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David Campbell

Imię i nazwisko Klasa Data

Fisher, Flavius James, David Campbell (1800), Library of Virginia. Domena publiczna. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
Fisher, Flavius James wahooart.com/pl/artists/fisher-flavius-james/
Daty życia artysty
1833 – 1905
Technika malarska
1800
Miejsce wystawy
Library of Virginia wahooart.com/pl/museums/library-of-virginia-richmond/

W kontekście

David Campbell — Fisher, Flavius James

Kiedy powstało to dzieło?

  1. 1800
  2. 1810
  3. 1820
  4. 1830
  5. 1840
  6. 1850
  7. 1860
  8. 1870
  9. 1880
  10. 1890
  11. 1900

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu — 0 w chwili narodzin, 72 w chwili śmierci.

Shaded: lata życia Fisher, Flavius James (1833–1905) ▲ to dzieło, 1800 każdy datowany obraz, dekada po dekadzie

Porównaj z

Wybierz jedno z powyższych dzieł: wymień dwie cechy wspólne z tym utworem oraz jedną różnicę.

Więcej dzieł o podobnym charakterze: wahooart.com/pl/art/similar/fisher-flavius-james-david-campbell-D7GD3Y-en/

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #49442b

    Paleta w katalogu

    • #49442B
    • #1F1C14
    • #D1B386
    • #78633E

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Nazwa koloru głównego
    Espresso
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Deep_shadow Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Subtle Color Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa Fisher, Flavius James z ostatnich dwunastu miesięcy — łącznie 1 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Holandia 100,0%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    2 najczęściej oglądanych dzieł artysty Fisher, Flavius James

    1. 1 James Lawson Kemper, 1876 100,0%
    2. — David Campbell, 1800 ten obraz 0,0%

    Razem dzieła te stanowią 100,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 3 dzieł tego artysty, z których 1 zostało obejrzanych co najmniej raz. Ten obraz nie został jeszcze obejrzany w tym okresie — zamyka on listę bez przypisanego miejsca w rankingu. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    Artysta i muzeum

    Artysta

    Fisher, Flavius James

    Urodzony w Wythe County, United States

    Flavius James Fisher: A Life in Art

    Born: February 9, 1833, Wythe County, United States

    Died: May 8, 1905

    Origin: AllPaintingsStore

    Flavius Josephus Fisher was an American painter whose career spanned several decades and encompassed portraiture and landscape painting. Born in Wythe County, Virginia, his family relocated to McMinn County, Tennessee, when he was a young boy. Early recognition of his artistic talent led him to the prestigious Pennsylvania Academy of Fine Arts, laying the groundwork for a life dedicated to art.

    Early Life and Artistic Training

    Early Education: Fisher received his initial education in Pennsylvania before attending the Pennsylvania Academy of Fine Arts.

    Formal Studies: His time at the Academy provided him with a solid foundation in artistic techniques and principles.

    European Sojourn: In 1859, Fisher traveled to Germany to further refine his skills, becoming one of the first Americans admitted to the Berliner Kunstakademie under Julius Friedrich Anton Schrader. He also studied in Düsseldorf, London, and Paris, supporting himself through commissions from European patrons.

    Friendships: During his time in Berlin, he cultivated a close friendship with sculptor Edward Virginius Valentine, whom he aided after contracting smallpox. In gratitude, Fisher presented Valentine with a crayon portrait of Edgar Allan Poe.

    Artistic Style and Notable Works

    Subject Matter: Fisher’s work primarily focused on landscape and portrait paintings, capturing both the likenesses of notable figures like Gilbert C. Walker and scenes from the American countryside.

    Technique: He favored oil on canvas as his primary medium, demonstrating a keen attention to detail and utilizing vibrant colors in his compositions.

    Influence of Movements: While rooted in traditional techniques, Fisher’s style showed influences from both Impressionism and Expressionism, evident in his use of light and shadow to create depth and dimensionality.

    Notable Works: Examples include portraits commissioned by the Virginia state government and landscapes depicting scenes from Tennessee, North Carolina, and Virginia. Hog Island Picnic of the Hyena Club (1868) is a notable work memorializing a social gathering.

