Maleriet som gjorde A. Patrick berømt er Mrs. Benajah Johnson (1830); det henger i Smithsonian American Art Museum, Washington, D.C.. Av de 2 verkene til A. Patrick i vår katalog, er disse 2 de mest beundrede, hver presentert med dato, museum og hva som gjør dem unike.
Rangert etter vår popularitetsscore, som kombinerer søk, besøk og bestillinger for hvert verk. Oppdatert November 2026.
Museet som innehar flest av maleriene på denne siden.
| Museum | By | Verker av A. Patrick | Malerier fra denne listen |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Hvert daterte mesterverk av A. Patrick på denne siden tilhører 1830: her er de.
Mrs. Benajah Johnson (1830)
Vår katalog inneholder 2 verk av A. Patrick.
De fleste av dem befinner seg i Smithsonian American Art Museum (Washington, D.C.). Tabellen ovenfor lister opp museene ett etter ett.
I 1830: 2 av de 2 verkene på denne siden er fra denne perioden, inkludert Mrs. Benajah Johnson.
Mrs. Benajah Johnson og Benajah Johnson er blant de 2 verkene på denne siden som er i Smithsonian American Art Museum, Washington, D.C. sin samling.
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.