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Forest Landscape with Bathing Children
Håndmalt oljereproduksjon fra $181 35 × 29 cm
Samme størrelse som originalen $202 45 × 37 cm Bestill i original størrelse →
Carl Eberts mest kjente maleri er Forest Landscape with Bathing Children (1867), i Bavarian State Painting Collections, München. Sammen med Evening Landscape (1875) og Landscape society in a park utgjør de de tre verkene som alle kjenner igjen. Vår katalog inneholder 5 verk av Carl Ebert; de 5 nedenfor er de som verden ser mest på, hver med årstall, museet som huser verket og hvorfor det er betydningsfullt.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026. Hvert mesterverk på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk, i den størrelsen du velger.
De 2 museene som innehar flest av maleriene på denne siden.
| Museum | By | Verker av Carl Ebert | Malerier fra denne listen |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert malte i knappe 9 år, fra 1867 til 1875: følg dette tiåret år for år, gjennom maleriene som skapte navnet.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Deretter følger Evening Landscape (1875) og Landscape society in a park.
46 år gammel: Forest Landscape with Bathing Children er fra 1867, og Carl Ebert ble født i 1821.
Vår katalog inneholder 5 verk av Carl Ebert, datert fra 1867 til 1875.
De fleste av dem befinner seg i Bavarian State Painting Collections (München) og Lenbachhaus (München). Tabellen ovenfor lister opp museene ett etter ett.
Det eldste på denne siden er Forest Landscape with Bathing Children (1867), det nyeste Evening Landscape (1875).
Forest Landscape with Bathing Children og Evening Landscape er blant de 2 verkene på denne siden som er i Bavarian State Painting Collections, München sin samling.
Ja. Hvert maleri på denne siden kan bestilles som en håndmalt oljereproduksjon av museumskvalitet eller som et kunsttrykk i ønsket størrelse, direkte fra maleriets egen side.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.