Edward Lear, 1812 – 1888

Edward Lears malerier: De 100 mest kjente verkene, rangert

Edward Lears mest kjente maleri er Cogoleto, Italy. Sammen med Crescenza og Blue And Yellow Macaw utgjør de de tre verkene som alle kjenner igjen. Vår katalog inneholder 419 verk av Edward Lear; de 100 nedenfor er de som verden ser mest på, hver med årstall, museet som huser verket og hvorfor det er betydningsfullt.

Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.

Portrett av Edward Lear
Edward Lear · 1812 – 1888
Født · død
1812 – 1888, Highgate
Bevegelse
Romanticism
Verker i vår katalog
419
Mest kjente
Cogoleto, Italy
Flest verk hos
Yale Center for British Art

De 10 mest kjente maleriene til Edward Lear

Cogoleto, Italy av Edward Lear
1

Cogoleto, Italy

Watercolor

The sun rests upon a sandy shore in Cogoleto, Italy. A mountain rises in the background, its silhouette watching over the water. Along the edge of the sea, small figures move through the light. Some people gather near the tide, while others linger further away, lost in the vastness of the landscape. A single dog wanders toward the right, a small presence against the expanse of the beach. The scene…

Håndmalt oljereproduksjon fra $181 39 × 26 cm
Crescenza av Edward Lear
2

Crescenza

Watercolor

Edward Lear’s Crescenza presents a hilly terrain defined by rolling elevations and a prominent fortress perched atop one of the heights. This landscape, likely inspired by Lear's travels through Europe or the Middle East, focuses on the relationship between the natural topography and the man-made structure. The castle dominates the background, overlooking the terrain below.

Håndmalt oljereproduksjon fra $181 46 × 22 cm
Blue And Yellow Macaw av Edward Lear
3

Blue And Yellow Macaw

Watercolor

The painting Blue And Yellow Macaw brings a vivid presence to the viewer, capturing a moment of stillness in the life of a bird. Created by the artist Edward Lear, this work focuses on the striking features of a Blue-and-yellow Macaw. This particular subject is also recognized by the name Blue-and-gold Macaw. The bird sits poised, its plumage a central focus of the composition.

Håndmalt oljereproduksjon fra $181 26 × 39 cm
View of Taormina in Sicily with Etna in the distance (1852) av Edward Lear
4

View of Taormina in Sicily with Etna in the distance

1852 · Oil On Canvas

This 1852 oil on canvas presents a wide-angle view of the Sicilian landscape, looking toward the silhouette of Mount Etna. The composition is organized through a series of receding planes. In the immediate foreground, the terrain is rugged and rocky, rendered in shades of ochre, terracotta, and sienna. Small figures and animals occupy this lower section, providing a sense of scale against the stone. The middle ground contains the remains…

Håndmalt oljereproduksjon fra $181 40 × 25 cm Samme størrelse som originalen $278 82 × 51 cm Bestill i original størrelse →
View of Bethlehem (1859) av Edward Lear
5

View of Bethlehem

1859 · Oil On Canvas · Israels Museum, Jerusalem

The scene known as View of Bethlehem emerges from the brush of Edward Lear. This oil on canvas captures a specific moment in time, dated 1861. The work stretches across a surface measuring 71 x 115 cm, offering a wide window into a quiet, rural existence. One feels the weight of the atmosphere through the medium of oil, which allows for a delicate layering of color and light.

Håndmalt oljereproduksjon fra $181 39 × 26 cm
The Pyramids of Ghizeh (1873) av Edward Lear
6

The Pyramids of Ghizeh

1873 · Watercolor

In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong visual anchor for the entire scene. Below them, a body of water occupies the foreground, its surface reflecting the soft colors of the landscape. A line of small figures in boats is positioned along the water’s edge, offering a sense of scale…

Håndmalt oljereproduksjon fra $206 45 × 22 cm
The Temple of Apollo at Bassae (1855) av Edward Lear
7

