Chaim Soutine, 1893 – 1943

Chaim Soutines malerier: De 100 mest kjente verkene, rangert

Chaim Soutines mest kjente maleri er Chicken Hanging in Front of a Brick Wall (1924), i Kunstmuseum Bern, Bern. Sammen med Hengete Kanin (1925) og Suburban Landscape with Red Houses (1917) utgjør de de tre verkene som alle kjenner igjen. Vår katalog inneholder 118 verk av Chaim Soutine; de 100 nedenfor er de som verden ser mest på, hver med årstall, museet som huser verket og hvorfor det er betydningsfullt.

Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.

Portrett av Chaim Soutine
Chaim Soutine · 1893 – 1943
Født · død
1893 – 1943, Smilovichi
Bevegelse
Expressionism
Verker i vår katalog
118
Mest kjente
Chicken Hanging in Front of a Brick Wall (1924)
Flest verk hos
Musée de l'Orangerie

De 10 mest kjente maleriene til Chaim Soutine

Chicken Hanging in Front of a Brick Wall (1924) av Chaim Soutine
1

Chicken Hanging in Front of a Brick Wall

1924 · Oil On Canvas · Kunstmuseum Bern, Bern

The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy moment of existence. It is a study of form and mortality, rendered in oil on canvas with a weight that feels almost physical.

Håndmalt oljereproduksjon fra $181 27 × 37 cm Samme størrelse som originalen $243 47 × 65 cm Bestill i original størrelse →
Hengete Kanin (1925) av Chaim Soutine
2

Hengete Kanin

1925 · Olje på panel · Ohara Museum of Art, Kurashiki

Chaim Soutine’s “Hanging Duck”: A Study in Texture and Emotion “Hanging Duck,” painted circa 1925 by Chaim Soutine, is more than just an image; it's a distillation of the artist’s distinctive vision—a landscape imbued with psychological depth and rendered with uncompromising physicality. Measuring 91 x 54.5 cm, this oil on canvas resides within the Ohara Museum of Art in Kurashiki, Japan, offering visitors a rare glimpse into Soutine’s artistic process…

Håndmalt oljereproduksjon fra $181 25 × 41 cm Samme størrelse som originalen $312 57 × 93 cm Bestill i original størrelse →
Suburban Landscape with Red Houses (1917) av Chaim Soutine
3

Suburban Landscape with Red Houses

1917 · Oil On Canvas

In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with Red Houses, serves as a breathtaking window into the heart of Expressionism. This is not merely a depiction of a quiet neighborhood; it is an emotional upheaval captured on canvas. The painting invites the viewer into a world where the boundaries between…

Håndmalt oljereproduksjon fra $181 34 × 29 cm
Girl in Red (1919) av Chaim Soutine
4

Girl in Red

1919 · Oil

A woman sits, draped in a heavy shade of red. The color is thick, a visceral weight of pigment that seems to pulse against the surface. She is seated upon a chair, her hands resting upon its back, while a smaller chair sits in the distance, a silent companion in the room. A handbag lies near her feet, a solitary object in a space defined by shadow. Her face remains…

Håndmalt oljereproduksjon fra $181 28 × 36 cm
Portrait of a Child (1937) av Chaim Soutine
5

Portrait of a Child

1937 · Oil

In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents a portrait of a young child, capturing a moment of profound stillness. There is a certain weight to the subject's presence, a sense of being caught in a private moment of thought.

Håndmalt oljereproduksjon fra $181 25 × 40 cm
Untitled (1411) av Chaim Soutine
6

Untitled (1411)

A woman sits draped in red. The color is heavy, a thick weight of pigment that seems to pulse against the paper. She turns her head away, her gaze lost to something unseen. A hat, dark and perhaps mystical, rests upon her hair. She is a solitary anchor in a shifting space. Around her, the edges of the world dissolve into shadows and half-formed shapes.

Håndmalt oljereproduksjon fra $181 24 × 41 cm
Beef and calf's head (1923) av Chaim Soutine
7

Beef and calf's head

1923 · Oil On Canvas · Musée de l'Orangerie, Paris

The composition is dominated by a large, central mass of meat that occupies most of the frame. To the left, a severed animal head is positioned within the arrangement. The color palette relies on highly saturated, warm tones, specifically crimson, vermilion, and ochre, which contrast against dark, murky browns and blacks in the background. Thick, gestural lines create a sense of movement across the surface. The shapes are organic and…

Håndmalt oljereproduksjon fra $181 28 × 36 cm Samme størrelse som originalen $355 73 × 92 cm Bestill i original størrelse →
The Gipsy (1926) av Chaim Soutine
8

