Charles Bonnet, Swizz Naturalist and Philosopher (1785) er det mest kjente maleriet av Henrik Plötz, og er en del av samlingen til Nationalmuseum i Stockholm. Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800) er de to neste verkene verden kjenner best. Av de 4 verkene til Henrik Plötz i vår katalog, er dette de 4 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Henrik Plötz | Malerier fra denne listen |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway |
 Rijksmuseum |
Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Deretter følger Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800).
38 år gammel: Charles Bonnet, Swizz Naturalist and Philosopher er fra 1785, og Henrik Plötz ble født i 1747.
Vår katalog inneholder 4 verk av Henrik Plötz, datert fra 1785 til 1800.
De fleste av dem befinner seg i Nationalmuseum (Stockholm) og Rijksmuseum (Amsterdam). Tabellen ovenfor lister opp museene ett etter ett.
Det eldste på denne siden er Charles Bonnet, Swizz Naturalist and Philosopher (1785), det nyeste Portrait of a woman (1800).
Charles Bonnet, Swizz Naturalist and Philosopher og King Khristian VII of Denmark and Norway er blant de 2 verkene på denne siden som er i Nationalmuseum, Stockholm sin samling.
Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.