Papier
Imię i nazwisko Klasa Data

David Mark Weber, Table Clock with Astronomical and Calendrical Dials (1653), The Frick Collection. Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw. Zobacz to płótno w zmieniającym się świetle: rysunek, prawdziwy kolor pod werniksem, czysty pigment

Fakty

Artysta
David Mark Weber wahooart.com/pl/artists/david-mark-weber/
Daty życia artysty
1952 –
Technika malarska
1653
Technika wykonania
Oil
Wymiary oryginału
59 x 25 cm
Ruch
Baroque, Decorative Arts Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Epoka
Late Medieval
Miejsce wystawy
The Frick Collection wahooart.com/pl/museums/the-frick-collection-nowy-jork_pl/
Artistic style
Renaissance
Influences
Weber
Notable elements
Astrolabe, chasing, repoussé
Subject or theme
Timekeeping & Astronomy

W kontekście

Table Clock with Astronomical and Calendrical Dials — David Mark Weber

Jakie są wymiary?

Oryginalne wymiary to 59 × 25 cm (wysokość × szerokość), przedstawione tutaj obok osoby dorosłej o przeciętnym wzroście.

Kiedy powstało to dzieło?

  1. 1640
  2. 1680
  3. 1720
  4. 1760
  5. 1800
  6. 1840
  7. 1880
  8. 1920

Wiersz powyżej: lata. Wiersz poniżej: wiek artysty na początku i na końcu każdego okresu, przy czym rok urodzenia liczy się jako 0.

▲ to dzieło, 1653 każdy datowany obraz, dekada po dekadzie

Paleta kolorów

Wyodrębniona z analizy obrazu

    Kolor główny

    Espresso #33332f

    Paleta w katalogu

    • #33332F
    • #C0B9A7
    • #9B9786
    • #6C6655

    Te kolory w całej palecie artysty Znajdź inne obrazy według koloru

    Nazwa koloru głównego
    Espresso
    Nasycenie
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Bold W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Unified Palette Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Balanced Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    Gdzie na świecie można zobaczyć ten obraz?

    • poniżej 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% i więcej
    Samo to dzieło ma zbyt mało odnotowanych odwiedzających, aby móc je nanieść na mapę, dlatego zestawienie obejmuje wszystkie prace autorstwa David Mark Weber z ostatnich dwunastu miesięcy — łącznie 1 krajów. Źródło tych danych

    Dziesięć wiodących krajów

    1. 1 Chiny 100,0%

    Znajdź na mapie trzy najciemniejsze kraje. Czy muzeum, w którym znajduje się ten obraz, leży w którymś z nich? Zapisz jeden powód, dla którego osoby z daleka mogą chcieć go zobaczyć.

    1 najczęściej oglądanych dzieł artysty David Mark Weber

    1. 1 Table Clock with Astronomical and Calendrical Dials, 1653 ten obraz 100,0%

    Razem dzieła te stanowią 100,0% całej uwagi, jaką obrazy tego artysty przyciągnęły w ciągu ostatnich dwunastu miesięcy. Katalog zawiera 1 dzieł tego artysty, z których 1 zostało obejrzanych co najmniej raz. Ten obraz zajmuje 1 miejsce w zestawieniu, przyciągając 100,0% tej uwagi. To samo, miesiąc po miesiącu

    Paski mierzą poziom uwagi, a nie jakość. Wybierz dzieło z górnej części listy oraz to poniżej: wymień jedną rzecz, która może przynieść obrazowi sławę niezależnie od kunsztu jego wykonania.

    O tym dziele sztuki

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    A Celestial Tapestry: Unveiling David Weber’s Astronomical Clock

    David Mark Weber's "Table Clock with Astronomical and Calendrical Dials," crafted around 1653, is more than just a timepiece; it’s a miniature universe captured in silver, brass, and meticulously chased detail. Produced during the height of Augsburg’s clockmaking prowess – a period renowned for its blend of artistry and technical innovation – this remarkable piece offers a rare glimpse into the intellectual curiosity and artistic skill of 17th-century Europe. The Frick Collection's acquisition of this exceptional clock reveals not only a masterful example of horological engineering but also a profound engagement with the cosmos, reflecting a time when understanding the heavens was both a scientific pursuit and a deeply spiritual endeavor.

    The clock’s design immediately commands attention. Its towering form, reminiscent of a miniature astronomical observatory, is far removed from the commonplace table clocks of the era. The dominant central dial, an astrolabe, dominates the front panel, showcasing twenty-one star pointers meticulously arranged to chart the positions of celestial bodies. Two concentric hands, one representing the sun and the other the moon, track their movements across the heavens with remarkable precision. Beneath this grand display lies a smaller alarm dial, hinting at the clock’s practical function – a reminder of earthly time alongside the vast expanse of the universe.

