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Existent No.2

Imię i nazwisko Klasa Data

anis nagasevi, Existent No.2 (2010), Art Centre Silpakorn University. Odtworzono w celach informacyjnych; wszelkie prawa zastrzeżone przez właściciela praw.

Informacje podstawowe

Artysta
anis nagasevi wahooart.com/pl/artists/anis-nagasevi/
Obraz olejny
2010
Miejsce odbycia
Art Centre Silpakorn University wahooart.com/pl/museums/art-centre-silpakorn-university-bangkok/

W kontekście

Existent No.2 — anis nagasevi

Data powstania

  1. 2010

▲ to dzieło, 2010

Kolory

Na podstawie analizy obrazu

    Kolor dominujący

    Gray #72716f

    Paleta w katalogu

    • #72716F
    • #4D4D4B
    • #C5C5C6
    • #989895
    Kolor główny
    Gray
    Intensywność
    Monochromatic Stopień nasycenia i różnorodność kolorów – od pojedynczego stonowanego odcienia po bogactwo jaskrawych barw.
    Kontrast
    Gentle W jakim stopniu kolory różnią się jasnością i nasyceniem na całym obrazie.
    Harmonia
    Strong Color Unity Jak dobrze kolory ze sobą współgrają – od kontrastowych po w pełni jednolite.
    Jasność
    Bright Ogólna jasność lub ciemność obrazu, od głębokich cieni po świetliste refleksy.
    Nasycenie
    Muted Jak czyste i intensywne są te kolory, od niemal szarych po w pełni żywe.

    O tym dziele sztuki

    Existent No.2 — anis nagasevi

    The 27th Exhibition of Contemporary Art by Young Artists, 2010Silpa Bhirasri Gold Medal AwardExhibition of Contemporary Art by Young Artists is major art competition for young Thai artists aged between 16 to 25 years old. It aims to encourage Thai artists to produce artworks which present their artistic skills. Award-winning works will become the property of Silpakorn University, who reserves the right to promote works in all channels.

    Artysta i muzeum

    Artysta

    anis nagasevi

    Urodzony w Unknown, Unknown

    A Rising Star in Contemporary Thai Art

    Anise Nagasevi, whose artistic moniker reflects her dedication to exploring the depths of visual expression, stands as a testament to Thailand’s burgeoning talent pool within the realm of contemporary art. While biographical details remain somewhat elusive – her birthdate and place of origin are currently unavailable – her trajectory has been marked by consistent recognition for innovative approaches to printmaking and a captivating artistic vision that resonates with critics and collectors alike.

    Early Recognition: Nagasevi’s journey began in 2010 when she was awarded the prestigious Silpa Bhirasri Gold Medal, acknowledging her exceptional contribution to young artists' exhibitions. This accolade underscored her commitment to pushing boundaries within artistic discourse and establishing herself as a formidable presence on the Thai art scene.

    National Exhibition Success: Further cementing her reputation, Nagasevi garnered acclaim in 2013 during the 59th National Exhibition of Art. Receiving a bronze medal award for prints showcased her ability to translate complex concepts into visually striking compositions—a hallmark of her distinctive style.

    Nagasevi’s artistic practice centers around printmaking, specifically exploring abstract forms and textures that evoke emotion and contemplation. Influenced by movements like Minimalism and Conceptual Art, she skillfully employs techniques such as etching and linocut to achieve remarkable tonal variations and nuanced layering effects. Her works often grapple with themes of identity, memory, and the relationship between human experience and the natural world—subjects explored through a lens of understated beauty and intellectual curiosity.

    Exploring Abstract Expressionism

    Nagasevi’s artistic style leans heavily into the principles of abstract expressionism, mirroring the spirit of artists like Willem de Kooning and Jackson Pollock. Like these pioneers, Nagasevi prioritizes spontaneous gesture and intuitive mark-making as conduits for conveying emotion and capturing fleeting moments of perception. However, unlike Pollock's drip paintings, Nagasevi’s prints are characterized by meticulous control over line and texture—a deliberate contrast that amplifies the impact of her artistic vision.

    Notable Exhibitions & Critical Acclaim

    Nagasevi’s artwork has graced numerous exhibitions across Thailand, garnering critical praise for its originality and technical prowess. Her inclusion in the 59th National Exhibition solidified her position as a rising voice within Thai contemporary art, attracting attention from curators and collectors alike. Critics have lauded her ability to distill complex ideas into visually arresting prints that invite viewers to engage in profound reflection.

    Looking Ahead

    As Anise Nagasevi continues to hone her craft and explore new artistic horizons, she represents a significant contribution to Thailand’s vibrant art landscape. Her unwavering dedication to experimentation and her commitment to conveying emotive narratives through abstract printmaking promise to yield further captivating artworks that will undoubtedly inspire future generations of artists.

