Papir

Veiledning for studentkunst

John Rolle Walter

Navn Klasse Dato

Pompeo Batoni, John Rolle Walter (1753), Royal Albert Memorial Museum - Art Gallery. Felleseie.

Fakta om verket

Kunstner
Pompeo Batoni wahooart.com/no/artists/pompeo-batoni_no/
Kunstnerens datoer
1708 – 1787
Malt
1753
Medium
Oil
Bevegelse
Neoclassicism A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art.
Periode
Early Modern
Utstilles ved
Royal Albert Memorial Museum - Art Gallery wahooart.com/no/museums/royal-albert-memorial-museum-art-gallery-exeter/

I sammenheng

John Rolle Walter — Pompeo Batoni

Når ble dette malt?

  1. 1700
  2. 1710
  3. 1720
  4. 1730
  5. 1740
  6. 1750
  7. 1760
  8. 1770
  9. 1780

Skyggelagt: livsløpet til Pompeo Batoni (1708–1787) ▲ dette verket, 1753

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/pompeo-batoni-john-rolle-walter-D77N43-en/

Farger

Målt ut fra bildet

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    Om dette kunstverket

    John Rolle Walter — Pompeo Batoni

    Three-quarter length. Sitter facing with left arm leaning against pedestal in velvet fur lined (lynx fur) robe.John Rolle Walter served as MP for Exeter (1754-76) and Devon (1776-79). He was the second son of John Rolle of Stevenstone and Isabella Charlotte (née Walter), he took the name of Walter on inheritance of his mother’s estates in Oxfordshire. He travelled to Italy on the Grand Tour in 1752-53 and was painted by Pompeo Batoni while in Rome.Batoni won international fame mostly due to his ability to portray British nobility, often shown against famous Italian landscapes. Grand Tour portraits by Batoni found homes in private collections and helped to ensure the genre’s popularity in Great Britain. Since RAMM’s acquisition of the John Rolle Walter portrait, a preliminary study has been identified at the Statens Museum, Copenhagen (The National Gallery of Denmark).Purchased with assistance from the Heritage Lottery Fund, Art Fund, MLA/V&A Purchase Grant Fund, Devon County Council, the Friends of RAMM, the Reynolds Chard Bequest and private donors, 2008

    Kunstner og museum

    Kunstner

    Pompeo Batoni

    Født i Lucca, Italia

    Tidlig liv og utdanning

    Født: Lucca, Italia (1708)

    Død: 1787

    Pompeo Batoni flyttet til Roma i 1727.

    Han var læregutt hos Agostino Masucci, Sebastiano Conca og/eller Francesco Imperiali.

    Hans første uavhengige oppdrag kom som et resultat av regnet som rammet Roma i april 1732.

    Maleri "Den hellige Katarina av Sienas ekstase" illustrerer hans akademiske raffinering av senbarokk-stilen.

    Kunstnerisk stil og påvirkninger

    Batonis stil hentet inspirasjon fra klassisk antikk, fransk rokokko, bolognesisk klassisisme og kunstnere som Nicolas Poussin, Claude Lorrain og spesielt Rafael.

    Han regnes som en forløper til nyklassisismen.

    Hans verk kan finnes i ulike museer, inkludert Pinacoteca di Brera i Milano, Italia.

    Merkverdige verk og oppdrag

    Jomfruen og barnet med helgener

    En ridder i Roma: Charles Cecil Roberts – Et berømt portrett av en britisk reisende satt mot bakgrunn av romerske ruiner.

    Venedigs triumf

    Tallrike altertavler for kirker i Italia, slik som Museum Duomo i Siena.

    Han var svært ettertraktet for portretter, spesielt av britiske reisende på Grand Tour, som bestilte stående portretter i antikke omgivelser.

    Utvikling og historisk betydning

    Batoni ble en svært moteriktig maler i Roma etter at hans rival, Anton Raphael Mengs, dro til Spania i 1761.

    Han knyttet vennskap med Winckelmann og etterstrebte å temme klassisismen i sitt maleri.

    Hans portretter fanget tidsånden fra Grand Tour-æraen, og reflekterte den europeiske elitens fascinasjon for klassisk antikk.

    Batonis evne til å forene barokke teknikker med fremvoksende nyklassisistiske idealer posisjonerte ham som en overgangsfigur i italiensk kunsthistorie.

    Ettermæle

    Pompeo Batoni gikk bort den 4. februar 1787 i Roma.

    Han etterlot seg en arv som en av de mest anerkjente italienske malerne i sin tid.

    Hans arbeid fortsetter å bli beundret for sin tekniske dyktighet, elegante komposisjoner og innsiktsfulle skildringer av individer innenfor sin historiske kontekst.

