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Walking Figure (Man)

Navn Klasse Dato

William Turnbull, Walking Figure (Man) (1950), Pallant House Gallery. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
William Turnbull wahooart.com/no/artists/william-turnbull/
Kunstnerens levetid
1922 – 2012
Malt
1950
Opprinnelig størrelse
69 x 51 cm
Arrangert på
Pallant House Gallery wahooart.com/no/museums/pallant-house-gallery-chichester_no/

I sammenheng med

Walking Figure (Man) — William Turnbull

Dimensjoner

Originalen måler 69 × 51 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Skyggelagt: livsløpet til William Turnbull (1922–2012) ▲ dette verket, 1950

Lignende verk

  • 20 1963 wahooart.com/no/art/william-turnbull-20-1963-AS7CSV-en/
  • Sextet wahooart.com/no/art/william-turnbull-sextet-AQZCCL-en/
  • Head, 1955 wahooart.com/no/art/william-turnbull-head-D4JUNK-en/

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/william-turnbull-walking-figure-man-ARD6A5-en/

Fargepalett

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    Lagret palett

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    Kunstner og museum

    Kunstner

    William Turnbull

    Født i Dundee, United Kingdom

    Early Life and Influences

    William Turnbull (1922-2012) was a Scottish artist whose career spanned sculpture, painting, and printmaking. Born in Dundee to John and Anne Turnbull, his early fascination with art manifested through copying illustrations from magazines. His formal education was interrupted by the Great Depression when he left school at 15 to find work, initially as a laborer and later painting film posters. Attending evening drawing classes at Dundee University under James McIntosh Patrick and Fred Mould proved formative, exposing him to landscape painting and illustration techniques. These early experiences laid the groundwork for his future artistic endeavors.

    World War II and Artistic Development

    Turnbull's life took a significant turn during World War II when he enlisted in the Royal Air Force (RAF) in 1941. Serving as a pilot in Canada, India, and Sri Lanka broadened his perspective and exposed him to diverse cultures. After the war, he briefly studied at the Slade School of Fine Art in London but found its approach restrictive. Disillusioned with the Slade's neo-romanticism, he relocated to Paris in 1948, a pivotal move that shaped his artistic trajectory. In Paris, he encountered influential artists and movements, including Cézanne and Monet, which deeply influenced his aesthetic sensibilities.

    Key Artistic Periods and Styles

    Turnbull’s career can be broadly divided into several distinct periods. His early sculpture (1950s) featured totemic columns and forms often inspired by ancient art and rock formations. The 1950s also saw him associated with the Independent Group, a forum for discussion and debate that contributed to the emergence of Pop Art. In the 1960s, he experimented with steel, Perspex, and fibreglass, creating modular sculptures influenced by American Colour Field Painting. A significant shift occurred in the 1970s when he returned to more molded forms and stylized bronze figurines, reflecting a renewed focus on surface patterns and color. Throughout his career, Turnbull demonstrated a remarkable versatility, seamlessly transitioning between different materials and styles while maintaining a distinctive artistic voice.

    Major Achievements and Historical Significance

    William Turnbull’s contributions to British art are considerable. His inclusion in the 1952 Venice Biennale's New Aspects of British Sculpture exhibition established his international reputation. A major retrospective at the Tate Gallery in 1973 provided a comprehensive overview of his work, prompting him to re-evaluate his artistic direction. Turnbull’s ability to synthesize diverse influences—from ancient art and European modernism to American Color Field Painting—created a unique body of work that defied easy categorization. His role within the Independent Group positioned him as an early innovator in the development of Pop Art, while his sculptures and paintings continue to be celebrated for their formal elegance and intellectual depth. He is remembered as a significant figure in post-war British art, known for his independent spirit and unwavering commitment to artistic exploration.