    The Art of Chasing and Repoussé: A Masterclass in Metalwork

    Weber's skill isn't merely confined to the intricate mechanics; it’s evident in every facet of the clock’s surface. The case is adorned with a breathtaking array of floral arrangements and figures, rendered using two distinct techniques – chasing and repoussé. Chasing involves pushing the malleable metal inward, creating delicate grooves and textures that mimic the appearance of foliage and petals. Repoussé, conversely, employs hammering from the reverse side to raise designs in relief, adding depth and dimensionality to the sculpted elements. The result is a surface teeming with life – miniature roses, leaves, and even stylized human figures emerge from the metal, demonstrating Weber’s exceptional control over his materials and his ability to translate complex designs into tangible form.

    The use of silver and brass further enhances the clock's visual impact. Silver, prized for its luster and reflectivity, provides a luxurious backdrop for the intricate details, while brass offers a warm, golden hue that complements the overall aesthetic. The combination creates a rich, opulent effect, suggesting the wealth and status associated with owning such an elaborate timepiece.

    A Window into 17th-Century Knowledge

    Beyond its beauty and craftsmanship, the clock serves as a fascinating window into the intellectual climate of the mid-17th century. The inclusion of astronomical dials – displaying not only the time but also the positions of the sun, moon, and stars – reflects a burgeoning interest in astronomy and a desire to understand the mechanics of the universe. The calendrical dials provide information about the date, lunar phases, and even astrological signs, demonstrating a holistic approach to knowledge that sought to integrate celestial observations with earthly events.

    Furthermore, the clock’s design aligns with the broader trends in European art and science during this period. Augsburg was a major center for both clockmaking and scientific innovation, attracting skilled artisans and scholars from across Europe. Weber's clock embodies this spirit of intellectual curiosity and artistic experimentation, representing a culmination of centuries of tradition and a testament to the enduring human fascination with time, space, and the cosmos.

    A Timeless Legacy: Reproduction and Inspiration

    Today, reproductions of David Weber’s “Table Clock with Astronomical and Calendrical Dials” continue to captivate collectors and interior designers alike. The clock's intricate detail, rich materials, and profound symbolism make it a truly exceptional piece – one that transcends its functional purpose to become a work of art in its own right. Whether displayed as a statement piece in a grand salon or incorporated into a more intimate setting, this remarkable timepiece serves as a reminder of the ingenuity and artistry of a bygone era.

    Artysta i muzeum

    Artysta

    David Mark Weber

    Urodzony w Not specified, United States of America

    The Architect of Stellar Worlds

    To encounter the creative essence of David Mark Weber is to step into a meticulously constructed cosmos where the boundaries between history and the future dissolve. Born on October 24, 1952, in Cleveland, Ohio, Weber emerged not merely as a storyteller, but as an architect of vast, interstellar landscapes. His journey began long before his professional debut, ignited by a childhood passion for narrative that took root in the fifth grade. This early spark, nurtured by a lineage of intellectual curiosity—including a mother who was a college English teacher and an advertising professional—allowed him to develop a profound sensitivity to the rhythms of language and the structural complexities of world-building. His formative years, spent navigating the worlds of copywriting, typesetting, and proofreading, instilled in him a craftsman’s precision, a quality that would later define the granular detail of his sprawling universes.

    The literary landscape of the late twentieth century found in Weber a transformative voice, particularly within the realms of military science fiction and fantasy. His debut in 1989, a collaborative effort with Steve White, signaled the arrival of a creator capable of blending the tactical rigor of naval warfare with the sweeping emotional arcs of political intrigue. This period marked the genesis of his most enduring legacy: the Honorverse. Through the character of Honor Harrington, Weber introduced a protagonist who navigated the treacherous waters of interstellar politics and combat with a strength that challenged traditional genre tropes. His work echoes the grand, character-driven legacies of masters like Robert A. Heinlein and C.J. Cherryh, yet it possesses a unique signature characterized by its deep reverence for historical naval traditions and the intricate machinations of statecraft.

    A Legacy of Infinite Horizons

    The true brilliance of Weber’s oeuvre lies in his ability to breathe life into the inanimate, turning starships, planetary systems, and alien cultures into living, breathing entities. His magnum opus, the Honor Harrington series, serves as a masterclass in sustained world-building, where every technological advancement and political treaty feels earned through the weight of history. Beyond this flagship achievement, his creative reach extends into the Safehold series and various standalone explorations such as Apocalypse Troll and Exodus: Endgame. Each work is a testament to his ability to weave complex sociological threads into the fabric of high-stakes adventure, creating a sense of "lived-in" reality that captivates the imagination.

