Denne siden viser hvor mange som besøker sidene til Charles Lucy på dette nettstedet. Et besøk betyr at én person har åpnet en side. Hvert diagram nedenfor har sin egen korte forklaring.
The Right Honourable Benjamin Disraeli (1804–1881), MP, Later Earl of Beaconsfield stands first among the works of Charles Lucy: 100 visits in twelve months, 33% of the total attention. Pan and Charlotte Corday Returning to Prison follow. Charles Lucy received 600 visits: 300 on the artist page, 300 on the canvases. The curve dipped: 100% fewer visits in Sep 2026 than in Aug 2026. The most visited month was Jul 2026 (500 visits). One preference is clear: Subtile farger (Fargemetning) collects 67% of the visits for only 38% of the catalog.
This ranking counts visits, not catalog scores: the 3 works of Charles Lucy most consulted on WahooArt.com in the last twelve months.
Hver søyle representerer én måned og viser antall sidevisninger for denne kunstneren i løpet av de siste tolv månedene.
| Month | Artist page | Artwork pages |
|---|---|---|
| Oct 2025 | 0 | 0 |
| Nov 2025 | 0 | 0 |
| Dec 2025 | 0 | 0 |
| Jan 2026 | 0 | 0 |
| Feb 2026 | 0 | 0 |
| Mar 2026 | 0 | 0 |
| Apr 2026 | 0 | 0 |
| May 2026 | 0 | 0 |
| Jun 2026 | 0 | 0 |
| Jul 2026 | 200 | 300 |
| Aug 2026 | 100 | 0 |
| Sep 2026 | 0 | 0 |
Hver søyle representerer én måned. Den viser det totale antallet besøk på alle kunstverkene til denne kunstneren, måned for måned, over ett år.
The monthly figures of both charts are in the first table, above.
Each star chart compares two things. The dotted shape is the artist's own work: fifty artworks taken at random, sorted by one feature. The solid shape is where the visits actually went during the last twelve months. Where the solid shape reaches further out than the dotted one, that kind of artwork attracts more attention than its share of the artist's work.
| Lysstyrke | Artworks of the artist | Visits |
|---|---|---|
| Mørkest | 75.0% | 66.7% |
| Myk skygge | 12.5% | 33.3% |
| Mild lysstyrke | 12.5% | 0.0% |
| Lyssterk balanse | 0.0% | 0.0% |
| Lyssterk | 0.0% | 0.0% |
| Fargemetning | Artworks of the artist | Visits |
|---|---|---|
| Dempet | 43.8% | 0.0% |
| Subtile farger | 37.5% | 66.7% |
| Balansert mykhet | 18.8% | 33.3% |
| Tydelig fargepreg | 0.0% | 0.0% |
| Livlig farge | 0.0% | 0.0% |
| Fargeintensitet | Artworks of the artist | Visits |
|---|---|---|
| Monokromatisk | 68.8% | 66.7% |
| Balansert | 31.2% | 33.3% |
| Klar og intens | 0.0% | 0.0% |
| Kontrast | Artworks of the artist | Visits |
|---|---|---|
| Rolig | 18.8% | 33.3% |
| Mild | 37.5% | 33.3% |
| Balansert | 6.2% | 0.0% |
| Sterk kontrast | 25.0% | 0.0% |
| Uttalelse | 12.5% | 33.3% |
| Fargeharmoni | Artworks of the artist | Visits |
|---|---|---|
| Uharmonisk fargepalett | 18.8% | 0.0% |
| Mykt sammensatt palett | 6.2% | 0.0% |
| Balansert harmoni | 0.0% | 0.0% |
| Sterk fargeharmoni | 68.8% | 66.7% |
| Samstemt palett | 6.2% | 33.3% |
Hver rad representerer et populært kunstverk. Hver søyle viser antall besøk dette kunstverket fikk i løpet av en måned. Høyere søyler betyr flere besøk den måneden.
| Artwork | Oct 2025 | Nov 2025 | Dec 2025 | Jan 2026 | Feb 2026 | Mar 2026 | Apr 2026 | May 2026 | Jun 2026 | Jul 2026 | Aug 2026 | Sep 2026 |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Pan | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| The Right Honourable Willia… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Mary Stuart (1542–1587) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| George Lucy (1714–1786) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Right Honourable Willia… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Richard Cobden (1804–1865),… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| Charlotte Corday Returning… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| The Right Honourable Benjam… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 100 | 0 | 0 |
| Oliver Cromwell (1599–1658) | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
| The Interview of Milton wit… | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 | 0 |
Hver del representerer ett språk. Jo større delen er, desto flere besøkende har brukt nettstedet på det språket i løpet av de siste tretti dagene. Kun de ti største vises.
Hver søyle representerer én dag. De første søylene viser antall besøk de siste tre ukene. Søylene i den andre fargen er vårt estimat for de neste tre ukene.
| Day | Visits |
|---|---|
| Thu 17 Sep | 0 |
| Fri 18 Sep | 0 |
| Sat 19 Sep | 0 |
| Sun 20 Sep | 0 |
| Mon 21 Sep | 0 |
| Tue 22 Sep | 0 |
| Wed 23 Sep | 0 |
| Thu 24 Sep | 0 |
| Fri 25 Sep | 0 |
| Sat 26 Sep | 0 |
| Sun 27 Sep | 0 |
| Mon 28 Sep | 0 |
| Tue 29 Sep | 0 |
| Wed 30 Sep | 0 |
| Thu 1 Oct | 0 |
| Fri 2 Oct | 0 |
| Sat 3 Oct | 0 |
| Sun 4 Oct | 0 |
| Mon 5 Oct | 0 |
| Tue 6 Oct | 0 |
| Wed 7 Oct | 0 |
| Thu 8 Oct (prognose) | 0 |
| Fri 9 Oct (prognose) | 0 |
| Sat 10 Oct (prognose) | 0 |
| Sun 11 Oct (prognose) | 0 |
| Mon 12 Oct (prognose) | 0 |
| Tue 13 Oct (prognose) | 0 |
| Wed 14 Oct (prognose) | 0 |
| Thu 15 Oct (prognose) | 0 |
| Fri 16 Oct (prognose) | 0 |
| Sat 17 Oct (prognose) | 0 |
| Sun 18 Oct (prognose) | 0 |
| Mon 19 Oct (prognose) | 0 |
| Tue 20 Oct (prognose) | 0 |
| Wed 21 Oct (prognose) | 0 |
| Thu 22 Oct (prognose) | 0 |
| Fri 23 Oct (prognose) | 0 |
| Sat 24 Oct (prognose) | 0 |
| Sun 25 Oct (prognose) | 0 |
| Mon 26 Oct (prognose) | 0 |
| Tue 27 Oct (prognose) | 0 |
| Wed 28 Oct (prognose) | 0 |