    Museum

    Pallant House Gallery

    Utstilt på Chichester, United Kingdom

    A Sanctuary for British Modernism

    Nestled in the heart of Chichester, a city steeped in Roman and Anglo-Saxon heritage, lies Pallant House Gallery—an institution that serves as both a custodian of Britain’s vibrant artistic past and a beacon illuminating its contemporary expressions. More than just a museum, it is an immersive experience, a journey through the evolution of British art from the early 20th century to the present day. All these treasures are housed within the elegant embrace of a beautifully restored Queen Anne townhouse, where the very stones whisper stories of centuries past. This historic setting provides a striking and harmonious counterpoint to the often-challenging and innovative artworks contained within its walls, creating a space where walking through the rooms feels akin to stepping into a profound dialogue between history and modernity, tradition and rebellion.

    The soul of the gallery resides in its extraordinary collection, which traces the pulse of British creativity. The story begins with the remarkable vision of Walter Hussey, who in 1977 left a foundational bequest that established the gallery's core identity. This initial gift brought luminaries such as

    Barbara Hepworth

    ,

    Henry Moore

    ,

    John Piper

    ,

    Ceri Richards

    , and

    Graham Sutherland

    into the light of public appreciation. Over the decades, this landscape of expression has been enriched by generous donations from figures like Charles Kearley and Sir Colin St John Wilson, adding layers of complexity that bridge the gap between national identity and international movements. Visitors may find themselves captivated by the rhythmic abstractions of

    Ben Nicholson

    or drawn into the visceral, human depths of works by

    Lucian Freud

    and

    Richard Hamilton

    . The collection does not merely showcase finished masterpieces; it reveals the very process of artistic discovery—the struggles, the triumphs, and the constant questioning that drives the creative spirit forward.

    The architectural experience of Pallant House Gallery is a masterclass in the interplay between old and new. While the original Queen Anne townhouse exudes a timeless, stately elegance, the addition of the contemporary wing in 2006—designed by Long & Associates—demonstrates a bold embrace of the future. This extension is far more than a mere structural addition; it is a carefully considered architectural dialogue. The way light and shadow dance within the modern wing enhances the viewing experience, drawing the eye to the intricate textures and emotional resonance of each piece on display. For the art lover or interior designer, this juxtaposition of classical grace and avant-garde geometry offers a profound lesson in how space can elevate subject matter.

    Beyond its permanent treasures, Pallant House Gallery distinguishes itself as a living cultural hub through a vibrant program of temporary exhibitions that consistently introduce fresh perspectives. By showcasing both established masters and emerging voices, the gallery ensures that its narrative remains dynamic and ever-evolving. This commitment to engagement extends into the digital realm through

    Perspectives

    , the gallery’s insightful blog, which offers behind-the-scenes glimpses into the creative process. Whether one is a seasoned collector seeking depth or a curious wanderer looking for inspiration, Pallant House Gallery offers a sanctuary where the legacy of British Modernism can be felt, seen, and deeply understood.

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    QR-kode som lenker til nedlastingssiden for Walking Figure (Man)

    wahooart.com/no/art/download/william-turnbull-walking-figure-man-ARD6A5-en/

    Kildehenvisning for dette kunstverket

    MLA
    Turnbull, William. Walking Figure (Man). 1950, Pallant House Gallery. https://wahooart.com/no/art/william-turnbull-walking-figure-man-ARD6A5-en/
    APA
    Turnbull, William (1950). Walking Figure (Man) [Painting]. Pallant House Gallery. https://wahooart.com/no/art/william-turnbull-walking-figure-man-ARD6A5-en/
    Chicago
    William Turnbull. Walking Figure (Man). 1950. Pallant House Gallery. https://wahooart.com/no/art/william-turnbull-walking-figure-man-ARD6A5-en/
    Harvard
    Turnbull, William (1950) Walking Figure (Man). Pallant House Gallery. Available at: https://wahooart.com/no/art/william-turnbull-walking-figure-man-ARD6A5-en/

    Se nærmere etter

    Walking Figure (Man) — William Turnbull

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på 20 1963, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. William Turnbull var omtrent 28 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

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