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Figure Study

Navn Klasse Dato

Roger Cecil, Figure Study, University of South Wales Art Collection Museum. Gjengitt i illustrasjonsøyemed; alle rettigheter forbeholdt rettighetshaver. Se dette lerretet under bevegelig lys: tegningen, den sanne fargen under fernissen, det rene pigmentet

Fakta om verket

Kunstner
Roger Cecil wahooart.com/no/artists/roger-cecil/
Kunstnerens levetid
1942 – 2015
Opprinnelig størrelse
75 x 53 cm
Arrangert på
University of South Wales Art Collection Museum wahooart.com/no/museums/university-of-south-wales-art-collection-museum-pontypridd/

I sammenheng med

Figure Study — Roger Cecil

Dimensjoner

Originalen måler 75 × 53 cm (høyde × bredde), vist her ved siden av en voksen person med gjennomsnittlig høyde.

Når kan dette ha blitt malt?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990
  7. 2000
  8. 2010

Rad over: årene. Rad under: kunstnerens alder ved starten og slutten av hvert tidsrom — 0 ved fødsel, 73 ved død.

Skyggelagt: livsløpet til Roger Cecil (1942–2015) hvert daterte maleri, tiår for tiår

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Lignende verk

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/roger-cecil-figure-study-ARANJJ-en/

Fargepalett

Målt ut fra bilde

    Hovedfarge

    Walnut #935017

    Lagret palett

    • #935017
    • #5F3A18
    • #F65303
    • #C14405

    Disse fargene i kunstnerens komplette palett Finn andre malerier etter farge

    Palett
    Dark Den dominerende fargefamilien i bildet.
    Navn på hovedfarge
    Walnut
    Metning
    Vivid Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Serene Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Unified Palette Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Balanced Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Vivid Color Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Hvor i verden blir dette maleriet sett?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og mer
    Dette maleriet alene har for få registrerte besøkende til å kartlegge, så platen viser alle verk av Roger Cecil i løpet av de siste tolv månedene — 1 land totalt. Hvor disse tallene kommer fra

    De ti ledende landene

    1. 1 China 100.0%

    Finn de tre mørkeste landene på kartet. Ligger museet som oppbevarer dette maleriet i noen av dem? Skriv ned én grunn til at folk langt unna kan ønske å se det.

    De 2 mest viste verkene av Roger Cecil

    1. 1 Winter Night with Angharad, 2005 100.0%
    2. — Figure Study dette maleriet 0.0%

    Sammen utgjør disse verkene 100.0% av all oppmerksomheten som denne kunstnerens malerier har mottatt i løpet av de siste tolv månedene. Katalogen inneholder 6 verk av denne kunstneren, hvorav 1 ble sett på minst én gang. Dette maleriet har ennå ikke blitt vist i denne perioden — det avslutter listen uten en rangering. Det samme gjelder, måned for måned

    Søylene måler oppmerksomhet, ikke kvalitet. Velg verket øverst og dette: nevn én ting som kan gjøre et maleri berømt utover hvor godt det er malt.

    Kunstner og museum

    Kunstner

    Roger Cecil

    Roger Cecil: A Visionary of Industrial Landscapes

    Born in Abertillery, South Wales, in 1942, Roger Cecil’s artistic journey was inextricably linked to the rugged beauty and industrial heritage of his birthplace. His early life, marked by a close relationship with his mother and a quiet, introspective nature, profoundly shaped his artistic sensibility. Unlike many artists who seek inspiration in grand landscapes or classical themes, Cecil found his muse within the gritty reality of the valleys he called home – the scarred earth, the towering slag heaps, and the weathered faces of the men who toiled within them. This intimate connection with a landscape often overlooked fueled a uniquely powerful and deeply personal body of work.