The Gipsy

1926 · Oil On Canvas · Statens Museum for Kunst, København

The Gipsy by Chaim Soutine, created about 1926, is a centered, bust-length portrait of a single figure. The subject possesses dark hair and directs the gaze slightly off-center rather than toward the viewer. This figure is positioned against a dark, indistinct background that lacks measurable depth, which focuses the attention entirely on the person. A saturated red scarf is wrapped around the neck, providing a sharp contrast to the surrounding…

Håndmalt oljereproduksjon fra $181 29 × 35 cm
Return from School After the Storm av Chaim Soutine
9

Return from School After the Storm

Oil

Two children navigate a dirt path through an open field, their figures positioned closely as they walk under a heavy, cloud-scattered sky. The scene captures a moment of transition, where the aftermath of a storm leaves a sense of stillness in the air. In the distance, a solitary figure moves away from the pair, adding a layer of quiet isolation to the natural setting. The composition focuses on the relationship…

Håndmalt oljereproduksjon fra $181 32 × 31 cm
Ceret Lanscape (1920) av Chaim Soutine
10

Ceret Lanscape

1920 · Oil On Canvas

In this work, titled Ceret Lanscape, Chaim Soutine presents a quiet, rural scene that captures a specific moment in the artist's development. Created about 1920, the painting focuses on a village nestled within a mountainous landscape. It is a study of place and atmosphere, rendered with the singular intensity that characterizes Soutine's hand.

Håndmalt oljereproduksjon fra $181 35 × 29 cm

Chaim Soutine, malerier 11 til 100

Self-Portrait (1916) av Chaim Soutine
#12

Self-Portrait

1916 · Eremitasjen

Chaim Soutine’s Self-Portrait, created about 1916, presents a close-up study of the head and upper shoulders. The subject is positioned against a non-descript, textured background that offers no…

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Woman in Red Blouse (1919) av Chaim Soutine
#14

Woman in Red Blouse

1919 · Metropolitan Museum of Art

The artwork titled Woman in Red Blouse is a portrait painted by Chaim Soutine. This specific piece dates to 1919. The composition focuses on a single female figure…

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Seated Woman (1923) av Chaim Soutine
#18

Seated Woman

1923 · Cleveland Museum of Art

The gaze meets a solitary woman in Seated Woman, an expressionist oil painting by Chaim Soutine. Created about 1923, the work presents a centered, frontal portrait that pulls…

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Servant Girl in Blue (1934) av Chaim Soutine

Chaim Soutine painted Servant Girl in Blue about 1934. The work focuses on a working-class woman engaged in domestic tasks, specifically appearing to prepare food within a basket…

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Duck on Blue Background (1925) av Chaim Soutine
#23

Duck on Blue Background

1925 · Staatliche Kunsthalle Karlsruhe

A single avian form, likely a duck, is caught in a violent, swirling vortex of color. The subject is not rendered with anatomical precision but through a series…

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Little Girl in Blue (1935) av Chaim Soutine
#24

Little Girl in Blue

1935 · Kunstmuseum Bern

Chaim Soutine's "Little Girl in Blue," painted circa 1934-1935, is not merely a portrait; it’s an immersion into the heart of emotional vulnerability. This arresting canvas, currently residing…

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Dead Fowl (1926) av Chaim Soutine
#25

Dead Fowl

1926 · Art Institute of Chicago

is an oil on canvas painted by Chaim Soutine in 1926. The work is part of the Joseph Winterbotham Collection. It is also known by the alternate titles…

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The Table (1919) av Chaim Soutine
#27

The Table

1919 · Musée de l'Orangerie

The Table is an oil on canvas work by Chaim Soutine. Created circa 1919, this still life captures a moment of domestic disarray. It resides within the collection…

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Farm Girl [La Fille de Ferme] (1919) av Chaim Soutine
#48

Farm Girl [La Fille de Ferme]

1919 · Nagoya City Art Museum

白ロシア共和国(現ベラルーシ共和国)ミンスク近郊の寒村に生まれたスーチンがパリに出たのは19歳の時だった。貧困と、作品に対する無理解に苦しみながら、一人異国の地で模索する、そんな彼の才能をいち早く見い出したのがモディリアーニであった。教養もなければ、礼儀も知らず、野生児そのままといったスーチンに、モディリアーニはナイフやフォークの使い方を教え、制作の助言をし、しばしば絶望感にさいなまれる彼を励ました。しかし、彼は生涯野生児のままであった。30歳目前の若さでアメリカ人のコレクターに見い出され、作品が売れ、流行の背広に身を包むようになっても、彼の孤独と不安は、ついにいやされることはなかった。 スーチンの作品に一貫して表現されているのは、彼の孤独と不安の叫びである。その絵画世界では、あらゆるものがゆがみ、ねじまげられ、苦し気にのたうっているが、それはまさしくスーチン自身の内面の姿にほかならない。 《農家の娘》でも筆致の速さは目立つものの、スーチン特有のうねり、ゆがみの表現は比較的少なく、モデルの素朴な印象が引き立つように色彩は抑えられている。画家の描く対象との向き合い方を物語る一枚である。(出典: 名古屋市美術館展示解説カード)

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The old mill av Chaim Soutine

The old mill is an oil on canvas by Chaim Soutine. It emerged from the artist's brush around 1922-23. The paint clings to the fabric in thick, restless…

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Chaim Soutines malerier etter periode

Motivene Chaim Soutine malte mest av

De fire motivene som forekommer hyppigst blant disse mesterverkene, med det fremste eksemplet på hvert av dem.