    The significance of Weber’s contribution to modern speculative fiction cannot be overstated. He has mastered the art of the "techno-thriller" in space, utilizing his deep understanding of logistics and command to ground his fantastical elements in a palpable sense of realism. His influence permeates the genre, inspiring a generation of readers to look toward the stars not just as a void to be feared, but as a canvas for complex human drama. As his archives continue to inspire new interpretations of science fiction art and literature, Weber remains a cornerstone of the genre—a creator whose imaginative blueprints continue to expand the boundaries of what we believe possible in the far reaches of the galaxy.

    Muzeum

    The Frick Collection

    Prezentowane w Nowy Jork, Stany Zjednoczone

    A Sanctuary of Gilded Age Grandeur: The Frick Collection

    Nestled within a meticulously preserved mansion on Fifth Avenue in New York City, The Frick Collection is more than simply a museum; it’s an immersive journey into the heart of the American Gilded Age. Designed as the residence of Henry Clay Frick, the industrialist and art collector, this extraordinary space seamlessly blends architectural splendor with a breathtaking collection of European masterpieces spanning from the 14th to the 19th centuries. Stepping through its doors is akin to entering a private salon—a testament to Frick’s discerning taste and his profound belief that “the house must be as beautiful as the paintings.” The entire experience is orchestrated to elevate the art, transforming the mansion into an intimate stage for these extraordinary works.

    An Architectural Dialogue: The House as Art

    What truly distinguishes The Frick Collection is its unique setting—a mansion designed specifically to complement and enhance its artworks. Unlike many museums housed in purpose-built structures, this collection resides within Henry Clay Frick’s original home, transforming it into an immersive experience where the distinction between viewing space and artwork itself seems to blur. The grand gallery, with its soaring ceilings adorned with intricate plasterwork—a deliberate choice by architect Thomas Hastings to create a dramatic backdrop—provides a stage for monumental canvases like Giovanni Bellini's “St. Francis in Meditation.” Smaller rooms offer more intimate settings for delicate miniatures and exquisite bronzes, allowing visitors to appreciate the nuances of craftsmanship alongside artistic beauty. The Frick House isn’t merely a container for art; it’s an integral part of the artistic experience—a tangible embodiment of the Gilded Age aesthetic, reflecting Frick’s unwavering belief that “the house must be as beautiful as the paintings.” Notice how natural light is carefully considered in each room, enhancing the colors and textures of the artworks. The meticulous attention to detail extends beyond the grand spaces, with every element – from the furniture to the textiles – contributing to a cohesive and harmonious atmosphere.

    Sculpting Elegance: Jacques Augustin Pajou’s Contributions

    Amongst the collection's celebrated treasures is the remarkable contribution by Jacques Augustin Pajou (1766-1828), a prominent French Neoclassical sculptor renowned for his portrait busts. Pajou’s sculptures exemplify the stylistic ideals of his time—characterized by refined elegance and meticulous attention to detail. His works capture the likenesses of influential figures, such as Louis XVI and Napoleon, with remarkable accuracy and psychological depth, revealing not only their physical appearance but also their inner character and demeanor. Pajou’s sculptural technique – employing Carrara marble and employing subtle modeling techniques – demonstrates a mastery of material and form that aligns perfectly with The Frick Collection's overarching aesthetic vision. Consider the delicate rendering of features, the subtle play of light on the marble, and the overall sense of dignified composure – these are hallmarks of Pajou’s exceptional skill. His busts offer intimate glimpses into the lives and personalities of some of history’s most significant figures, adding another layer of richness to the museum's narrative.

    A Collection Defined by Narrative

    The Frick Collection isn’t simply a collection of individual artworks; it’s a carefully curated narrative spanning centuries. From the luminous panels of the Early Renaissance – like Bellini’s “St. Francis in Meditation” – to the playful Rococo charm of Jean-Honoré Fragonard's "The Swing," and the penetrating gaze of Goya’s portraits, each piece contributes to a larger story of artistic evolution. The collection truly shines in its portraits, offering profound insights into human nature through masterful depictions by Rembrandt, Gainsborough, and others. These are not merely paintings; they are windows into worlds long past, rendered with an unparalleled skill that speaks to the enduring power of artistic representation. The deliberate arrangement allows visitors to trace a path through the development of artistic styles and techniques, guided by Frick’s own discerning eye.

