John Mare, 1739 – 1803

John Mares malerier: De 3 mest kjente verkene, rangert

John Mares mest kjente maleri er Dr. Benjamin Youngs Prime (1733-1791) (1774), i New York Historical Society, New York City. Sammen med John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767) utgjør de de tre verkene som alle kjenner igjen. Vår katalog inneholder 3 verk av John Mare; de 3 nedenfor er de som verden ser mest på, hver med årstall, museet som huser verket og hvorfor det er betydningsfullt.

Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.

Portrett av John Mare
John Mare · 1739 – 1803
Født · død
1739 – 1803, New York City
Verker i vår katalog
3
Mest kjente
Dr. Benjamin Youngs Prime (1733-1791) (1774)
Flest verk hos
New York Historical Society

De 10 mest kjente maleriene til John Mare

Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
1

Dr. Benjamin Youngs Prime (1733-1791)

1774 · Oil · New York Historical Society, New York City

The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

Håndmalt oljereproduksjon fra $181 27 × 37 cm
John Keteltas (1739-1766) (1767) av John Mare
2

John Keteltas (1739-1766)

1767 · Oil On Canvas · New York Historical Society, New York City

A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

Håndmalt oljereproduksjon fra $181 29 × 35 cm
Jeremiah Platt (1767) av John Mare
3

Jeremiah Platt

1767 · Metropolitan Museum of Art, New York

Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

Håndmalt oljereproduksjon fra $181 28 × 36 cm Samme størrelse som originalen $516 98 × 123 cm Bestill i original størrelse →

Motivene John Mare malte mest av

De fire motivene som forekommer hyppigst blant disse mesterverkene, med det fremste eksemplet på hvert av dem.

Hvor du kan se maleriene til John Mare

De 2 museene som innehar flest av maleriene på denne siden.

Museum By Verker av John Mare Malerier fra denne listen
New York Historical Society, New York CityNew York Historical Society New York City 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 Jeremiah Platt

John Mares mest kjente malerier, år for år

John Mare malte i knappe 8 år, fra 1767 til 1774: følg dette tiåret år for år, gjennom maleriene som skapte navnet.

  1. 1767
    John Keteltas (1739-1766) (1767) av John Mare
    #2 av 3

    John Keteltas (1739-1766)

    Alder 28 · New York Historical Society

    A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

  2. 1767
    Jeremiah Platt (1767) av John Mare
    Nr. 3 av 3

    Jeremiah Platt

    Alder 28 · Metropolitan Museum of Art

    Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

  3. 1774
    Dr. Benjamin Youngs Prime (1733-1791) (1774) av John Mare
    Nr. 1 av 3

    Dr. Benjamin Youngs Prime (1733-1791)

    Alder 35 · New York Historical Society

    The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

Spørsmål om John Mares malerier

Hva er det mest kjente maleriet til John Mare?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, New York City. Deretter følger John Keteltas (1739-1766) (1767) og Jeremiah Platt (1767).

Hvor gammel var John Mare da Dr. Benjamin Youngs Prime (1733-1791) ble malt?Vis svaret

35 år gammel: Dr. Benjamin Youngs Prime (1733-1791) er fra 1774, og John Mare ble født i 1739.

Hvor mange malerier har John Mare laget?Vis svaret

Vår katalog inneholder 3 verk av John Mare, datert fra 1767 til 1774.

Hvor er de mest kjente maleriene til John Mare?Vis svaret

De fleste av dem befinner seg i New York Historical Society (New York City) og Metropolitan Museum of Art (New York). Tabellen ovenfor lister opp museene ett etter ett.

Når malte John Mare sine mest kjente verk?Vis svaret

I 1767: 2 av de 3 verkene på denne siden er fra denne perioden, inkludert John Keteltas (1739-1766).

Hva er John Mares tidligste og nyeste berømte malerier?Vis svaret

Det eldste på denne siden er John Keteltas (1739-1766) (1767), det nyeste Dr. Benjamin Youngs Prime (1733-1791) (1774).

Hva malte John Mare oftest?Vis svaret

Man (2), Wig (2) og Cravat (2), blant de 3 verkene på denne siden.

Hvilke malerier av John Mare kan jeg se på New York Historical Society?Vis svaret

Dr. Benjamin Youngs Prime (1733-1791) og John Keteltas (1739-1766) er blant de 2 verkene på denne siden som er i New York Historical Society, New York City sin samling.

Kan jeg kjøpe en reproduksjon av et maleri av John Mare?Vis svaret

Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.

Om John Mare

The Enigmatic Visions of John Mare

John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

A Journey Through Form and Color

Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

Themes of Memory and Transformation

At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

Influences and Artistic Dialogue

While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

Historical Significance and Legacy

Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.