Still Life with Green Bowl (1935) er det mest kjente maleriet av Hermann Euler, og er en del av samlingen til Bavarian State Painting Collections i München. Av de 2 verkene til Hermann Euler i vår katalog, er dette de 2 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Hermann Euler | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Still Life with Green Bowl, Strauss |
1935 er året for hvert daterte Hermann Euler-mesterverk på denne siden: her er de, i rekkefølge etter berømmelse.
Still Life with Green Bowl (1935)
35 år gammel: Still Life with Green Bowl er fra 1935, og Hermann Euler ble født i 1900.
Vår katalog inneholder 2 verk av Hermann Euler.
De fleste av dem befinner seg i Bavarian State Painting Collections (München). Tabellen ovenfor lister opp museene ett etter ett.
I 1935: 2 av de 2 verkene på denne siden er fra denne perioden, inkludert Still Life with Green Bowl.
Still Life with Green Bowl og Strauss er blant de 2 verkene på denne siden som er i Bavarian State Painting Collections, München sin samling.
Born in Aschaffenburg, Germany, Hermann Euler was the son of Konrad Euler and Meta Hein. His artistic path began in Munich, where he initially pursued painting without formal training before attending the Malschule of Moritz Heymann. He later studied at the Academy of Fine Arts Munich, first in the class of Heinrich von Zügel and subsequently under Angelo Jank, from whom he graduated as a master student in 1927. In 1925, he joined the Künstlervereinigung Münchner Secession. His travels to Norway and France, often accompanied by his wife, the painter Daisy Campi, were significant to his development. In 1934, Euler moved his family from Munich to a farm in Eichbichl am Rinssee. His later years included travels to Italy, Yugoslavia, France, and Spain, until his death in 1970.
Euler’s work evolved from impressionistic subject dissolution toward a cultivated expressive handwriting. His paintings are characterized by a certain rhythm and decisiveness in form, often appearing as if written onto the canvas with a vigorous gesture. He was a skilled draftsman, and in his later years, he frequently utilized a black brushstroke over a more glazing paint application. His technique involved applying oil paint alla prima onto a primed canvas, resulting in surfaces that varied from thick impasto to matte, glazing layers. His subject matter often drew from the immediate surroundings of his farm, including walled cottage gardens and still lifes placed within landscapes, which challenged traditional perceptions of scale and proportion.