    Museum

    Royal Albert Memorial Museum - Art Gallery

    Utstilt i Exeter, United Kingdom

    A Sanctuary of Stories: Unveiling the Royal Albert Memorial Museum

    Nestled within the historic heart of Exeter, Devon, the Royal Albert Memorial Museum (RAMM) isn’t merely a repository for artifacts; it's an immersive journey through time and culture. Stepping through its imposing Gothic Revival doors is akin to entering a meticulously curated world where centuries collide, diverse traditions converge, and the echoes of the past resonate with vibrant contemporary life. The building itself—a magnificent testament to local New Red Sandstone – immediately captivates, its warm hues radiating an inviting atmosphere that belies the extraordinary breadth of treasures within. Originally conceived in 1868 as a poignant memorial to Prince Albert, RAMM has undergone a remarkable evolution, transforming from a solemn tribute into a dynamic cultural hub—a testament to thoughtful preservation and innovative presentation.

    RAMM’s strength lies not just in its sheer volume of holdings – over 7,000 objects spanning art, natural history, archaeology, and global cultures – but in the way these disparate collections are interwoven. The museum deliberately resists rigid categorization, offering visitors a holistic understanding of our world through interconnected narratives. A particular highlight is the remarkable collection of British art, boasting masterpieces by Gainsborough and Reynolds alongside evocative works by Walter Sickert, Barbara Hepworth, and Patrick Heron. Beyond national boundaries, RAMM’s artistic treasures extend to Pompeo Batoni and Joseph Wright of Derby, reflecting a rich European influence. But the museum's allure doesn’t stop at canvas; Percy Sladen’s extraordinary collection of echinoderms—a globally significant assemblage rivaling those found in national collections – stands as a testament to the natural world’s wonders. The World Cultures galleries are particularly noteworthy, officially recognized for their national and international importance by the UK government, offering profound explorations of diverse traditions, beliefs, and ways of life from across the globe.

    A Building Steeped in History

    The story of RAMM is inextricably linked to the history of Exeter itself. Remarkably, the university, central library, and college of art all trace their origins back to this very institution—a testament to its enduring role as a cultural cornerstone for the city. The building’s evolution mirrors Exeter's own growth, adapting and expanding over decades to meet changing needs and interests. The recent redevelopment, completed in 2011 at a cost of £24 million, was spearheaded by Allies and Morrison and involved not only restoring the building’s historical integrity but also creating a new entrance from the historic Registered gardens, enhancing accessibility, and completely reimagining the display of its vast collections. This commitment to modernization is further exemplified by RAMM’s 2024 announcement of an open access strategy, making public domain collections freely available online—a bold step towards wider engagement and long-term preservation.

    Treasures Within: Highlights of the Collection

    Exploring RAMM's diverse holdings reveals a captivating array of treasures. The costume and textiles collection – one of the most important outside London – is particularly prized, though its delicate nature often necessitates curated exhibitions rather than permanent display. The museum’s zoology collection, amassed by Percy Sladen, houses an astonishing diversity of invertebrates and mammals, while the archaeology galleries offer glimpses into Exeter's rich past, from Roman settlements to medieval trade routes. Don’t miss the opportunity to encounter “Toekomstdromen” (Future Dreams) by Otto Roelofs – a captivating Belgian Impressionist portrait that exemplifies the collection’s vibrant artistic diversity. The museum also holds significant holdings of British landscape art, reflecting Devon's stunning natural beauty.

    A Living Cultural Hub

    What truly sets RAMM apart is its unwavering commitment to accessibility and inclusivity. With free entry for all visitors, the museum actively strives to be a welcoming space where everyone can engage with art, history, and culture. The displays are thoughtfully designed to appeal to a wide range of ages and interests, fostering curiosity and discovery. From families exploring together to scholars conducting research, RAMM serves as a vital community resource—a living, breathing cultural hub that enriches the lives of all who encounter it. It stands not just as a museum, but as a beacon of knowledge, creativity, and community spirit in the heart of Exeter.

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    QR-kode som lenker til nedlastingssiden for John Rolle Walter

    wahooart.com/no/art/download/pompeo-batoni-john-rolle-walter-D77N43-en/

    Kildehenvisning for dette kunstverket

    MLA
    Batoni, Pompeo. John Rolle Walter. 1753, Royal Albert Memorial Museum - Art Gallery. https://wahooart.com/no/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    APA
    Batoni, Pompeo (1753). John Rolle Walter [Painting]. Royal Albert Memorial Museum - Art Gallery. https://wahooart.com/no/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    Chicago
    Pompeo Batoni. John Rolle Walter. 1753. Royal Albert Memorial Museum - Art Gallery. https://wahooart.com/no/art/pompeo-batoni-john-rolle-walter-D77N43-en/
    Harvard
    Batoni, Pompeo (1753) John Rolle Walter. Royal Albert Memorial Museum - Art Gallery. Available at: https://wahooart.com/no/art/pompeo-batoni-john-rolle-walter-D77N43-en/

    Se nøye etter

    John Rolle Walter — Pompeo Batoni

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: portrait, british nobility, grand tour. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på A Knight in Rome: Charles Cecil Roberts (1778), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Neoclassicism: A deliberate return to the calm balance and clear outlines of ancient Greek and Roman art. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.