Hvor du kan se maleriene til Chaim Soutine

De 8 museene som innehar flest av maleriene på denne siden.

Museum By Verker av Chaim Soutine Malerier fra denne listen
Musée de l'Orangerie, ParisMusée de l'Orangerie Paris 9 Beef and calf's head, The Table, The Turkey
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 7 Woman in Red Blouse, Man with Horse, Apples
Nagoya City Art Museum, NagoyaNagoya City Art Museum Nagoya 3 Still Life with Fowl [Nature Morte à La Volaille], Farm Girl [La Fille de Ferme], Landscape at Céret [Paysage à Céret]
Kunstmuseum Bern, BernKunstmuseum Bern Bern 2 Chicken Hanging in Front of a Brick Wall, Little Girl in Blue
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Seated Woman, Still Life with Rayfish
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Dead Fowl, Landscape at Cagnes
Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 2 untitled (3759), untitled (6142)
Musée de Grenoble, GrenobleMusée de Grenoble Grenoble 2 The Alley of Trees

Chaim Soutines mest kjente maleri fra hvert tiår

  1. 1910s
    Suburban Landscape with Red Houses (1917) av Chaim Soutine
    Rangering 3 av 100

    Suburban Landscape with Red Houses

    Alder 17 – 26

    In the turbulent landscape of early 20th-century modernism, few voices resonate with as much raw, visceral energy as that of Chaim Soutine. His 1917 masterpiece, Suburban Landscape with…

  2. 1920s
    Chicken Hanging in Front of a Brick Wall (1924) av Chaim Soutine
    Rangering 1 av 100

    Chicken Hanging in Front of a Brick Wall

    Alder 27 – 36 · Kunstmuseum Bern

    The painting titled Chicken Hanging in Front of a Brick Wall emerged from the restless hand of Chaim Soutine. Created about 1924, the work captures a singular, heavy…

  3. 1930s
    Portrait of a Child (1937) av Chaim Soutine
    #5 av 100

    Portrait of a Child

    Alder 37 – 46

    In this intimate work, titled Portrait of a Child, the artist Chaim Soutine turns his gaze toward the quiet vulnerability of youth. Created about 1937, the painting presents…

Spørsmål om Chaim Soutines malerier

Hva er det mest kjente maleriet til Chaim Soutine?Vis svaret

Chicken Hanging in Front of a Brick Wall (1924), Kunstmuseum Bern, Bern. Deretter følger Hengete Kanin (1925) og Suburban Landscape with Red Houses (1917).

Hvor gammel var Chaim Soutine da Chicken Hanging in Front of a Brick Wall ble malt?Vis svaret

31 år gammel: Chicken Hanging in Front of a Brick Wall er fra 1924, og Chaim Soutine ble født i 1893.

Hva er de 10 viktigste maleriene til Chaim Soutine?Vis svaret

Chicken Hanging in Front of a Brick Wall, Hengete Kanin, Suburban Landscape with Red Houses, Girl in Red, Portrait of a Child, Untitled (1411), Beef and calf's head, The Gipsy, Return from School After the Storm og Ceret Lanscape. Rangeringen ovenfor viser årstallet og museet for hvert av dem.

Hvor mange malerier har Chaim Soutine laget?Vis svaret

Vår katalog inneholder 118 verk av Chaim Soutine, datert fra 1916 til 1937.

Hvor er de mest kjente maleriene til Chaim Soutine?Vis svaret

De fleste av dem befinner seg i Musée de l'Orangerie (Paris), Metropolitan Museum of Art (New York) og Nagoya City Art Museum (Nagoya). Tabellen ovenfor lister opp museene ett etter ett.

Når malte Chaim Soutine sine mest kjente verk?Vis svaret

I 1920s: 36 av de 100 verkene på denne siden er fra denne perioden, inkludert Chicken Hanging in Front of a Brick Wall.

Hva er Chaim Soutines tidligste og nyeste berømte malerier?Vis svaret

Det eldste på denne siden er Self-Portrait (1916), det nyeste Portrait of a Child (1937).

Hva malte Chaim Soutine oftest?Vis svaret

Woman (8), Portrait painting (6) og Portrait (5), blant de 100 verkene på denne siden.

