okres

1. Self Portrait, Admonishing — George Grosz, 1927
2. The Agitator — George Grosz, 1928
3. The Burial — George Grosz, 1918
4. Explosion — George Grosz, 1917
5. Daum marries her pedantic automaton''George'' — George Grosz
6. Artist and Model — George Grosz, 1928

ruch

1. Untitled (878) — Paul Jenkins
2. Figures on Dark Ground — Albert Bloch, 1916

klimat

1. Self Portrait, Admonishing — George Grosz, 1927
2. Georg Fryderyk Fothergill z Yorku — George Stubbs, 1746
3. The Agitator — George Grosz, 1928
4. The Burial — George Grosz, 1918
5. Explosion — George Grosz, 1917
6. Upadek Zbawionych — Rubens, 1620
7. John the Murderer — George Grosz, 1918
8. Ausschweifung, Berlin Night Club — George Grosz
9. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka
10. Glad to Be Back — George Grosz, 1943
11. Artist and Model — George Grosz, 1928

tematyka

słowa kluczowe

tonacja

1. The Agitator — George Grosz, 1928
2. Upadek Zbawionych — Rubens, 1620
3. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka

kolor główny

1. View of toledo emblematic — André Masson
2. Pourquoi nous combattons, What we are fighting for, Huile sur Toile, — Oskar Kokoschka
3. Untitled (878) — Paul Jenkins
4. George Berkeley — John Smibert, 1726
5. Dybbuks Menacing Holy Objects — peter neal
6. Daum marries her pedantic automaton''George'' — George Grosz
7. Explosion — George Grosz, 1917
8. Fulle Bux — Jonathan Meese
9. Untitled (228) — Avigdor Arikha
10. The Burial — George Grosz, 1918
11. Georg Fryderyk Fothergill z Yorku — George Stubbs, 1746
12. Emblematic Vista of Toledo — André Masson
13. Ferragosto V — Cy Twombly, 1961
14. John the Murderer — George Grosz, 1918
15. Resistencia — André Masson
16. The Agitator — George Grosz, 1928
17. Figures on Dark Ground — Albert Bloch, 1916

inne

1. The Garden — wendy spooner
2. Portrait of the Writer Max Herrmann Neisse — George Grosz, 1925