    Legacy and Influence

    Impact on Subsequent Artists: Fisher’s emphasis on color and detail significantly influenced later generations of painters, including Mark Rothko (Marcus Rothkowitz), whose abstract expressionist works demonstrate an appreciation for vibrant hues and nuanced forms.

    Museum Holdings: His paintings are featured in prominent institutions such as the Smithsonian American Art Museum, the Indianapolis Museum of Art, and various collections within Virginia’s state art collection.

    Recognition: Fisher's ability to accurately capture likenesses with minimal sittings was widely recognized during his lifetime, contributing to his reputation as a skilled portraitist.

    Later Years and Continued Artistic Pursuits

    Return to the United States: After the American Civil War, Fisher returned to the United States and established studios in New York, Lynchburg, Virginia, and Washington, D.C.

    Washington Residency: His long residency at the Corcoran Gallery of Art in Washington provided him with a stable base for commissions and artistic exploration.

    Continued Commissions: He continued to receive commissions from prominent figures throughout his career, including Senator John Warwick Daniel.

    Final Years: Fisher died on May 8, 1905, leaving behind a legacy of vibrant landscapes and compelling portraits that continue to be appreciated today. His widow organized an exhibition of his work in Washington shortly after his death.

    Muzeum

    Library of Virginia

    Prezentowane w Richmond, United States of America

    A Sanctuary of Virginia’s Soul: The Library of Richmond

    Nestled within the historic heart of Richmond, Virginia, the Library stands not merely as a repository of books and documents, but as a vibrant, breathing chronicle of the Commonwealth's enduring identity. More than just walls safeguarding aged parchment and delicate photographs, it is an immersive experience—a testament to the countless stories that have shaped Virginia’s trajectory, from its nascent colonial days through the tumultuous echoes of the Civil War and into the dynamic present. Stepping inside feels akin to entering a sanctuary of knowledge, where sunlight streams through expansive windows illuminating meticulously preserved manuscripts and rare editions, while the building itself whispers tales of architectural evolution and unwavering commitment to preserving the past for future generations.

    The Library’s design is a thoughtful dialogue between tradition and innovation. A deliberate blend of classic architectural elements—grand columns, soaring ceilings, and intricate detailing—harmoniously intertwines with more contemporary design choices, reflecting Virginia's own journey: a deep respect for its heritage interwoven with an embrace of progress. The structure isn’t simply aesthetically pleasing; it embodies the spirit of a state constantly looking back while simultaneously forging ahead. The careful consideration given to light and space within the building creates an atmosphere conducive to both scholarly research and quiet contemplation, fostering a genuine connection between visitors and the vast wealth of knowledge contained within.

    Delving into Virginia’s Narrative: A Collection Unveiled

    The Library's collection is remarkably comprehensive, a sprawling tapestry woven from countless threads of Virginia history. For those tracing their family lineage or meticulously researching specific historical events, the sheer volume of original manuscripts—letters penned by colonial governors, intimate diaries detailing life on the frontier, and official government records charting the course of legislation—is truly astounding. The Library’s holdings regarding the Civil War are particularly poignant, offering deeply personal glimpses into a nation fractured and families torn apart through the eyes of those who lived through it – correspondence revealing anxieties, battlefield reports documenting harrowing experiences, and firsthand accounts of daily life under occupation. Beyond these grand narratives, however, lies a remarkable strength: the Library excels at illuminating everyday lives. Photographic archives, spanning centuries, reveal the evolving face of Virginia’s cities and landscapes—capturing moments of both triumphant celebration and profound hardship. Rare books offer not only literary insights but also invaluable clues about printing practices, binding techniques, and the cultural values reflected in their creation.

    A crucial element of the Library's mission is its dedication to uncovering untold stories. The Virginia Untold project stands as a shining example, meticulously documenting the lives of enslaved and free African Americans—a vital counter-narrative that challenges traditional historical accounts and provides a more complete understanding of Virginia’s past. This commitment to inclusivity extends beyond this single initiative, ensuring that diverse voices are represented within the Commonwealth's collective memory. The Library doesn’t simply present history; it actively reinterprets it, challenging conventional wisdom and fostering a nuanced appreciation for the complexities of Virginia’s journey.

