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The Goblin

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William Blake, The Goblin (1820). Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
William Blake wahooart.com/no/artists/william-blake_no/
Kunstnerens levetid
1757 – 1827
Malt
1820
Artistic style
Symbolism
Influences
John Milton
Notable elements or techniques
Lantern illumination
Subject or theme
Mythology

I sammenheng med

The Goblin — William Blake

Når ble dette malt?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800
  7. 1810
  8. 1820

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 70 ved død.

Malt da kunstneren var 63. Kunstneren ble 70 år gammel. 44 av de 70 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til William Blake (1757–1827) ▲ dette verket, 1820 hvert daterte maleri, tiår for tiår

Tidlige verk: frem til 1800 Hovedvirksomhetsår: 1800–1820 Senere verk: fra 1820

Disse tre periodene deler verkene i denne katalogen inn i et første kvartal, en midtre halvdel og et siste kvartal. De utgjør ikke kunstnerens komplette produksjon: en tynn periode kan skyldes hull i dokumentasjonen snarere enn en rolig periode. De samme årene som utgjør kunstnerens liv er vevd inn i dem

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/william-blake-the-goblin-8XZ6ZR-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Gray #616063

    Katalogisert palett

    • #616063
    • #F9F7F6
    • #B8A9A3
    • #878285

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfarge
    Gray
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Gentle Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Discordant Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av William Blake i løpet av de siste tolv månedene — totalt 48 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 41.9%
    2. 2 United States of America 9.9%
    3. 3 Romania 8.9%
    4. 4 Singapore 5.3%
    5. 5 Hong Kong 4.2%
    6. 6 Italy 3.3%
    7. 7 Spain 3.2%
    8. 8 Brazil 2.3%
    9. 9 France 2.3%
    10. 10 Mexico 1.6%
    11. · 38 andre land 17.1%

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 20 mest viste verkene av William Blake

    1. 1 Den Gamle Av Dagene, 1794 10.7%
    2. 2 Den store røde dragen og kvinnen kledd i sol, 1806 4.4%
    3. 3 El gran dragón rojo y la mujer vestida de sol 3.2%
    4. 4 Abels kropp funnet av Adam og Eva 2.4%
    5. 5 Den Store Dragen og Kvinnen Klædt med Solen, 1805 2.3%
    6. 6 Newton 2.2%
    7. 7 Satan Exulting over Eve, 1795 2.1%
    8. 8 The Great Red Dragon and the Woman Clothed with Sun 1.9%
    9. 9 Hekate 1.6%
    10. 10 Isaac Newton, 1795 1.5%
    11. 11 Elskernes virvelvind, Francesca da Rimini og Paolo Malatesta, 1824 1.3%
    12. 12 Sanger om uskyld (Tittelside), 1825 1.3%
    13. 13 Elohim Skaper Adam, 1795 1.2%
    14. 14 Oppstandelsen 1.2%
    15. 15 Jacob's Ladder, 1806 1.1%
    16. 16 Whirlwind of Lovers 1.1%
    17. 17 Antaeus setting down Dante and Virgil in the last circle of hell, 1827 1.1%
    18. 18 The Temptation and Fall of Eve, 1808 1.0%
    19. 19 Christ Nailed to the Cross The Third Hour, 1803 1.0%
    20. 113 The Goblin, 1820 dette maleriet 0.2%

    Sammen utgjør disse verkene 42.8% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 283 verk av denne kunstneren, hvorav 206 ble sett på minst én gang. Dette maleriet rangerer som nummer 113 av dem, med 0.2% av denne oppmerksomheten. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Om dette kunstverket

    The Goblin — William Blake

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences instilled within him a belief in the power of imagination as a conduit to divine truth—a conviction that would permeate his entire oeuvre.

    The Goblin: Symbolism and Technique

    “The Goblin,” completed in 1820, exemplifies Blake’s distinctive Symbolism style, characterized by its dreamlike quality and its exploration of archetypal imagery. Unlike the prevailing artistic conventions of the era—dominated by Neoclassicism—Blake rejected rational representation in favor of conveying profound spiritual ideas through symbolic forms. The painting depicts a man with wings, arguably embodying the archetype of the goblin or angel, reaching upwards towards the heavens. This gesture signifies aspiration and transcendence, reflecting Blake’s core philosophical concern: the liberation of the human spirit from earthly constraints. Blake skillfully employed engraving techniques—a medium he had mastered during his apprenticeship—to achieve remarkable detail and tonal gradation within the composition. The use of mezzotint, combined with subtle washes of color, created a luminous surface that captured the ethereal atmosphere of the nocturnal scene.