    Muzeum

    Art Centre Silpakorn University

    Prezentowane w Bangkok, Thailand

    A Palace of Artistic Dialogue: The Soul of Thai Heritage

    Nestled within the historic embrace of Wang Thaphra Palace in Bangkok, the Art Centre Silpakorn University stands as a vibrant crossroads where centuries of Thai heritage meet the dynamic pulse of contemporary expression. Stepping through its gates is akin to entering a living dialogue between past and present, a space where ancient spiritual traditions resonate alongside bold explorations of modern life. The palace itself, steeped in royal history, provides an exquisite backdrop for the diverse collection housed within, its elegant architecture subtly enhancing the emotional impact of each artwork. It is not merely a repository of objects but a sanctuary where the architectural grandeur of the old world serves to elevate the creative spirit of the new.

    The strength of this institution lies in its profound and comprehensive representation of Thai art, spanning both traditional and contemporary forms with seamless grace. A significant portion of the collection is dedicated to Buddhist art, offering a spiritual window into Thailand's heartland. Here, intricately carved sculptures and serene paintings depict scenes from the life of Buddha and the tenets of Buddhist philosophy, showcasing not only masterful artistic skill but also deeply held cultural beliefs. These historical artifacts are never presented as static relics; instead, they serve as foundational elements that inform and breathe life into the contemporary works displayed alongside them, creating a continuous thread of cultural evolution.

    Innovation, Education, and the Visible Artistry

    As an integral part of Silpakorn University—an institution famously founded by the Italian-born professor Corrado Feroci, known as Silpa Bhirasri—the Art Centre functions as a vital hub for aspiring artists and scholars. This academic environment translates into exhibitions that are thoughtfully curated and often push boundaries, challenging conventional notions of art and encouraging viewers to engage with complex themes. The centre actively champions emerging talent alongside established masters, frequently exhibiting pieces from the university's own students and faculty, ensuring that the museum remains at the very forefront of Thailand’s evolving artistic landscape.

    What truly distinguishes this museum is its dedication to transparency and the celebration of the artistic process itself. The Unique Visible Storage Gallery offers an unprecedented behind-the-scenes look at art preservation, allowing visitors to witness the meticulous care that goes into maintaining these cultural treasures. This rare opportunity fosters a deeper appreciation for the artwork and the dedicated hands that safeguard it. Furthermore, the centre has garnered national recognition through award-winning showcases of contemporary Thai art, where carefully constructed narratives explore pressing social issues, cultural identities, and the universal human condition.

    A Destination for the Discerning Eye

    For the art lover, the collector, or the interior designer seeking inspiration, the Art Centre Silpakorn University offers a journey of discovery that transcends mere observation. Recent projects, such as the ‘Art Camera Behind the Scene’ series, demonstrate the centre’s willingness to embrace diverse mediums and perspectives, utilizing striking black and white reproductions to capture the essence of modern life. The work of artists like Verapong Sritrakulkitjakarn (ayino), whose vibrant paintings explore emotional depth with compelling intensity, highlights the breadth and dynamism available to those who wander through these historic halls.

    Located in the heart of Bangkok, near the Grand Palace, the centre is an accessible cultural gem that promises a memorable and enriching experience. Whether one is drawn by the allure of ancient Buddhist iconography or the provocative nature of modern installations, the museum provides a captivating exploration of Thailand’s artistic soul. It remains a premier destination for anyone seeking to immerse themselves in a space where history is not just remembered, but actively reimagined through the lens of contemporary creativity.

    Dowiedz się więcej

    Odkryj w sieci

    Kod QR prowadzący do strony pobierania Existent No.2

    wahooart.com/pl/art/download/anis-nagasevi-existent-no-2-D7SGRJ-en/

    Cytowanie dzieła

    MLA
    nagasevi, anis. Existent No.2. 2010, Art Centre Silpakorn University. https://wahooart.com/pl/art/anis-nagasevi-existent-no-2-D7SGRJ-en/
    APA
    nagasevi, anis (2010). Existent No.2 [Painting]. Art Centre Silpakorn University. https://wahooart.com/pl/art/anis-nagasevi-existent-no-2-D7SGRJ-en/
    Chicago
    anis nagasevi. Existent No.2. 2010. Art Centre Silpakorn University. https://wahooart.com/pl/art/anis-nagasevi-existent-no-2-D7SGRJ-en/
    Harvard
    nagasevi, anis (2010) Existent No.2. Art Centre Silpakorn University. Available at: https://wahooart.com/pl/art/anis-nagasevi-existent-no-2-D7SGRJ-en/

    Przyjrzyj się uważnie

    Existent No.2 — anis nagasevi

    Przyjrzyj się bliżej

    Odpowiedz własnymi słowami. Nie ma tutaj błędnych odpowiedzi — liczą się tylko te, które potrafisz uzasadnić.

    1. Co przyciąga Twoją uwagę w pierwszej kolejności i dlaczego?
    2. Które kolory lub kształty budują nastrój — i jaki to nastrój?
    3. Ile twarzy potrafisz odnaleźć? ____ (nasz katalog liczy 2 — czy zgadzasz się z tą liczbą?)
    4. Co artysta mógł chcieć, abyś poczuł?
    5. Gdybyś mógł zadać artyście jedno pytanie dotyczące tego dzieła, o co byś zapytał?

    Twoja odpowiedź

    Napisz krótki akapit na temat tego dzieła. Wykorzystaj fakty zawarte w poprzednich częściach tego przewodnika oraz swoje wcześniejsze odpowiedzi.