wahooart.com/pl/art/richard-diebenkorn-berkeley-no-22-AR2H2J-en/
    Harvard
    Diebenkorn, Richard (1954) Berkeley No. 22. Available at: https://wahooart.com/pl/art/richard-diebenkorn-berkeley-no-22-AR2H2J-en/

    Look closely

    Berkeley No. 22 — Richard Diebenkorn

    Look closely

    Answer in your own words. There are no wrong answers here — only answers you can explain.

    1. What catches your eye first, and why?
    2. Which colours or shapes create the mood — and what is that mood?
    3. Look back at Berkeley No. 57 (1955), earlier in this guide. Name two things it shares with this work, and one that is different.
    4. Richard Diebenkorn was about 32 when this was made. What in it looks like the work of an artist at that stage?
    5. What might the artist have wanted you to feel?

    Your response

    Write a short paragraph about this artwork. Use the facts from the earlier parts of this guide, and your answers above.