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Poorly Masked Shape

Navn Klasse Dato

sharon butler, Poorly Masked Shape (2012). Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver.

Fakta om verket

Kunstner
sharon butler wahooart.com/no/artists/sharon-butler/
Kunstnerens levetid
1959 – ?
Malt
2012
Opprinnelig størrelse
58 x 46 cm
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

I sammenheng med

Poorly Masked Shape — sharon butler

Dimensjoner

Originalen måler 58 × 46 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når ble dette malt?

  1. 1950
  2. 1960
  3. 1970
  4. 1980
  5. 1990
  6. 2000
  7. 2010

Skyggelagt: livsløpet til sharon butler (1959–?) ▲ dette verket, 2012

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/sharon-butler-poorly-masked-shape-D5WDZD-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Putty #cecdcc

    Lagret palett

    • #CECDCC
    • #EEEFEC
    • #B0A495
    • #C3C2C1
    Palett
    Monochrome Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Putty
    Metning
    Monochromatic Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Softly Mixed Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Kunstner og museum

    Kunstner

    sharon butler

    Født i New London, United States of America

    Peter Doig: A Dreamlike Tapestry of Memory and Landscape

    Born in Edinburgh, Scotland, in 1959, Peter Doig’s artistic journey is a fascinating blend of personal recollection and evocative imagery. His life has been shaped by a series of moves – to Trinidad at the age of three, then Canada, and finally back to the United Kingdom – each contributing to the rich tapestry of experiences that inform his distinctive visual language. This migratory history, coupled with a childhood steeped in storytelling and a deep connection to the natural world, forms the bedrock of his profoundly moving paintings.

    Doig’s artistic development began formally in London, where he completed an MA at the Slade School of Fine Art. However, it was upon returning to Trinidad in the late 1970s and early 1980s that he truly found his voice. He established a permanent studio there, creating a space where he could continue to draw inspiration from his childhood memories and the vibrant landscapes of the Caribbean. This return marked a pivotal moment, allowing him to synthesize his diverse experiences into a singular, intensely personal style.

    Doig’s work is immediately recognizable for its dreamlike quality. He doesn't simply depict scenes; he conjures atmospheres—a sense of nostalgia, melancholy, and quiet contemplation. His paintings frequently feature lakes, canoes, cabins, forests, and other elements associated with rural life, but these are presented not as straightforward representations, but rather as fragments of memory, imbued with a subtle ambiguity. He often draws inspiration from photographs, films, etchings, or even personal recollections, layering them together to create scenes that feel both familiar and strangely distant.

    Key Influences: Doig cites a diverse range of influences, including the work of Edward Hopper, whose evocative depictions of urban solitude resonate with Doig’s own exploration of isolation and memory. The landscapes of Caspar David Friedrich also hold significance, mirroring Doig's interest in capturing the sublime beauty of nature.

    Technique: His technique is characterized by a deliberate layering of paint—often applied thinly and translucent—to build up surfaces that shimmer with an almost ethereal quality. He employs a muted color palette, dominated by blues, greens, and browns, creating a sense of atmospheric depth and mood.

    The Language of Memory

    At the heart of Doig’s work lies a profound engagement with memory—not as a fixed record of events, but as a fluid, subjective experience. He doesn't aim to recreate specific moments in time, but rather to evoke the feeling of those memories—the emotional resonance and sensory details that linger long after the event itself has faded.

    His paintings often feature figures – sometimes obscured or partially visible – who seem to be caught in a state of suspended animation. These figures are not necessarily characters in a narrative; they represent fragments of self, adrift in a landscape shaped by memory and imagination. The spaces he depicts—often vast and open—suggest a sense of loneliness and introspection, inviting the viewer to contemplate their own relationship with the past.

    Doig’s use of color is particularly significant in conveying this emotional atmosphere. He employs subtle shifts in hue and tone to create a sense of depth and luminosity, drawing the eye into the heart of each scene. The colors are not always realistic; they are often heightened or distorted, reflecting the subjective nature of memory.

    Recognition and Legacy

    Peter Doig’s career has gained significant momentum over the past two decades, culminating in widespread recognition as one of Britain's most important contemporary artists. His work has been exhibited at major institutions worldwide, including the Tate Britain, the Centre Pompidou, and the MoMA in New York.

    Major Achievements: Doig’s paintings have achieved considerable success on the international art market, selling for multi-million pound sums at auction. His work is held in prestigious public and private collections around the world.

    Critical Acclaim: He has received numerous awards and accolades, solidifying his position as a leading figure in contemporary painting.

    Doig’s influence extends beyond the realm of fine art. His work has been referenced in literature, film, and music, demonstrating its broad cultural impact. His paintings continue to resonate with viewers who are drawn to their evocative beauty and profound exploration of memory, landscape, and the human condition. He is a master of suggestion, inviting us to lose ourselves within his dreamlike worlds and contemplate the mysteries of our own pasts.

    A Contemporary Vision

    Peter Doig’s work stands apart in the contemporary art scene for its unique blend of realism and abstraction, memory and imagination. He is a painter who invites viewers into a world where the familiar becomes strange, and the ordinary transforms into something extraordinary. His paintings are not simply images; they are portals—inviting us to step through and experience the beauty and melancholy of a life lived in remembrance.

    Her kan du lese mer

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    QR-kode som lenker til nedlastingssiden for Poorly Masked Shape

    wahooart.com/no/art/download/sharon-butler-poorly-masked-shape-D5WDZD-en/

    Kildehenvisning for dette kunstverket

    MLA
    butler, sharon. Poorly Masked Shape. 2012, https://wahooart.com/no/art/sharon-butler-poorly-masked-shape-D5WDZD-en/
    APA
    butler, sharon (2012). Poorly Masked Shape [Painting]. https://wahooart.com/no/art/sharon-butler-poorly-masked-shape-D5WDZD-en/
    Chicago
    sharon butler. Poorly Masked Shape. 2012. https://wahooart.com/no/art/sharon-butler-poorly-masked-shape-D5WDZD-en/
    Harvard
    butler, sharon (2012) Poorly Masked Shape. Available at: https://wahooart.com/no/art/sharon-butler-poorly-masked-shape-D5WDZD-en/

    Se nærmere etter

    Poorly Masked Shape — sharon butler

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: abstract form, geometric shape, textured canvas. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Sketchbook 5.5 (2010), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

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