    Cecil’s formal artistic training began at Newport College of Art in 1959, where he honed his skills under the guidance of influential instructors like John Wright and Thomas Rathmell. He quickly demonstrated an aptitude for draughtsmanship and a willingness to experiment with materials, traits that would become hallmarks of his distinctive style. However, a pivotal moment arrived when he was offered a place at the Royal College of Art in London. While initially excited by the prospect, Cecil soon found himself disillusioned with the academic environment and the prevailing artistic trends. Rejecting the pressures of conformity, he returned to Abertillery, choosing instead to pursue his own path, working as a manual laborer – mining and construction – alongside his art practice. This dual existence, seamlessly blending physical labor with creative exploration, proved crucial to the development of his unique visual language.

    The Language of Scars: Cecil’s Artistic Techniques

    Cecil's artistic process was characterized by a deliberate rejection of traditional painting techniques and a fascination with the textures and materials available in his immediate surroundings. He eschewed pristine canvases and elaborate brushstrokes, instead embracing a raw, almost brutal approach. His works frequently incorporated everyday materials – sandpaper, primer, Polyfilla, grit, and even coal dust – transforming them into layers of texture and surface. This wasn’t simply about adding visual interest; it was a deliberate attempt to capture the essence of his subject matter—the scars and imperfections of the industrial landscape.

    He employed techniques such as rubbing, scraping, burnishing, and scratching to reveal underlying layers and create dynamic surfaces. His palette was predominantly dark – ochres, browns, grays, and blacks – mirroring the muted tones of his surroundings. Yet, within these somber hues, he skillfully introduced flashes of color—often achieved through the use of red oxide or other industrial pigments—to draw attention to specific details and imbue his paintings with a sense of drama and intensity. As critic Sarah Bradford noted, “He is very matter-of-fact about procedure and materials. To him painting is a very practical thing. The making is important.”

    Shaman Secret & Beyond: Themes and Symbolism

    Cecil’s paintings are often described as dreamlike landscapes infused with spiritual and psychological depth. While he resisted easy categorization, his work frequently explores themes of isolation, memory, and the relationship between humanity and the natural world. The recurring motif of the triangle—representing land or a piece of ground—and the cross—a symbol of remembrance—are prominent features in many of his compositions. These symbols, combined with fragmented forms and ambiguous narratives, invite viewers to engage in a deeply personal interpretation of the work.

    His most celebrated painting, “Shaman Secret,” exemplifies this approach. The image is dominated by a dark, almost impenetrable landscape punctuated by stark geometric shapes—a solitary figure standing before a vast expanse of earth. The painting’s power lies not in its literal depiction but in its evocation of a profound sense of mystery and the unknown. It's been suggested that Cecil was influenced by shamanic traditions, drawing on his own experiences and intuition to create works that resonate with primal imagery and spiritual symbolism.

    Legacy and Recognition

    Despite initially shunning the art world, Roger Cecil’s work gradually gained recognition throughout the 1980s and 1990s. He exhibited at Business Art Galleries in Newport and Abergavenny, receiving critical acclaim for his unique vision and technical skill. In 1995, a retrospective exhibition at the Hill Court Gallery in Abertillery provided a comprehensive overview of his career to date. Cecil’s work continues to be studied and appreciated for its raw emotional power, its innovative use of materials, and its profound engagement with the landscape of South Wales.

    Cecil's life was marked by both artistic achievement and personal struggles. He suffered from dementia in his later years, ultimately passing away in February 2015 at the age of 72. His legacy endures as a testament to the power of art to transform ordinary experiences into extraordinary expressions of vision and emotion—a reminder that beauty can be found even in the most unexpected places.

    Museum

    University of South Wales Art Collection Museum

    Utstilt på Pontypridd, United Kingdom

    A Window into South Wales’ Artistic Soul

    Nestled within the architectural embrace of the Ty Crawshay Building at the Treforest Campus,

    Oriel y Bont

    – The University of South Wales Art Collection Museum serves as a profound sanctuary for the visual heritage of the region. To step into this space is to embark on an immersive journey through time, where the landscapes and cultural narratives of South Wales are meticulously preserved. Since its establishment, this institution has functioned as much more than a mere repository for static objects; it is a living, breathing chronicle of evolution, capturing the very essence of Welsh identity and the shifting tides of social history. The museum holds a fully accredited status, a testament to its rigorous commitment to safeguarding over 310 diverse pieces that resonate with those who seek to understand the region's rugged beauty and quiet, pastoral moments.