    Beyond the Archives: A Living Cultural Hub

    The Library of Virginia is far from a static archive; it thrives as a dynamic cultural hub. Regular exhibitions—carefully curated experiences designed to engage visitors on an emotional level—offer compelling glimpses into significant historical events and influential figures. These aren’t merely displays of artifacts; they are thoughtfully constructed narratives that invite exploration and reflection. Educational programs cater to audiences of all ages, fostering a deeper appreciation for history among residents and tourists alike. The Library actively engages with the community through strategic partnerships with local schools, libraries, and historical societies, solidifying its role as a vital resource for learning and discovery.

    Furthermore, the annual Virginia Literary Awards celebrate the state’s vibrant literary scene, recognizing outstanding authors and books that illuminate Virginia's culture and heritage. The Library’s commitment to fostering intellectual curiosity extends far beyond its walls, making it an indispensable institution for anyone seeking to understand the rich tapestry of Virginia’s past—and its enduring legacy. The annual events, like the celebration of emancipation day in 1905, are a testament to this dedication.

    Notable Artistic Connections & Future Exhibitions

    Considering Richmond's artistic heritage, it is fitting to note connections to artists such as John Elder, whose evocative landscapes and poignant Civil War scenes resonate deeply with the Library’s collection. The Library also holds works by Bessie Moore, a captivating 1899 pencil portrait showcasing academic style & delicate detail – an example of the rich artistic talent nurtured within Virginia. Looking ahead, the Library plans to host exhibitions exploring themes such as “Richmond During the Civil War,” featuring newly digitized letters and photographs, and “The Rise of Richmond’s Black Community,” drawing on Virginia Untold resources to illuminate this vital chapter in the city's history. These initiatives promise to further enrich the visitor experience and solidify the Library’s position as a leading center for historical research and cultural engagement.

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania David Campbell

    wahooart.com/pl/art/download/fisher-flavius-james-david-campbell-D7GD3Y-en/

    Jak cytować to dzieło

    MLA
    James, Fisher, Flavius. David Campbell. 1800, Library of Virginia. https://wahooart.com/pl/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    APA
    James, Fisher, Flavius (1800). David Campbell [Painting]. Library of Virginia. https://wahooart.com/pl/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Chicago
    Fisher, Flavius James. David Campbell. 1800. Library of Virginia. https://wahooart.com/pl/art/fisher-flavius-james-david-campbell-D7GD3Y-en/
    Harvard
    James, Fisher, Flavius (1800) David Campbell. Library of Virginia. Available at: https://wahooart.com/pl/art/fisher-flavius-james-david-campbell-D7GD3Y-en/

    Przyjrzyj się uważnie

    David Campbell — Fisher, Flavius James

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Wróć do dzieła James Lawson Kemper (1876), wspomnianego wcześniej w tym przewodniku. Wymień dwie cechy wspólne z tym obrazem oraz jedną różnicę.
    4. Co artysta mógł chcieć, abyś poczuł?
    5. Gdybyś mógł zadać artyście jedno pytanie dotyczące tego dzieła, o co byś zapytał?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Pytania i odpowiedzi

    Gdzie mogę kupić ręcznie malowaną reprodukcję dzieła „David Campbell” – Fisher, Flavius James?

    Ręcznie malowane reprodukcje dzieła „David Campbell” – Fisher, Flavius James można nabyć na stronie niniejsza strona: ręcznie malowana reprodukcja olejowa na płótnie lnianym, zamawiając je bezpośrednio w zakładce Ręcznie malowana reprodukcja.

    Czy mogę użyć rozszerzonej rzeczywistości, aby zobaczyć „David Campbell” – Fisher, Flavius James w swoim pokoju?

    Strona Podgląd w AR dzieła „David Campbell” – Fisher, Flavius James wykorzystuje rozszerzoną rzeczywistość, aby dzięki kompatybilnemu urządzeniu pokazać obraz w Twojej własnej przestrzeni.

    Czy kolory w "David Campbell" są intensywne czy stonowane?

    „David Campbell” – Fisher, Flavius James charakteryzuje się Monochromatic intensywnością kolorów.