The Filling Factory (1916) er det mest kjente maleriet av Charles Ginner, og er en del av samlingen til National Gallery of Canada i Ottawa. Flask Walk, Hampstead at Night (1933) og The River Lune, Lancaster (1950) er de to neste verkene verden kjenner best. Av de 3 verkene til Charles Ginner i vår katalog, er dette de 3 som samlere og museumsgjester studerer mest, inkludert årstall, museum og historien bak hvert verk.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert October 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.
De 3 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Charles Ginner | Malerier fra denne listen |
|---|---|---|---|
 National Gallery of Canada |
Ottawa | 1 | The Filling Factory |
 Fenton House |
London | 1 | Flask Walk, Hampstead at Night |
 Art Gallery of New South Wales |
Sydney | 1 | The River Lune, Lancaster |
The Filling Factory (1916), National Gallery of Canada, Ottawa. Deretter følger Flask Walk, Hampstead at Night (1933) og The River Lune, Lancaster (1950).
38 år gammel: The Filling Factory er fra 1916, og Charles Ginner ble født i 1878.
Vår katalog inneholder 3 verk av Charles Ginner, datert fra 1916 til 1950.
De fleste av dem befinner seg i National Gallery of Canada (Ottawa), Fenton House (London) og Art Gallery of New South Wales (Sydney). Tabellen ovenfor lister opp museene ett etter ett.
Det eldste på denne siden er The Filling Factory (1916), det nyeste The River Lune, Lancaster (1950).
Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.
Born in Cannes, France, to British parents, Charles Isaac Ginner began his path toward becoming a painter despite initial parental disapproval. After a period of convalescence following an illness, he moved to Paris in 1899 to study architecture. He eventually transitioned to art, studying at the Academie Vitti and the Ecole des Beaux Arts. During his time in Paris, he worked under teachers such as Paul Gervais and Hermenegildo Anglada Camarasa. In 1909, Ginner traveled to Buenos Aires, Argentina, where he held his first one-person show, an event that helped introduce post-Impressionism to South America.
In 1910, Ginner settled in London, becoming a key member of the Camden Town Group. His work often focused on urban subjects and landscapes, characterized by a meticulous detailing of buildings and trees in his watercolours. During both World Wars, he served in official capacities, including work for the Canadian War Records and as an Official War Artist during the second conflict, where he specialized in painting harbour scenes and bombed buildings in London.
Ginner's painting style was marked by several distinct characteristics and affiliations:
Throughout his career, Ginner was associated with several prominent groups, including the London Group and the Cumberland Market Group. His work is held in various collections, including the Tate Gallery and the National Portrait Gallery, the latter of which contains a precise self-portrait of the artist.