Untitled (1964) er det mest kjente maleriet av David Smith. Hudson River Landscape (1951) og Cubi i er de to neste verkene verden kjenner best. Av de 19 verkene til David Smith i vår katalog, er dette de 18 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av David Smith | Malerier fra denne listen |
|---|---|---|---|
 Whitney Museum of American Art |
New York | 1 | Hudson River Landscape |
14 år med David Smiths malerier, fra 1951 til 1964, fortalt år for år gjennom de mest kjente verkene.
Untitled (1964). Deretter følger Hudson River Landscape (1951) og Cubi i.
58 år gammel: Untitled er fra 1964, og David Smith ble født i 1906.
Untitled, Hudson River Landscape, Cubi i, Three planes, N08744 46 lr, Saw head, (1933), 5 And A Half (Use Half Sign), Suspended cube, Untitled og Zig iv. Rangeringen ovenfor viser årstallet og museet for hvert av dem.
Vår katalog inneholder 19 verk av David Smith, datert fra 1951 til 1964.
De fleste av dem befinner seg i Whitney Museum of American Art (New York). Tabellen ovenfor lister opp museene ett etter ett.
Det eldste på denne siden er Hudson River Landscape (1951), det nyeste Untitled (1964).
Abstract expressionism, som maleriene på denne siden viser.
Born in Decatur, United States, David Smith was a sculptor, painter, designer, photographer, artist, writer, and visual artist. His creative journey involved studying at Ohio University and Notre Dame, and he worked on the assembly line of the Studebaker automobile factory in South Bend, Indiana. After moving to New York in 1926, he studied at the Art Students League of New York. During the Great Depression, he participated in the Works Progress Administration’s Federal Art Project. Smith later moved to Bolton Landing, New York, where he operated a studio. During World War II, he worked as a welder for the American Locomotive Company in Schenectady, New York.
His sculptural work is characterized by the use of industrial steel, which he manipulated using an oxyacetylene torch to weld metal. He often created unique works by cutting, plugging, flattening, pinching, and bending steel bars. His output included various series, such as the Agricolas and the Cubi series, which featured stainless steel. In his later years, he utilized spray paint to create stenciled shapes. Beyond sculpture, Smith produced drawings and paintings, including a series known as the Last Nudes.
Smith's body of work includes several recognized pieces, such as:
His work has been featured in numerous exhibitions globally, including the Venice Biennale and the São Paulo Bienal. His sculptures have been held in collections such as the Whitney Museum of American Art in New York.