Hvilket medium brukte Chaim Soutine mest?Vis svaret

Oil On Canvas: 24 av 100 verk på denne siden.

Hvilken kunstretning tilhører Chaim Soutine?Vis svaret

Expressionism, som maleriene på denne siden viser.

Hvilke malerier av Chaim Soutine kan jeg se på Musée de l'Orangerie?Vis svaret

Beef and calf's head, The Table og The Turkey er blant de 7 verkene på denne siden som er i Musée de l'Orangerie, Paris sin samling.

Kan jeg kjøpe en reproduksjon av et maleri av Chaim Soutine?Vis svaret

Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.

Om Chaim Soutine

A Life Forged in Turmoil: The World of Chaim Soutine

Chaim Soutine’s life was a tapestry woven from threads of profound hardship and incandescent artistic passion. Born in 1893 in Smilovichi, a small Jewish shtetl near Minsk in the Russian Empire (now Belarus), his early years were steeped in poverty and the constraints of Orthodox religious observance. This formative experience—a childhood marked by material scarcity and a sense of cultural isolation—became the bedrock upon which his distinctive artistic vision was built. Despite discouragement from representing figures realistically within his upbringing, a remarkable talent for drawing emerged, hinting at the intense emotionality that would later characterize his work. He received formal training at an art academy in Vilna (now Vilnius) between 1910 and 1913, but it was his emigration to Paris in 1913 that proved to be a pivotal turning point. Enrolling at the École des Beaux-Arts under Fernand Cormon, Soutine found himself immersed in a vibrant artistic community, yet he remained largely outside of prevailing trends, forging an independent path defined by raw emotion and innovative technique. The initial years in Paris were marked by extreme poverty—a struggle that mirrored the turbulent inner world reflected in his paintings.

An Expressionist Apart: Style and Influences

While often categorized as an Expressionist, to label Soutine solely within this movement feels reductive. His style was profoundly individual, a complex synthesis of traditional European painting – particularly the works of Rembrandt, Chardin, and Courbet – filtered through a lens of intense emotionality. He didn’t merely imitate these masters; he absorbed their techniques and compositional strategies, then violently reinterpreted them to convey his own subjective experience. Bold colors, applied with thick impasto—a textured application of paint that gives his canvases a palpable physicality—and agitated brushwork are hallmarks of his distinctive style. Soutine wasn't interested in precise representation; instead, he sought to capture the *essence* of his subjects, imbuing them with a sense of unease, psychological tension, or even outright turmoil. Landscapes, portraits, and still lifes became his primary vehicles for this exploration—each painting a visceral expression of feeling rather than a mere depiction of reality. Recurring themes like food and animals reflected both personal experiences rooted in scarcity and the significance of ritual within Jewish culture, adding layers of meaning to his work. His brushstrokes weren’t delicate; they were forceful, almost violent, conveying a sense of urgency and emotional intensity.

Development and Defining Works

Soutine's artistic development unfolded through distinct periods, each marked by unique stylistic explorations. The early Parisian years (1913-1917) saw him grappling with his voice amidst financial hardship and the influence of other artists in Paris. He spent time studying the works of masters like Rembrandt and Chardin, absorbing their techniques and compositional strategies. The period spent in Céret between 1919 and 1922 proved crucial. Surrounded by the dramatic landscapes of southern France, Soutine produced many of his most celebrated paintings – a period characterized by vibrant colors, distorted forms, and a sense of almost violent energy. Trees, cliffs, and fields became swirling masses of paint, reflecting not just what he saw but how he *felt* in their presence. His portraits, too, stood apart for their psychological depth, often depicting working-class individuals with an honesty that challenged conventional portraiture. Notable works from this period include studies related to “The Dance of Life,” alongside numerous landscapes capturing the essence of Céret and poignant portraits of Russian émigrés in Paris.

Recognition, Legacy, and Lasting Impact

Soutine’s path to recognition wasn't straightforward. The art dealer Leopold Zborowski played a crucial role in promoting Soutine's work and securing his financial stability, recognizing the unique power of his vision. Initial critical reception was mixed, but his reputation gradually grew over time. His expressive use of paint and emotional intensity profoundly influenced later artists, including Willem de Kooning and Francis Bacon, who saw in Soutine a kindred spirit—an artist willing to push the boundaries of representation in pursuit of authentic expression. Today, Chaim Soutine is rightfully recognized as a major figure in Expressionism and a significant contributor to 20th-century art. His works are held in prestigious museums worldwide, testaments to his enduring legacy. He represents a crucial bridge between traditional European painting techniques and the emerging forms of Abstract Expressionism, prioritizing emotional expression over objective representation and developing an artistic voice that transcended typical Expressionist concerns. His innovative style paved the way for future generations of artists seeking to explore the depths of human emotion through the power of paint.