    The collection itself is a masterful tapestry of mediums, though it is predominantly defined by the evocative power of painting. Visitors are often drawn first to the architectural grandeur found within the frames, most notably the celebrated depictions of

    William Edwards' Bridge

    . These works do more than document a landmark; they breathe life into the historical significance of the structure, conveying its social weight and aesthetic majesty through varied artistic lenses. Beyond these iconic landmarks, the museum celebrates the profound connection between the artist and the land. The landscapes housed here are imbued with a palpable sense of place, reflecting the distinctive topography of South Wales with an intimacy that captures both the industrial spirit and the natural splendor of the area.

    A Dialogue Between Tradition and Modernity

    What truly distinguishes Oriel y Bont is its seamless dialogue between the historical and the contemporary. While much of the collection honors the traditions of the past, the museum remains a vital stage for modern artistic exploration. A striking example of this is found in

    Philip Nicol’s ‘Home’ (2004)

    , an oil painting that breaks from classical tradition through its use of bold color palettes and striking geometric forms. This inclusion of cutting-edge art alongside historical treasures ensures that the museum remains a dynamic space for scholarship and discovery, offering a sophisticated narrative of continuity where the weight of history meets the vibrant energy of the present.

    For the collector or interior designer, the works within this collection offer more than mere decoration; they provide a window into a specific cultural lineage. The technical mastery on display ranges from the delicate, impressionistic textures found in the works of

    Penry Williams

    to the exquisite watercolor precision of

    William Payne

    . As part of the global Art UK network, the museum’s reach extends far beyond the borders of Pontypridd, allowing the spirit of South Wales to be appreciated by an international audience. Whether one is moved by the industrial landscapes or the serene coastal scenes, every brushstroke within these walls tells a story of heritage, resilience, and the enduring beauty of the Welsh landscape.

    Her kan du lese mer

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Figure Study

    wahooart.com/no/art/download/roger-cecil-figure-study-ARANJJ-en/

    Kildehenvisning for dette kunstverket

    MLA
    Cecil, Roger. Figure Study. n.d., University of South Wales Art Collection Museum. https://wahooart.com/no/art/roger-cecil-figure-study-ARANJJ-en/
    APA
    Cecil, Roger (n.d.). Figure Study [Painting]. University of South Wales Art Collection Museum. https://wahooart.com/no/art/roger-cecil-figure-study-ARANJJ-en/
    Chicago
    Roger Cecil. Figure Study. n.d. University of South Wales Art Collection Museum. https://wahooart.com/no/art/roger-cecil-figure-study-ARANJJ-en/
    Harvard
    Cecil, Roger (n.d.) Figure Study. University of South Wales Art Collection Museum. Available at: https://wahooart.com/no/art/roger-cecil-figure-study-ARANJJ-en/

    Se nærmere etter

    Figure Study — Roger Cecil

    Se nærmere på detaljene

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Se tilbake på Summer Mist (2001), tidligere i denne guiden. Nevn to ting det har til felles med dette verket, og én ting som er annerledes.
    4. Hva kan kunstneren ha ønsket at du skulle føle?
    5. Hvis du kunne stilt kunstneren ett spørsmål om dette verket, hva ville det vært?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk informasjonen fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Spørsmål og svar

    Hvordan kan jeg forhåndsvise en reproduksjon av "Figure Study" av Roger Cecil?

    Siden Forhåndsvisning for "Figure Study" lar deg forhåndsvise kunstverket før du bestiller.

    Hvordan balanserer "Figure Study" lys og mørke?

    "Figure Study" av Roger Cecil er registrert med balanced, og har en luminans på Soft Shadow.

    Hvilken metning og intensitet har "Figure Study" av Roger Cecil?

    Fargene i "Figure Study" av Roger Cecil viser en Vivid Color metning med en Vivid intensitet.