    Beyond the Walls: Scholarship & A Legacy of Knowledge

    The Frick Art Reference Library, established by Henry Clay Frick’s daughter Helen Clay Frick in 1920, represents another invaluable resource for art historians and researchers worldwide. This vast repository—containing sales catalogs, books, periodicals, and photographs—provides an unparalleled depth of knowledge about Western art history, spanning from the Renaissance to the Impressionist era. The library’s commitment to scholarly inquiry underscores The Frick Collection’s dedication not only to preserving artistic treasures but also to fostering a deeper understanding and appreciation of them. Furthermore, temporary exhibitions continue to illuminate new perspectives on artistic themes and artists, engaging audiences with fresh insights and stimulating intellectual discourse. Currently, the museum operates at 945 Madison Avenue, furthering its mission to disseminate knowledge and inspire creativity. The reopening in April 2025 promises an even richer experience for visitors, ensuring that this Gilded Age sanctuary continues to enchant generations to come.

    Useful Links:

    The Frick Collection

    Wikipedia - Frick Collection

    Additional Research:

    Mistress and Maid (Johannes Vermeer)

    Officer with a Laughing Girl (Johannes Vermeer)

    Jacques Augustin Pajou

    Gdzie przeczytać więcej

    Znajdź w sieci

    Kod QR prowadzący do strony pobierania Table Clock with Astronomical and Calendrical Dials

    wahooart.com/pl/art/download/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/

    Jak cytować to dzieło

    MLA
    Weber, David Mark. Table Clock with Astronomical and Calendrical Dials. 1653, The Frick Collection. https://wahooart.com/pl/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    APA
    Weber, David Mark (1653). Table Clock with Astronomical and Calendrical Dials [Painting]. The Frick Collection. https://wahooart.com/pl/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    Chicago
    David Mark Weber. Table Clock with Astronomical and Calendrical Dials. 1653. The Frick Collection. https://wahooart.com/pl/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/
    Harvard
    Weber, David Mark (1653) Table Clock with Astronomical and Calendrical Dials. The Frick Collection. Available at: https://wahooart.com/pl/art/david-mark-weber-table-clock-with-astronomical-and-calendrical-dial-D3XTYA-en/

    Przyjrzyj się uważnie

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    Przyjrzyj się uważniej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. W naszym katalogu dzieło to znajduje się w kategorii: clockwork, astronomical, dials. Czy zgadzasz się z tym opisem? Co warto by dodać lub usunąć?
    4. Baroque, Decorative Arts: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Gdzie można to dostrzec w tym dziele?
    5. Motywy powracające w twórczości David Mark Weber: augsburg clockmaking tradition, renaissance astronomical design, weber’s intricate craftsmanship. Który z nich dostrzegasz tutaj?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.

    Quiz o sztuce

    Table Clock with Astronomical and Calendrical Dials — David Mark Weber

    Jak dobrze znasz to dzieło?

    Zaznacz jedną odpowiedź dla każdego z 5 poniższych pytań. Każde z nich ma dokładnie jedną poprawną odpowiedź.

    1. 1. What is the primary function of the astronomical and calendrical dials on the Table Clock with Astronomical and Calendrical Dials?

      • A To display the current date only.
      • B To provide information about astronomical events, calendar dates, and horary time.
      • C To serve as a decorative element without any functional purpose.
    2. 2. The intricate carvings on the clock case primarily demonstrate which artistic techniques?

      • A Chasing and repoussé.
      • B Gilding and enamel work.
      • C Staining and wood carving.
    3. 3. In what century was the Table Clock with Astronomical and Calendrical Dials likely created?

      • A 13th Century
      • B 1653
      • C 19th Century
    4. 4. The astrolabe dial on the clock is designed to display information related to:

      • A Lunar phases and tides.
      • B The positions of the sun, moon, and stars.
      • C The movement of the Earth around the Sun.
    5. 5. According to the description, what was a key characteristic of clocks produced in Augsburg during the period when this clock was made?

      • A They were always highly accurate timekeepers.
      • B They were prized as luxury goods despite often being inaccurate.
      • C They were primarily designed for military use.

    Mój wynik: ____ na 5

    Klucz odpowiedzi — dla nauczyciela

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    1B · 2A · 3B · 4B · 5B

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    Pytania i odpowiedzi

    Jaki rozmiar wydruku „Table Clock with Astronomical and Calendrical Dials” – David Mark Weber będzie odpowiedni do zalecanego pomieszczenia?

    W pomieszczeniu typu Living Room sugerowany jest wydruk dzieła „Table Clock with Astronomical and Calendrical Dials” w rozmiarze Medium.

    Jaki jest format i wymiary dzieła "Table Clock with Astronomical and Calendrical Dials"?

    „Table Clock with Astronomical and Calendrical Dials” – David Mark Weber to kompozycja w formacie Portrait, której oryginalne wymiary to 59 x 25 cm.

    Jak mogę odkryć dzieła podobne do „Table Clock with Astronomical and Calendrical Dials” – David Mark Weber?

    Dzieła podobne do „Table Clock with Astronomical and Calendrical Dials” można znaleźć na stronie Podobne dzieła danego dzieła.