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William Shield (1748–1829)

Navn Klasse Dato

Thomas Hardy, William Shield (1748–1829) (1795), Royal College of Music. Fritatt for opphavsrett. Se dette lerretet i bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Thomas Hardy wahooart.com/no/artists/thomas-hardy/
Kunstnerens levetid
1757 – 1804
Malt
1795
Opprinnelig størrelse
75 x 63 cm
Arrangert på
Royal College of Music wahooart.com/no/museums/royal-college-of-music-london/

I sammenheng med

William Shield (1748–1829) — Thomas Hardy

Hvor stort er det?

Originalen måler 75 × 63 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790
  6. 1800

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 47 ved død.

Malt da kunstneren var 38. Kunstneren ble 47 år gammel. 6 av de 7 daterte verkene av denne kunstneren i vår katalog ble laget tidligere.

Skyggelagt: livsløpet til Thomas Hardy (1757–1804) ▲ dette verket, 1795 hvert daterte maleri, tiår for tiår

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/thomas-hardy-william-shield-1748-1829-AR22PL-en/

Farger

Målt ut fra bilde

    Dominerende farge

    Rosy Brown #c59c74

    Katalogisert palett

    • #C59C74
    • #1E1913
    • #8A6949
    • #4E3515

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Fargepalett
    Earthy Den dominerende fargefamilien i bildet.
    Hovedfarge
    Rosy Brown
    Intensitet
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Balanced Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Subtle Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden kan dette maleriet sees?

    • lavere enn 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kunne kartlegges, så oversikten viser alle verk av Thomas Hardy i løpet av de siste tolv månedene — totalt 2 land. Kilde for disse tallene

    De ti ledende landene

    1. 1 China 50.0%200 visits
    2. 2 United States of America 50.0%200 visits

    Finn de tre mørkeste landene på kartet. Ligger museet som huser dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 4 mest viste verkene av Thomas Hardy

    1. 1 Johann Peter Salomon (1745–1815), 1792 25.0%100 visits
    2. 2 John Horne Tooke, 1791 25.0%100 visits
    3. 3 William Shield (1748–1829), 1795 dette maleriet 25.0%100 visits
    4. 4 William Augustus Bowles (1763–1805), as a Native North American (Creek) Chief, 1790 25.0%100 visits

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 9 verk av denne kunstneren, hvorav 4 ble sett på minst én gang. This painting ranks 3 of them, with 25.0% of that attention (100 visits). Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt, utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Thomas Hardy

    The Portraitist of Musical Luminaries

    Thomas Hardy (1757–1804) emerged as a prominent British portrait painter during the Georgian era, leaving an indelible mark on the artistic landscape of his time. Primarily recognized for his captivating depictions of musical figures—notably Joseph Haydn and Muzio Clementi—Hardy’s oeuvre reflects a profound fascination with intellectual pursuits and the burgeoning cultural scene of London. His work stands out due to its meticulous attention to detail and masterful execution, embodying the refined ideals of Neoclassical art through a lens of human character.

    Born in Derbyshire, Hardy's early life remains somewhat shrouded in obscurity, though biographical accounts suggest he possessed considerable artistic talent from a young age. He honed his skills under the tutelage of John Opie, a celebrated landscape painter who championed the Romantic movement’s emphasis on emotion and imagination. This mentorship provided a vital foundation, as Opie's guidance instilled in Hardy a profound appreciation for capturing human character with sensitivity and nuance, an influence that subtly permeated Hardy’s stylistic choices throughout his career.

    Mastery of Light and Character

    Hardy gained considerable acclaim through his membership at the Royal Academy from 1783, where he exhibited numerous portraits showcasing his exceptional artistic abilities. His technique was often defined by a sophisticated use of chiaroscuro, creating dramatic lighting that emphasized facial features and conveyed an aura of intellectual contemplation. This approach allowed him to transcend mere likeness, imbuing his subjects with a sense of their inner spirit and social standing.

    Among his most celebrated works is a striking portrait of Joseph Haydn (1791), executed in oil on canvas. This piece serves as a testament to Hardy’s dedication to portraying musical genius with dignity and grace, utilizing light and shadow to highlight the composer's thoughtful expression. Furthermore, Hardy produced notable portraits of Muzio Clementi (circa 1795) and Brass Crosby (1787), demonstrating his versatility as a painter capable of capturing the essence of prominent figures within London’s musical and civic circles.

    Legacy and Artistic Contribution

    Beyond his individual achievements, Hardy's career was marked by significant professional connections. He collaborated closely with John Bland, a publisher who recognized his artistic potential and helped facilitate his presence in the wider art market. This synergy between fine art and publishing played a crucial role in disseminating the imagery of the era's cultural elite.

    The historical significance of Thomas Hardy lies in his ability to document the faces of an era defined by Enlightenment ideals and musical revolution. His portraits remain vital historical documents, offering a rare glimpse into the 18th-century social fabric. Through his brush, the intellectual vigor of the Georgian period is preserved, ensuring that the likenesses of these musical luminaries continue to inspire awe and curiosity in the modern age.

