View Taken at Tendu, near Argenton sur Creuse (1850) er det mest kjente maleriet av Jules André, og er en del av samlingen til Palais Bourbon i Paris. Av de 1 verkene til Jules André i vår katalog, er dette de 1 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, visninger og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.
Museet som har flest av maleriene på denne siden.
| Museum | By | Verker av Jules André | Malerier fra denne listen |
|---|---|---|---|
| Paris | 1 | View Taken at Tendu, near Argenton sur Creuse |
1850 er året for hvert daterte Jules André-mesterverk på denne siden: her er de, i rekkefølge etter berømmelse.
View Taken at Tendu, near Argenton sur Creuse (1850)
43 år gammel: View Taken at Tendu, near Argenton sur Creuse er fra 1850, og Jules André ble født i 1807.
Vår katalog inneholder 1 verk av Jules André.
De fleste av dem befinner seg i Palais Bourbon (Paris). Tabellen ovenfor lister opp museene ett etter ett.
Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.
Born in the 5th arrondissement of Paris, Jules André spent his life observing the subtle shifts of light and terrain. His early years were defined by the guidance of André Jolivard and Louis Étienne Watelet, who helped him find his footing in the demanding world of painting. He was a man of movement, finding inspiration not just in the streets of his home city, but through travels across Belgium, the south of France, and the Rhine country. These excursions allowed him to gather a wide variety of scenery to translate onto canvas.
His professional life was marked by a steady, disciplined progression. He spent time working at the porcelain manufactory at Sèvres, a role that required a keen eye for detail and color. This technical background likely informed the precision found in his later landscape works. He occupied a unique space in the art world, working in a manner that sat between the classical traditions of old French landscape painters and the emerging modern school.
The mid-19th century brought significant validation for his talent. His ability to capture the essence of a place earned him a second-class medal in 1835. By 1853, his contributions to French art were formally honored with the decoration of the Légion d'honneur. His work was not limited to small canvases; he was entrusted with executing decorative panels for important locations, including the new Louvre Palace and the Hôtel d'Albe.
While his own career was distinguished, his influence extended into the next generation through his son, Edmond Maethe Alphonse André. Edmond followed in his father's footsteps, studying under him before becoming a genre painter of some repute. The family's connection to the arts was deep, though Edmond's life was cut short in Algiers.
The following details summarize the milestones of his career:
Jules André passed away in Paris in 1869. His paintings remain held in significant collections, including the Galleries of the Luxembourg and Lille. His work, such as the view taken at Tendu near Argenton sur Creuse, reflects a life spent looking closely at the natural world. He remains a figure of merit in the history of French landscape painting, remembered for his ability to bridge the gap between the old ways and the new.