The Temple of Apollo at Bassae

1855 · Oil On Canvas · Fitzwilliam College, Cambridge

The ruins of the Temple of Apollo at Bassae emerge from a rugged landscape, defined by heavy stone columns that support a weathered roof structure. In the foreground, the primary temple dominates the view, its pillars standing as silent witnesses to a lost era. Beyond this central structure, two smaller temples are visible in the distance, partially obscured by the natural terrain. The composition places the viewer amidst a scattering…

Håndmalt oljereproduksjon fra $181 40 × 25 cm Samme størrelse som originalen $1159 230 × 146 cm Bestill i original størrelse →
Plains Of Ashdod, Israel av Edward Lear
8

Plains Of Ashdod, Israel

Watercolor

Plains Of Ashdod, Israel is a landscape painting by Edward Lear. The work depicts the Plains of Ashdod in Israel, focusing on the specific geography of the region. The scene presents a wide, flat expanse of land that characterizes the local terrain. This landscape captures the essential physical features of the area through a series of horizontal planes.

Håndmalt oljereproduksjon fra $181 49 × 20 cm
View Of Eze, Italy av Edward Lear
9

View Of Eze, Italy

Watercolor

View Of Eze, Italy is a landscape painting by Edward Lear. The work captures a coastal scene in Italy, focusing on a village perched amidst rugged cliffs. The Mediterranean Sea extends toward the horizon, providing a vast backdrop to the terrestrial features. A distant castle sits atop one of the peaks, adding a sense of history to the topography.

Håndmalt oljereproduksjon fra $181 39 × 26 cm
Ithaca, Ionian Islands av Edward Lear
10

Ithaca, Ionian Islands

Watercolor

Ithaca, Ionian Islands is a watercolor sketch by Edward Lear, executed in April 1863. The work captures a landscape scene of Ithaca, one of the Ionian Islands, focusing on the region's topography and vegetation. It was produced during a period when Lear was documenting the natural beauty of the Mediterranean through intimate observations of place.

Håndmalt oljereproduksjon fra $181 38 × 26 cm

Edward Lear, malerier 11 til 100

Philae, Egypt (1863) av Edward Lear
#14

Philae, Egypt

1863 · Yale Center for British Art

Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

Bestill en reproduksjon fra $181 →
Thermopylae (1872) av Edward Lear
#45

Thermopylae

1872 · The Ashmolean Museum of Art And Archaeology

In his 1872 masterpiece, Thermopylae, Edward Lear invites the viewer to step beyond the boundaries of the everyday and into a realm where the majesty of the earth…

Ta den med hjem fra $181 →

Motivene Edward Lear malte mest av

De fire motivene som forekommer hyppigst blant disse mesterverkene, med det fremste eksemplet på hvert av dem.

Hvor du kan se maleriene til Edward Lear

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Edward Lear Malerier fra denne listen
Yale Center for British Art, New HavenYale Center for British Art New Haven 16 Philae, Egypt, Between Olavano and Civitella, A Study of Ferns, Civitella
Government Art Collection, LondonGovernment Art Collection London 4 View of Florence from Villa San Firenze, A View of Adam's Peak, Ceylon
The Ashmolean Museum of Art And Archaeology, OxfordThe Ashmolean Museum of Art And Archaeology Oxford 3 The Plains of Lombardy from Monte Generoso, Thermopylae
Israels Museum, JerusalemIsraels Museum Jerusalem 2 View of Bethlehem, Jerusalem from the Mount of Olives
Fitzwilliam College, CambridgeFitzwilliam College Cambridge 1 The Temple of Apollo at Bassae
Bristol Museum - Art Gallery, BristolBristol Museum - Art Gallery Bristol 1 Montene ved Termopyle
Toledo Museum of Art, ToledoToledo Museum of Art Toledo 1 Venosa
Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Corfu from near the Village of Virós

Edward Lears mest kjente maleri fra hvert tiår

  1. 1830s
  2. 1840s
    Between Olavano and Civitella (1842) av Edward Lear
    #16 av 100

    Between Olavano and Civitella

    Alder 28 – 37 · Yale Center for British Art

    Between Olavano and Civitella by Edward Lear presents a serene and atmospheric landscape. In the right foreground, a large, detailed tree dominates the composition, its heavy branches extending…