    Museum

    Royal College of Music

    Utstilt i London, United Kingdom

    A Symphony of History: The Royal College of Music

    Nestled in the heart of South Kensington, London, the

    Royal College of Music

    is far more than a mere educational institution; it is a vibrant, breathing echo of five centuries of sonic artistry. Stepping through its doors feels akin to entering a time capsule where the whispers of composers past mingle seamlessly with the innovative spirit of contemporary musicians. The college does not simply exist about music—it embodies it, offering an immersive experience that resonates deeply with seasoned connoisseurs and those newly captivated by the power of sound. It is a place where the tactile history of performance meets the ethereal beauty of melody.

    The architectural grandeur of the institution serves as the perfect overture to its legacy. Designed by

    Sir Arthur Blomfield

    in a striking

    Flemish Mannerist

    style, the building features a commanding presence of red brick and buff-colored stone. This structural harmony allows the college to stand as a testament to enduring artistry, blending seamlessly with the cultural vibrancy of Albertopolis—the prestigious district that houses the Royal Albert Hall and Imperial College. The very walls seem to vibrate with the legacy of

    George Grove

    , the visionary leader who established this institution to elevate British music to international prominence through meticulous planning and unwavering dedication.

    The Soul of Sound: Instruments and Artistry

    At the heart of the college’s allure lies its extraordinary collection of historical instruments, which are treated not merely as objects, but as vessels that once channeled the creative energies of musical giants. To stand before the celebrated

    Stradivarius violins

    is to connect directly with the legacy of Antonio Stradivari himself. One cannot help but marvel at the intricate craftsmanship and acoustic engineering; the way the painstakingly applied layers of varnish protect the wood while enhancing its tonal qualities demonstrates a profound, Renaissance-era understanding of materials science.

    Alongside these stringed masterpieces, the evolution of the piano is on full display, tracing a technological journey from the delicate uprights of centuries past to the towering, resonant concert grands that define the modern era. What truly distinguishes the Royal College of Music, however, is its unique ability to bridge the gap between classical tradition and contemporary music culture. The curation achieves a breathtaking dialogue across generations, placing portraits of luminaries like

    Joseph Haydn

    in conversation with much more recent cultural icons. This sense of continuity is perhaps most strikingly realized in the inclusion of artifacts such as a guitar pick used by

    Kurt Cobain

    during his legendary MTV Unplugged performance.

    For the art lover and the designer alike, the college offers a profound study in how heritage and modernity can coexist in a state of perfect, resonant balance. The institution remains a sanctuary where:

    Historical craftsmanship

    meets modern performance science.

    Classical legacies

    are preserved alongside contemporary cultural shifts.

    Architectural beauty

    provides a backdrop for the continuous evolution of Western Music.

    Les mer her

    Se mer på nett

    QR-kode som lenker til nedlastingssiden for William Shield (1748–1829)

    wahooart.com/no/art/download/thomas-hardy-william-shield-1748-1829-AR22PL-en/

    Kildehenvisning for dette kunstverket

    MLA
    Hardy, Thomas. William Shield (1748–1829). 1795, Royal College of Music. https://wahooart.com/no/art/thomas-hardy-william-shield-1748-1829-AR22PL-en/
    APA
    Hardy, Thomas (1795). William Shield (1748–1829) [Painting]. Royal College of Music. https://wahooart.com/no/art/thomas-hardy-william-shield-1748-1829-AR22PL-en/
    Chicago
    Thomas Hardy. William Shield (1748–1829). 1795. Royal College of Music. https://wahooart.com/no/art/thomas-hardy-william-shield-1748-1829-AR22PL-en/
    Harvard
    Hardy, Thomas (1795) William Shield (1748–1829). Royal College of Music. Available at: https://wahooart.com/no/art/thomas-hardy-william-shield-1748-1829-AR22PL-en/

    Se nærmere på

    William Shield (1748–1829) — Thomas Hardy

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Brass Crosby (1725–1793), Alderman of Bread Street Ward (1787), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Thomas Hardy var omtrent 38 da dette ble laget. Hva i verket bærer preg av å være skapt av en kunstner i den fasen?
    5. Hva kan kunstneren ha ønsket at du skulle føle?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Kan jeg se en forhåndsvisning av "William Shield (1748–1829)" av Thomas Hardy før jeg bestiller?

    For å forhåndsvise en reproduksjon av "William Shield (1748–1829)" av Thomas Hardy, åpne kunstverkets Se kunstverket i et rom-side.

    Hvor stor er kontrasten i "William Shield (1748–1829)" av Thomas Hardy?

    Lys-mørke-kontrasten i "William Shield (1748–1829)" er registrert som Balanced. Kontrast beskriver hvor sterkt lyse og mørke områder skiller seg fra hverandre.

    Hvordan beskrives fargepaletten i "William Shield (1748–1829)" av Thomas Hardy?

    Fargene i "William Shield (1748–1829)" utgjør en Earthy palett. Denne klassifiseringen beskriver de dominerende fargefamiliene.