    Historical Context: Milton’s Influence and Romantic Ideals

    Blake's artistic vision was deeply rooted in the intellectual currents of his time, particularly influenced by John Milton’s epic poem “Paradise Lost.” Milton’s portrayal of Lucifer’s rebellion against God served as a powerful inspiration for Blake, who wrestled with similar themes of good versus evil and divine justice. The painting resonates with Romantic ideals—a fervent embrace of emotion, intuition, and individualism—rejecting the Enlightenment's emphasis on reason and scientific observation. Blake sought to express the sublime beauty of nature alongside the darker aspects of human experience, mirroring the Romantic preoccupation with confronting existential anxieties.

    Symbolism Unveiled: Lantern Light and Spiritual Ascent

    The lantern held aloft by the central figure is laden with symbolic significance. It represents enlightenment—the illumination of consciousness through spiritual contemplation—and serves as a beacon guiding the protagonist’s ascent towards divine grace. The darkness surrounding him underscores the challenges inherent in pursuing spiritual truth, yet simultaneously emphasizes the transformative potential of confronting these shadows. Blake's meticulous attention to detail extends beyond mere visual representation; he strives to imbue each element within the painting with emotional resonance—creating an artwork that transcends literal depiction and speaks directly to the viewer’s soul.

    Emotional Impact: Mystery and Intrigue

    “The Goblin” captivates viewers with its palpable sense of mystery and intrigue. Blake's masterful manipulation of light and shadow evokes a feeling of profound contemplation, prompting reflection on questions of faith, morality, and the human condition. The painting’s enduring appeal lies in its ability to tap into universal anxieties about mortality and transcendence—affirming the belief that art can illuminate the deepest recesses of human experience and inspire us toward a more meaningful existence. It remains a testament to Blake's unparalleled artistic genius and his unwavering commitment to conveying spiritual truths through visionary imagery.

    Kunstner og museum

    Kunstner

    William Blake

    Født i London, Storbritannia

    A Visionary’s Journey: The Life and Art of William Blake

    William Blake, born in London on November 28, 1757, was a figure perpetually out of step with his time, yet destined to become one of the most celebrated artists and poets of the Romantic Age. His life unfolded against the backdrop of a rapidly changing England—a world grappling with industrialization, political upheaval, and shifting spiritual beliefs. From humble beginnings as the son of a hosier, Blake’s early years were marked by an intensely vivid imagination and a propensity for visionary experiences that would profoundly shape his artistic trajectory. Though largely self-taught in formal academics, he received drawing instruction at a young age, quickly revealing a talent that hinted at the extraordinary path ahead. His apprenticeship with engraver James Basire proved pivotal, providing him not only with technical mastery but also an understanding of printmaking techniques he would later revolutionize. These early influences—the Gothic grandeur of Westminster Abbey, the classical forms of Raphael and Michelangelo—served as foundational elements in his developing aesthetic, though Blake was never one to remain bound by convention.

    The Early Years: A Spark of Imagination

    Blake’s formative years instilled within him a remarkable sensitivity to beauty and an unwavering belief in the power of imagination. Growing up in Soho, London, he absorbed the artistic currents of his era—particularly the ornate style of Gothic architecture—which fostered a fascination with elaborate ornamentation and storytelling. Despite lacking formal training, Blake possessed an innate aptitude for drawing, honing his skills through self-directed study and experimentation. His apprenticeship under James Basire, a respected engraver, provided invaluable experience in printmaking, equipping him with the technical tools necessary to realize his ambitious artistic visions. This early exposure to craftsmanship combined with a burgeoning inner life would become central to Blake’s distinctive creative process.

