Veiledning for studentkunst
Opphavsrett Dette verket er i det frie domene. Samuel Lucas døde i 1870; opphavsretten varer 70 år etter kunstnerens død, så den utløp i 1940.
I sammenheng med
Foxes — Samuel Lucas
Originalen måler 119 × 181 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.
Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 65 ved død.
Skyggelagt: livsløpet til Samuel Lucas (1805–1870) hvert daterte maleri, tiår for tiår
Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?
Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.
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Målt ut fra bilde
Hovedfarge
Phthalo Green #2d2214
Lagret palett
Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge
De ti ledende landene
Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.
Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 13 verk av denne kunstneren, hvorav 7 ble sett på minst én gang. Dette maleriet rangerer som nummer 4 av dem, med 12.5% av denne oppmerksomheten. Det samme gjelder, måned for måned
Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.
Kunstner og museum
Født i Hitchin, United Kingdom
In the tapestry of nineteenth-century British art, few figures possess the gentle, unassuming charm of Samuel Lucas. Born in 1805 in the historic town of Hitchin, Hertfordshire, Lucas lived a life that masterfully balanced the practical demands of a Victorian businessman with the soulful pursuits of an artist. While history remembers him as a brewer and a dedicated family man, his true essence was captured through the tip of a brush and the delicate flow of watercolor. His journey was one of quiet persistence, a lifelong endeavor to translate the serene beauty of the English countryside into enduring visual poetry.
Lucas’s early years were deeply rooted in the values of the Society of Friends. This Quaker upbringing instilled in him a profound sense of discipline and an intellectual curiosity that would later define his artistic temperament. Educated at the Tilehouse Free School in Hitchin and subsequently at the Fishponds School of Friends in Bristol, he discovered a burgeoning passion for drawing during his formative years. However, the path to artistry was not without its obstacles; the strictures of his community often discouraged overt artistic pursuits, requiring Lucas to channel his creative energies into the margins of his professional life as an apprentice and later as a merchant.
The artistry of Samuel Lucas is characterized by a remarkable versatility, ranging from meticul-ous, hyper-detailed representations to soft, impressionistic vistas. His technique was a sophisticated blend of Romantic idealism and an intuitive sensitivity to the atmosphere. Whether working in oils, watercolors, or ink, Lucas possessed an uncanny ability to capture the ephemeral qualities of light—the way it filters through a morning mist or bathes a rural meadow in the warmth of late afternoon. This mastery of light allowed him to depict not just landscapes, but moods.
His creative development was significantly enriched by his connections within the artistic community. A particularly notable chapter of his life involved his friendship with the fellow Quaker artist Jacob Thompson. Together, they sought inspiration in the rugged beauty of the Lake District, specifically within the valley of Mardale. Their shared explorations beneath what is now the Haweswater Reservoir allowed for a collaborative spirit that pushed the boundaries of their landscape commissions. It is also widely believed by art historians that Lucas may have been influenced by the legendary J. M. W. Turner, particularly in his ability to evoke the sublime power and atmospheric depth of the natural world.
Though he rarely sought the spotlight of major exhibitions—with the notable exception of sending The Ship Broxbournbury off the Islands of Amsterdam to the Royal Academy in 1828—the impact of Lucas’s work is felt through the permanence of his subjects. His paintings serve as a nostalgic window into a bygone era of British life, documenting everything from the bustling energy of local commerce to the silent dignity of wildlife. Some of his most significant contributions include:
Hitchin Marketplace (1860): A celebrated work that captured the heart of his home town so effectively that miniature versions were commissioned by admirers.
Stonechat on a Cairn (1861): A stunning example of his ability to blend Romantic landscape elements with intimate, detailed naturalism.
Salisbury Cathedral: An evocative oil painting that demonstrates his skill in capturing architectural grandeur within a serene, impressionistic setting.
Nature and Fauna Studies: His meticulous depictions of foxes and local wildlife that showcase his profound respect for the biological intricacies of the English countryside.
Today, the legacy of Samuel Lucas resides in prestigious institutions such as the British Museum and the Hitchin Museum & Art Gallery. His life, though marked by the quietude of a provincial brewer, achieved a lasting historical significance through his ability to immortalize the fleeting beauty of the natural world. He remains a vital figure for those seeking to understand the intersection of Victorian social history and the tender, observant spirit of British landscape painting.
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Foxes — Samuel Lucas
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Håndmalte kopier av "Foxes" av Samuel Lucas selges på denne nettsiden: en håndmalt oljereproduksjon på linlerret, bestilt fra dens Håndmalt reproduksjon-side.
"Foxes" av Samuel Lucas er gjengitt med en Subtle Color metning.
"Foxes" av Samuel Lucas viser en Balanced fargeintensitet.