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A Midlothian Farm

Imię i nazwisko Klasa Data

john guthrie spence smith, A Midlothian Farm (1925). Dzieło w domenie publicznej.

Informacje podstawowe

Artysta
john guthrie spence smith wahooart.com/pl/artists/john-guthrie-spence-smith/
Daty życia artysty
1880 – 1951
Obraz olejny
1925
Wymiary oryginału
64 x 76 cm

W kontekście

A Midlothian Farm — john guthrie spence smith

Jakie są wymiary?

Oryginalne wymiary to 64 × 76 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Data powstania

  1. 1880
  2. 1890
  3. 1900
  4. 1910
  5. 1920
  6. 1930
  7. 1940
  8. 1950

Shaded: lata życia john guthrie spence smith (1880–1951) ▲ to dzieło, 1925

Dzieła podobne

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnej tematyce: wahooart.com/pl/art/similar/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Sap Green #7c7245

    Paleta w katalogu

    • #7C7245
    • #CAC9BA
    • #A09A81
    • #463E1E
    Kolor główny
    Sap Green
    Intensywność
    Balanced Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Bold W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Artysta i muzeum

    Artysta

    john guthrie spence smith

    John Guthrie Spence Smith: A Visionary of Scottish Landscapes

    John Guthrie Spence Smith (1880-1951) remains a quietly significant figure in 20th-century British art, particularly within the rich tapestry of Scottish painting. Born in Perth, Scotland, into a family profoundly shaped by tragedy – his three older brothers succumbed to illness at young ages – Smith’s early life instilled a sensitivity and perhaps an unusual focus on observation. A childhood affliction robbed him of speech and hearing, a circumstance that arguably sharpened his visual perception and fostered a unique way of engaging with the world around him. This formative experience deeply influenced his artistic approach, imbuing his landscapes with a profound sense of stillness and quiet contemplation.

    Smith’s formal training began at Dundee College of Art, followed by studies at Edinburgh College of Art and the prestigious Royal Scottish Academy Life Drawing Classes under the tutelage of Robert Burns and Charles Hodge Mackie. These formative years exposed him to established artistic traditions while simultaneously nurturing his own distinctive style. He quickly distinguished himself as a talented artist, winning several prizes during his time at the RSA, demonstrating an early aptitude for capturing light, atmosphere, and the subtle nuances of the Scottish countryside. Crucially, he became involved with the Edinburgh Group, a collective of artists who challenged academic conventions and sought to forge a new path for modern art in Scotland. This association exposed him to innovative ideas and provided a platform for his work to be seen alongside other emerging talents.

    A Distinctive Style: Landscape and Streetscapes

    Smith’s artistic output is primarily characterized by meticulously rendered landscapes and evocative street scenes, predominantly depicting the familiar yet subtly transformed vistas of Perthshire, Angus, and the surrounding areas. He wasn't interested in dramatic, sweeping compositions; instead, he favored a measured approach, capturing the quiet dignity of rural life and the understated beauty of everyday settings. His palette was restrained, relying on muted earth tones – ochres, browns, greys, and blues – to create a sense of atmospheric depth and realism. He skillfully employed light and shadow to convey the changing moods of the Scottish weather, imbuing his paintings with a palpable sense of time and place. His work is often described as having a “colourist” quality, echoing the influence of artists like J.M. Whistler, though Smith’s approach was firmly rooted in his own unique vision.

    Influences and Artistic Development

    Smith's artistic journey reveals a complex interplay of influences. The traditional landscape painting of the Scottish Colourists – particularly their emphasis on capturing the essence of light and colour – undoubtedly shaped his early style. However, he also absorbed elements from Impressionism and Post-Impressionism, evident in his use of broken brushstrokes and his exploration of subjective perception. His time spent in France during World War I, though brief, provided a crucial opportunity to study the works of masters like Monet and Renoir, further expanding his artistic horizons. Following the war, he returned to Scotland, continuing to develop his distinctive style while maintaining close ties with the Edinburgh art community. His later work demonstrates an increasing confidence and maturity, reflecting a deeper understanding of both his subject matter and his own artistic voice.

    Legacy and Recognition

    Despite not achieving widespread fame during his lifetime, John Guthrie Spence Smith’s contribution to Scottish art is now increasingly recognized. His paintings are held in public collections across Scotland, including those of Glasgow, Paisley, Perth, and Greenock Museums, testament to the enduring quality of his work. His membership in the Royal Scottish Academy and his association with the Edinburgh Group cemented his place within a pivotal period of artistic innovation in Scotland. Smith’s legacy lies not only in his beautiful paintings but also in his quiet determination to pursue his artistic vision despite significant personal challenges. He represents a compelling example of an artist who found solace and expression through observation, capturing the essence of Scottish life with remarkable sensitivity and skill. His work continues to resonate with viewers today, offering a glimpse into a bygone era and a profound appreciation for the beauty of the Scottish landscape.

    Further Resources

    Art UK: https://artuk.org/discover/artists/smith-john-guthrie-spence-18801951

    Fleming Collection: https://www.flemingcollection.com/copy-of-spencer-richard-b

    Glasgow Museums Collections Online: https://collections.glasgowmuseums.com/mwebcgi/mweb?request=record;id=8890;type=701

    askART: https://www.askart.com/artist/john_guthrie_spence/11071253/john_guthrie_spence.aspx?alert=info

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania A Midlothian Farm

    wahooart.com/pl/art/download/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/

    Cytowanie dzieła

    MLA
    smith, john guthrie spence. A Midlothian Farm. 1925, https://wahooart.com/pl/art/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/
    APA
    smith, john guthrie spence (1925). A Midlothian Farm [Painting]. https://wahooart.com/pl/art/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/
    Chicago
    john guthrie spence smith. A Midlothian Farm. 1925. https://wahooart.com/pl/art/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/
    Harvard
    smith, john guthrie spence (1925) A Midlothian Farm. Available at: https://wahooart.com/pl/art/john-guthrie-spence-smith-a-midlothian-farm-AQUSGK-en/

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    A Midlothian Farm — john guthrie spence smith

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    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła Bakehouse Close (1941) wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. john guthrie spence smith miał około 45 lat, gdy powstało to dzieło. Co w nim przypomina twórczość artysty na tym etapie?
    5. Co artysta mógł chcieć, abyś poczuł?

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