    Illuminated Printing: A Revolutionary Technique

    Blake’s artistic innovation wasn't merely about subject matter; it resided fundamentally in how he created. Dissatisfied with conventional engraving methods—which he considered sterile and incapable of conveying the full richness of his imagination—he developed a unique process known as “illuminated printing.” This involved etching both text and illustrations onto copper plates, then painstakingly hand-coloring the resulting prints—a laborious but deeply personal undertaking that allowed for complete artistic control. It wasn’t simply illustration accompanying poetry; it was an integrated art form where image and verse were inextricably linked, each enhancing the meaning of the other. Blake's breakthrough came from a profound spiritual experience following his brother’s death—an event that spurred him to explore visionary techniques rooted in alchemy and symbolism. This method allowed for unparalleled textural depth and color vibrancy, elevating printmaking beyond mere reproduction into a form of artistic expression akin to painting.

    Major Works: Visions of Innocence and Experience

    Blake's oeuvre encompasses a vast range of poetic and visual works—each imbued with symbolic significance and reflecting his unwavering commitment to exploring the complexities of human consciousness. Among his most celebrated achievements are Songs of Innocence and of Experience (1794), a dual collection that presents contrasting depictions of childhood—one characterized by purity and joy, the other marred by corruption and disillusionment. These poems are accompanied by exquisitely detailed engravings that amplify their emotional impact and reinforce their thematic unity. Equally remarkable is The Marriage of Heaven & Hell (1793)—a provocative prose poem that challenges conventional morality and celebrates energy, desire, and rebellion against restrictive doctrines. Blake’s illustrations for Dante's Divine Comedy, commissioned by John Flaxman, demonstrate his mastery of dramatic composition and his ability to translate complex narratives into powerful visual imagery—works that continue to captivate audiences today. Furthermore, Jerusalem (1804-1820), a sprawling epic poem exploring themes of prophecy, redemption, and the struggle between good and evil, stands as testament to Blake’s enduring imaginative power.

    Legacy: An Influence That Endures

    Blake's artistic vision profoundly impacted subsequent generations of artists and writers—particularly the Pre-Raphaelites, who embraced his style and symbolism as inspiration for their own creative endeavors. His rejection of academic conventions and his insistence on subjective experience paved the way for movements like Symbolism and Modernism, which recognized him as a precursor to avant-garde artistic expression. Blake’s enduring influence can be seen in contemporary artists who grapple with themes of mythology, spirituality, and social critique—artists who strive to capture the essence of human emotion and imagination through unconventional mediums. William Blake remains an artist whose work continues to provoke contemplation and inspire awe—a beacon of visionary creativity in a world increasingly dominated by rational thought. He died August 12, 1827, leaving behind a legacy that transcends time and borders, securing his place as one of the most important figures in British Romanticism.

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    QR-kode som lenker til nedlastingssiden for The Goblin

    wahooart.com/no/art/download/william-blake-the-goblin-8XZ6ZR-en/

    Kildehenvisning for dette kunstverket

    MLA
    Blake, William. The Goblin. 1820, https://wahooart.com/no/art/william-blake-the-goblin-8XZ6ZR-en/
    APA
    Blake, William (1820). The Goblin [Painting]. https://wahooart.com/no/art/william-blake-the-goblin-8XZ6ZR-en/
    Chicago
    William Blake. The Goblin. 1820. https://wahooart.com/no/art/william-blake-the-goblin-8XZ6ZR-en/
    Harvard
    Blake, William (1820) The Goblin. Available at: https://wahooart.com/no/art/william-blake-the-goblin-8XZ6ZR-en/

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    The Goblin — William Blake

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    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: fantasy, mythology, spirituality. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Newton, tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. William Blake var omtrent 63 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?

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    Spørsmål og svar

    Hvilken periode i William Blake sin karriere tilhører "The Goblin"?

    "The Goblin" representerer William Blake sin Mature Period.

    Kan jeg se et røntgenbilde av "The Goblin" av William Blake?

    Røntgenvisningen av "The Goblin" av William Blake finnes på verkets Røntgenstråling-side: en interaktiv undersøkelse av bildet gjennom elleve optiske lag.

    Er "The Goblin" av William Blake i det frie domene?

    Når det gjelder opphavsrett, er "The Goblin" fritt tilgjengelig – opphavsretten har utløpt.