Twelve Views of Landscape (Shan-shui shih-erh-ching) er det mest kjente maleriet av Xia Gui, og er en del av samlingen til Nelson-Atkins Museum of Art i Kansas City. Av de 2 verkene til Xia Gui i vår katalog, er dette de 2 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Xia Gui | Malerier fra denne listen |
|---|---|---|---|
 Nelson-Atkins Museum of Art |
Kansas City | 1 | Twelve Views of Landscape (Shan-shui shih-erh-ching) |
 National Palace Museum |
Taipei | 1 | Pure and Remote View of Streams and Mountains |
Twelve Views of Landscape (Shan-shui shih-erh-ching)
Vår katalog inneholder 2 verk av Xia Gui.
De fleste av dem befinner seg i Nelson-Atkins Museum of Art (Kansas City) og National Palace Museum (Taipei). Tabellen ovenfor lister opp museene ett etter ett.
Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.
Xia Gui was a Chinese landscape painter of the Song dynasty, most likely born in Hangzhou, People's Republic of China. Alongside his contemporary Ma Yuan, he founded the influential Ma-Xia school. While much of his life remains unknown, he served in the Imperial Painting Academy during the reign of Emperor Ningzong. His artistic approach was characterized by a move away from highly detailed, complex compositions toward a more immediate and striking effect, often utilizing limited materials to achieve this impact.
His technical mastery is evident in his use of extremely subtle, graded ink washes and overlapping brushstrokes to create atmospheric effects of mist, sky, and infinity. He was noted for his ability to work with great ease and speed, often producing spontaneous creations on paper that absorbed ink quickly. Furthermore, Xia Gui was praised for his skill in drawing architecture freehand without the use of a ruler.
The surviving works of Xia Gui include various genres, such as small album leaves and hand scrolls. His technique often featured perfectly balanced diagonal compositions where void and solid mass played equally important roles. Notable examples of his work include:
His influence extended far beyond his own era, impacting the Japanese master Sesshū Tōyō, who was influenced by Xia's idiom and made studies of his landscape fans.