Robert Mannix, 1841 – 1907

De 1 mest kjente maleriene av Robert Mannix

Maleriet som gjorde Robert Mannix berømt er Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873); det henger i National Gallery of Ireland, Dublin. Av de 1 verkene til Robert Mannix i vår katalog, er disse 1 de mest beundrede, hver presentert med dato, museum og hva som gjør dem unike.

Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.

Portrett av Robert Mannix
Robert Mannix · 1841 – 1907
Født · død
1841 – 1907
Verker i vår katalog
1
Mest kjente
Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)
Flest verk hos
National Gallery of Ireland

Robert Mannix: de ti mesterverkene

Hvor du kan se maleriene til Robert Mannix

Museet som innehar flest av maleriene på denne siden.

Museum By Verker av Robert Mannix Malerier fra denne listen
National Gallery of Ireland, DublinNational Gallery of Ireland Dublin 1 Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal'

Robert Mannix, år for år: de definerende maleriene

Hvert daterte mesterverk av Robert Mannix på denne siden tilhører 1873: her er de.

  1. 1873

Robert Mannixs mesterverk: spørsmål og svar

Hvilket maleri er Robert Mannix mest kjent for?Vis svaret

Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' (1873)

Hvor gammel var Robert Mannix da Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' ble malt?Vis svaret

32 år gammel: Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal' er fra 1873, og Robert Mannix ble født i 1841.

Hvor mange verk malte Robert Mannix?Vis svaret

Vår katalog inneholder 1 verk av Robert Mannix.

I hvilke museer kan jeg se mesterverkene til Robert Mannix?Vis svaret

De fleste av dem befinner seg i National Gallery of Ireland (Dublin). Tabellen ovenfor lister opp museene ett etter ett.

Kan jeg eie en reproduksjon av et mesterverk av Robert Mannix?Vis svaret

Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.

Livet til Robert Mannix

The Portraitist of Character

Robert Mannix operated within the specific demands of late nineteenth-century portraiture, a period where the ability to capture a subject's social standing and theatrical presence was paramount. His work reflects the technical rigor required to translate human likeness into a permanent visual record. Looking at his output, one sees a focus on the intersection of identity and performance, particularly in how he handled the nuances of costume and facial expression.

His most significant contribution to the historical record is found in his ability to render specific personas. In 1873, he produced Portrait of C.H. Granby as Sir Peter Teazle in 'The School for Scandal', a work that resides in the National Gallery of Ireland, Dublin City. This piece demonstrates his capacity to navigate the complexities of theatrical characterization, moving beyond simple likeness to capture the essence of a dramatic role.

Technical Focus and Scope

Mannix's output is most concentrated between 1880 and 1898, though his documented work dates back to 1873. He did not attempt to reinvent the medium; he focused on mastering the established visual language of his era. His technical approach relied on several specific elements:

  • The precise rendering of period-specific attire and textures.
  • The use of light to define the contours of the human face.
  • The translation of theatrical energy into a static, painted form.

Historical Placement

The significance of Mannix lies in his role as a visual documentarian of his time. He captured the likenesses of individuals that would otherwise be lost to history, providing a tangible link to the social and theatrical landscapes of the late 1800s. His presence in the collections of the National Gallery of Ireland, Dublin City, confirms his standing as a professional of consequence during his active years. He was a visual artist who understood the weight of a sitter's gaze and the importance of accuracy in a changing world.