Maleriet som gjorde Ben Nicholson berømt er 1946 (Cerulean abstraksjon) (1946); det henger i Pallant House Gallery, Chichester. 1933 (St Rémy self portrait with Barbara Hepworth) (1933) og 1934 (painted relief) (1934) følger etter i hjertene til samlere og museumsgjester. Av de 127 verkene til Ben Nicholson i vår katalog, er disse 100 de mest beundrede, hver presentert med dato, museum og hva som gjør dem unike.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026.
Ben Nicholson OM (1894–1982) var en britisk kunstner som revolusjonerte landskapsmaleriet og abstrakt kunst i etterkrigstiden. Hans verk er kjent for sin geometriske presisjon og fokus på komposisjon, noe som gjenspeiles spesielt i bildet “1946 (Cerulean Abstraction)”. Dette stillifesalvet, utført av Nicholson i 1946, er en del av Pallant House Gallerys samling og representerer et høydepunkt innen hans abstrakte stil.
Exploring Geometric Minimalism: Ben Nicholson’s ‘1934 (relief)’ Ben Nicholson OM's '1934 (relief)' stands as a testament to the understated elegance of geometric abstraction, embodying the spirit of mid-century modern design and inviting contemplation on form and texture. Created in 1934, this mahogany painted relief exemplifies Nicholson’s pioneering exploration of spatial relationships within simplified shapes—a deliberate departure from representational art that sought to capture the essence of experience rather than visual…
A violin and a cello emerge from a quiet, gray landscape. They are not drawn with the soft curves of a musician's hand, but through the sharp, disciplined language of geometric abstraction. In this 1933 oil on canvas, the instruments lose their wooden warmth to become a series of intersecting planes and incised lines. The composition relies on a muted palette, where shades of gray dictate the mood, creating a…
To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…
Ben Nicholson's "c.1922 (Balearic Islands)" isn’t merely a painting; it’s a distilled moment of introspection, captured with the quiet intensity characteristic of the artist’s mature style. Painted in…
The artwork titled 1927 (Winifred and Jake) is a painting by the artist Ben Nicholson. Completed in 1927, this work functions as a portrait of Winifred and Jake…
is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a…
The painting 1930 (Christmas night) is a work by Ben Nicholson OM. Created in 1930, the piece captures a quiet domestic scene through a lens of geometric simplicity.…
Ben Nicholson OM (1894–1982) var en britisk kunstner som markerte seg spesielt innen abstrakt kunst og landskapsmaleri. Hans arbeid er kjent for sin rene estetikk og fokus på…
Ben Nicholson OM's "Jar and Goblet," created in 1925, stands as a cornerstone of British Modernism—a deceptively simple painting that belies its profound exploration of form, color, and…
In the quiet, profound stillness of Ben Nicholson’s 1944–5, one encounters more than just an arrangement of shapes; one enters a meticulously constructed universe of balance and light.…
The Quiet Geometry of “Exhibition Sign” Ben Nicholson’s “Exhibition Sign,” painted in 1933, isn't merely a sign; it’s a distilled meditation on form, color, and the very act…
In the quiet evolution of British modernism, few works capture the playful intersection of geometry and organic life as poignantly as Ben Nicholson OM’s 1933 design. This captivating…
In the quiet aftermath of global upheaval, Ben Nicholson OM captured a moment of profound structural stillness in his 1945 masterpiece, 1945 (still life with flag). This evocative…
In the quiet, evocative landscape of 1928 (foothills, Cumberland), we encounter a moment frozen in time, captured by the masterful hand of Ben Nicholson. This oil on canvas…
In the evocative realm of British Modernism, few works capture the experimental spirit of the early twentieth century as tangibly as Ben Nicholson’s 1932 (Talc de Coty). This…
The artwork "c.1930 (framed lid)" by Ben Nicholson Om is a captivating piece that showcases the artist's unique style and technique. Created in 1930, this pen drawing measures…
We are looking at November 3 1950 (still life winter), a work created by Ben Nicholson in 1950. This piece belongs to the collection of the Phillips Collection,…
In the vast landscape of twentieth-century abstraction, few works capture the delicate equilibrium between structure and spontaneity as masterfully as Ben Nicholson’s March 1949 (Trencrom). This commanding piece…
Ben Nicholson’s “Cumbrian Landscape (No. 2),” painted in 1928, isn't merely a depiction of a rural scene; it’s an invitation to pause and contemplate the quiet beauty of…
Ben Nicholson’s “August 1956 (Val d’Orcia)” isn't merely a depiction of a Tuscan hillside; it’s an invitation to contemplate the very nature of perception and memory. Painted in…
Ben Nicholsons "1946 (Window in Cornwall)" er ikke bare et bilde; det er en innadvendende øyeblikk, fanget på lerret. Skapt i 1946, og nå tilgjengelig som en håndmalet…
In the intimate dimensions of this captivating work, titled date unknown (king III), we are invited into a world that feels both profoundly personal and grandly mythic. At…
Ben Nicholson's "1926 (Still Life with Fruit – Version 2)" isn’t merely a depiction of apples and oranges; it’s a carefully constructed meditation on form, stillness, and the…
De fire motivene som forekommer hyppigst blant disse mesterverkene, med det fremste eksemplet på hvert av dem.