  3. 1850s
  4. 1860s
    Philae, Egypt (1863) av Edward Lear
    #14 av 100

    Philae, Egypt

    Alder 48 – 57 · Yale Center for British Art

    Edward Lear's "Philae, Egypt, 1863" isn’t merely a landscape painting; it’s a portal. A meticulously rendered vista of the ancient Egyptian island city of Philae, nestled within the…

  5. 1870s
    The Pyramids of Ghizeh (1873) av Edward Lear
    Rangering 6 av 100

    The Pyramids of Ghizeh

    Alder 58 – 67

    In "The Pyramids of Ghizeh" by Edward Lear, the composition is dominated by the pyramids positioned centrally against a muted sky. These massive, triangular shapes provide a strong…

  6. 1880s
    The Plains of Lombardy from Monte Generoso (1880) av Edward Lear
    Rangering 15 av 100

    The Plains of Lombardy from Monte Generoso

    Alder 68 – 76 · The Ashmolean Museum of Art And Archaeology

    In the quiet majesty of The Plains of Lombardy from Monte Generoso, we are invited to stand upon a precipice of history and nature. Created in 1880 by…

Spørsmål om Edward Lears malerier

Hva er det mest kjente maleriet til Edward Lear?Vis svaret

Cogoleto, Italy. Deretter følger Crescenza og Blue And Yellow Macaw.

Hva er de 10 viktigste maleriene til Edward Lear?Vis svaret

Cogoleto, Italy, Crescenza, Blue And Yellow Macaw, View of Taormina in Sicily with Etna in the distance, View of Bethlehem, The Pyramids of Ghizeh, The Temple of Apollo at Bassae, Plains Of Ashdod, Israel, View Of Eze, Italy og Ithaca, Ionian Islands. Rangeringen ovenfor viser årstallet og museet for hvert av dem.

Hvor mange malerier har Edward Lear laget?Vis svaret

Vår katalog inneholder 419 verk av Edward Lear, datert fra 1839 til 1882.

Hvor er de mest kjente maleriene til Edward Lear?Vis svaret

De fleste av dem befinner seg i Yale Center for British Art (New Haven), Government Art Collection (London) og The Ashmolean Museum of Art And Archaeology (Oxford). Tabellen ovenfor lister opp museene ett etter ett.

Når malte Edward Lear sine mest kjente verk?Vis svaret

I 1860s: 14 av de 100 verkene på denne siden er fra denne perioden, inkludert Philae, Egypt.

Hva er Edward Lears tidligste og nyeste berømte malerier?Vis svaret

Det eldste på denne siden er Civita Castellana (1839), det nyeste The Marble Rocks - Nerbudda Jubbolpore (1882).

Hva malte Edward Lear oftest?Vis svaret

Landscape (12), Scenes (10) og Italy (10), blant de 100 verkene på denne siden.

Hvilket medium brukte Edward Lear mest?Vis svaret

Watercolor: 8 av 100 verk på denne siden.

Hvilken kunstretning tilhører Edward Lear?Vis svaret

Romanticism, som maleriene på denne siden viser.

Hvilke malerier av Edward Lear kan jeg se på Yale Center for British Art?Vis svaret

Philae, Egypt, Between Olavano and Civitella og A Study of Ferns, Civitella er blant de 14 verkene på denne siden som er i Yale Center for British Art, New Haven sin samling.

Kan jeg kjøpe en reproduksjon av et maleri av Edward Lear?Vis svaret

Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.

Om Edward Lear

A Life Painted in Nonsense and Light

Edward Lear, a name inextricably linked with whimsical verse and delightfully peculiar illustrations, was far more than simply the purveyor of limericks and fantastical creatures that often define his legacy. Born in 1812 in Holloway, North London, into a family teeming with twenty-one children – a veritable whirlwind of siblings – Lear’s early life was profoundly shaped by both financial instability and an undeniable artistic talent. His father, Jeremiah Lear, faced considerable hardship following the Napoleonic Wars, forcing young Edward to begin earning a living through his drawings at the tender age of fifteen. This necessity, however, ignited a lifelong passion that would propel him across continents, capturing the world in vibrant hues and playful lines. The shadow of familial difficulty – compounded by early health challenges including epilepsy and bouts of melancholia he himself termed “the Morbids” – instilled within Lear a gentle solitude and an inclination towards imaginative escape; qualities that are profoundly reflected in his art and writing.