De 8 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Ben Nicholson | Malerier fra denne listen |
|---|---|---|---|
 Kettle's Yard |
Cambridge | 17 | 1932–33 (musical instruments), c.1922 (Balearic Islands), 1930 (Christmas night) |
 The Pier Arts Centre |
Stromness | 9 | 1944–5 (painted relief), 1929 (fireworks), 1935 (painting) |
 Pallant House Gallery |
Chichester | 8 | 1946 (Cerulean abstraksjon), 1927 (Winifred and Jake), 1925 (landskap) |
 The Phillips Collection |
Washington, D.C. | 5 | December 13-17 1947 (Trendine 2), March 17 1950 (still life), February 1955 (talisman) |
 British Council Collection |
London | 4 | March 1949 (Trencrom), 1926 (still life with fruit – version 2) |
 Abbot Hall Art Gallery |
Kendal | 3 | 1932 (crowned head the queen), 1930–1936 (composition still life) |
 Dudmaston Hall |
2 | Composition, Four Squares, Two Circles | |
 Arts Council Collection |
London | 3 | May 1956 (hendrifter) |
Ben Nicholson OM (1894–1982) var en britisk kunstner som revolusjonerte landskapsmaleriet og abstrakt kunst i etterkrigstiden. Hans verk er kjent for sin geometriske presisjon og fokus på komposisjon,…
To stand before Ben Nicholson’s May 1956 (hendrifter) is to encounter a moment of profound, almost crystalline stillness. This work does not shout its presence; rather, it invites…
1946 (Cerulean abstraksjon) (1946), Pallant House Gallery, Chichester. Deretter følger 1933 (St Rémy self portrait with Barbara Hepworth) (1933) og 1934 (painted relief) (1934).
52 år gammel: 1946 (Cerulean abstraksjon) er fra 1946, og Ben Nicholson ble født i 1894.
1946 (Cerulean abstraksjon), 1933 (St Rémy self portrait with Barbara Hepworth), 1934 (painted relief), 1928 (Walton Wood cottage no.1), 1948 (still life), 1924 (first abstract painting, Chelsea), 1932–33 (musical instruments), 1932 (Au Chat Botté), Jan 27 1933 og 1932 (Auberge de la Sole Dieppoise). Rangeringen ovenfor viser årstallet og museet for hvert av dem.
Vår katalog inneholder 127 verk av Ben Nicholson, datert fra 1914 til 1969.
De fleste av dem befinner seg i Kettle's Yard (Cambridge), The Pier Arts Centre (Stromness) og Pallant House Gallery (Chichester). Tabellen ovenfor lister opp museene ett etter ett.
I 1930s: 40 av de 100 verkene på denne siden er fra denne perioden, inkludert 1933 (St Rémy self portrait with Barbara Hepworth).
Det eldste på denne siden er 1914 (the striped jug) (1914), det nyeste 1969 (Holkham Sands No. 1) (1969).
Geometric shapes (10), Geometric (7) og British art (6), blant de 100 verkene på denne siden.
Oil On Canvas: 14 av 100 verk på denne siden.
Cubism, som maleriene på denne siden viser.
1932–33 (musical instruments), c.1922 (Balearic Islands) og 1930 (Christmas night) er blant de 9 verkene på denne siden som er i Kettle's Yard, Cambridge sin samling.