From Ornithological Precision to Landscape’s Embrace

Lear's artistic journey began with a remarkable level of precision. Initially employed by the Zoological Society, he honed his skills illustrating birds and animals, demonstrating a truly exceptional eye for detail and anatomical accuracy. This early work brought him to the attention of Edward Stanley, the 13th Earl of Derby, who commissioned Lear to meticulously document the exotic creatures residing within his private menagerie at Knowsley Hall. These years spent amongst lions, tigers, and parrots were not merely a job; they fostered a deep and enduring connection with the natural world – a connection that would become a cornerstone of his later landscape paintings. The demanding nature of this work, however, coupled with increasingly debilitating eyesight and respiratory issues, eventually led him away from the exacting demands of ornithological illustration. He turned instead to landscape painting, embarking on extensive travels throughout Europe and beyond, seeking respite for his health and inspiration for his art. Italy became a particular haven – not only offering a restorative environment but also providing an abundance of breathtaking vistas that would inform his artistic vision. His landscapes are characterized by a unique blend of topographical accuracy and atmospheric sensitivity; he masterfully captured the subtle nuances of light and shadow, creating images that possess both realism and a dreamlike quality.

The Poet of Nonsense: A World Unbound

While celebrated as a painter, it is perhaps for his literary contributions that Edward Lear is most widely remembered. His “nonsense” poetry – particularly his limericks – revolutionized children’s literature and captivated audiences of all ages. *A Book of Nonsense*, published in 1846 under the pseudonym "Derry down Derry," introduced a world populated by owls and pussycats sailing in pea-green boats, dongs with luminous noses, and other delightfully absurd creations. These verses weren’t merely frivolous; they were imbued with a subtle melancholy and a playful subversion of conventional logic. Lear didn't simply invent nonsense words; he crafted entire worlds governed by their own internal rules, inviting readers to suspend disbelief and embrace the joy of imagination. His limericks, in particular, are renowned for their rhythmic precision and unexpected twists. *The Owl and the Pussy-Cat*, arguably his most famous poem, remains a beloved classic, its enduring appeal stemming from its lyrical rhythm and evocative imagery. The poem’s gentle humor and whimsical characters continue to delight readers of all ages.

Influences and Artistic Development

  • Early Influences: Lear’s initial artistic training focused on scientific illustration, demanding precision and observation. This foundation shaped his meticulous approach to detail, even as he later embraced more expressive styles.
  • Travel & Landscape Painting: His extensive travels through Italy, Greece, Egypt, and beyond profoundly influenced his landscape work. He absorbed the light, colors, and textures of these diverse regions, developing a distinctive style characterized by atmospheric perspective and delicate brushwork.
  • Literary Inspiration: While he popularized the limerick, Lear was also inspired by earlier nonsense verse traditions. His unique contribution lay in his ability to imbue this form with emotional depth and lyrical beauty.
  • Personal Experiences: Lear’s lifelong struggles with health issues and melancholy deeply informed his artistic vision. The sense of isolation and longing that permeates much of his work reflects his own personal experiences.

A Legacy of Innovation and Enduring Charm

Edward Lear's influence extends far beyond the realm of children's literature. He pioneered a new form of poetic expression, liberating verse from rigid structures and embracing playful experimentation. His landscapes, though often overshadowed by his poetry, demonstrate a keen artistic sensibility and a mastery of watercolor technique. He was a true polymath – artist, illustrator, musician (he composed musical settings for Tennyson’s poems), author, and poet – whose diverse talents converged to create a unique and enduring legacy. He challenged conventional boundaries, blurring the lines between art, literature, and music. His work continues to inspire artists, writers, and dreamers alike, reminding us of the power of imagination and the beauty of embracing the absurd. His paintings can be found in esteemed collections like The Ashmolean Museum, Oxford, a testament to his skill as a landscape artist. Lear’s life, marked by both personal struggles and creative triumphs, serves as a poignant reminder that even amidst darkness, there is always room for light, laughter, and the boundless possibilities of the human spirit.