Papir

Veiledning for studentkunst

Number 27, 1950

Navn Klasse Dato

Jackson Pollock, Number 27, 1950. Felleseie.

Fakta om verket

Kunstner
Jackson Pollock wahooart.com/no/artists/jackson-pollock_no/
Kunstnerens datoer
1912 – 1956
Medium
Oil On Canvas
Bevegelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Influences
Surrealism, Mexican muralists
Notable elements
drip technique, complex web of lines and shapes, bold use of color
Style
abstract

I sammenheng

Number 27, 1950 — Jackson Pollock

Når kan dette ha blitt malt?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Skyggelagt: livsløpet til Jackson Pollock (1912–1956)

Dette opptaket har ikke et nøyaktig årstall registrert — basert på kunstnerens levetid og verkets stil, hvilket tiår vil du gjette på?

Sammenlign med

Velg ett av verkene ovenfor: nevn to ting det har til felles med dette, og én ting som er annerledes.

Flere verk som kan stå ved siden av dette: wahooart.com/no/art/similar/paul-jackson-pollock-number-27-1950-8EWJXF-en/

Farger

Målt ut fra bildet

    Hovedfarge

    Gray #858072

    Katalogisert palett

    • #858072
    • #DDDBCE
    • #B6B1A1
    • #353231
    Palett
    Neutrals Den dominerende fargefamilien i bildet.
    Hovedfargenavn
    Gray
    Intensitet
    Balanced Hvor mettede og varierte fargene er, fra en enkelt dempet nyanse til mange klare toner.
    Kontrast
    Bold Hvor mye fargene varierer i lyshet og metning over hele bildet.
    Harmoni
    Strong Color Unity Hvor godt fargene fungerer sammen, fra kontrastfylt til fullstendig harmonisk.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt bildet fremstår totalt sett, fra dype skygger til lyse høylys.
    Metning
    Muted Hvor rene og sterke fargene er, fra nesten grått til helt livlige.

    Om dette kunstverket

    Number 27, 1950 — Jackson Pollock

    Jackson Pollock’s ‘Number 27, 1950’: A Symphony of Controlled Chaos

    Number 27, 1950 is a landmark achievement in the history of Abstract Expressionism, embodying the movement's radical departure from traditional artistic conventions. This large-scale oil on canvas (137 x 109 cm) currently resides at the Museum of Modern Art (MoMA) in New York City, serving as a powerful testament to Pollock’s innovative spirit and enduring legacy.

    Deconstructing the Abstract: Style & Technique

    This painting is quintessential Pollock – a mesmerizing web of poured, dripped, and flung paint. Rejecting the easel and brushwork of his predecessors, Pollock laid his canvas directly on the floor, engaging in what he termed “action painting.” This technique allowed him to approach the canvas from all sides, creating an "all-over" composition devoid of a central focal point. The resulting surface is richly textured, built up through layers of interwoven lines and shapes in shades of red, yellow, blue, black, and white against a largely neutral ground. The technique isn’t random; it's a carefully orchestrated dance between control and chance. Pollock wasn’t simply splashing paint – he was moving with the paint, channeling his inner energy onto the canvas.

    Historical Context: The Rise of Abstract Expressionism

    Emerging in post-World War II America, Abstract Expressionism represented a shift in artistic focus from representational imagery to subjective emotional expression. New York City became the new center of the art world, eclipsing Paris. Pollock was at the forefront of this movement, challenging established norms and pushing the boundaries of what painting could be. His work reflected a broader cultural climate grappling with existential anxieties and seeking new forms of meaning. The period saw artists looking inward, exploring the subconscious mind and expressing raw emotion through abstract forms.

    Symbolism & Interpretation: Beyond Representation

    While devoid of recognizable figures or objects, Number 27, 1950 is far from meaningless. The complex network of lines can be interpreted as a visual representation of the human psyche – a tangled web of thoughts, feelings, and experiences. Some see echoes of Native American sand paintings in Pollock’s work, reflecting his early exposure to Indigenous art forms. Ultimately, the painting's symbolism is open-ended, inviting viewers to project their own interpretations onto its dynamic surface. It evokes a sense of energy, movement, and even chaos, but within that apparent disorder lies a compelling underlying structure.

    Emotional Impact & Aesthetic Appeal

    Experiencing Number 27, 1950, whether in person or through a high-quality reproduction, is an immersive experience. The painting’s scale and complexity draw the viewer in, creating a sense of being enveloped by its energy. It's a work that demands attention and rewards contemplation. The interplay of color and texture creates a visual rhythm that can be both exhilarating and calming.

    Integrating ‘Number 27, 1950’ into Your Space

    For the Modern Collector: This piece is a cornerstone of modern art history. A reproduction adds instant sophistication to any collection.

    Interior Design Statement: The dynamic composition and bold color palette make it a striking focal point in contemporary living spaces, particularly those with minimalist or industrial aesthetics.

    Color Palette Inspiration: The painting’s hues – deep reds, vibrant yellows, cool blues, and stark blacks – can inspire entire room schemes, creating a cohesive and artistic atmosphere.

    Number 27, 1950 is more than just a painting; it's a cultural icon. It represents a pivotal moment in art history and continues to resonate with audiences today, inspiring creativity and challenging conventional notions of beauty.

    Kunstner og museum

    Kunstner

    Jackson Pollock

    Født i Cody, USA

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father, LeRoy Pollock, pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark. He was the youngest of five children, born into a family struggling financially but filled with a strong work ethic and a love for art. His mother, Stella May McClure Pollock, recognized his artistic potential and fostered it through encouragement and support.

    Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences—the rugged beauty of the West, the traditions of Native American art, and the dramatic narratives of Benton and the murals of Mexico – laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.

    The Birth of Action Painting and a Revolutionary Technique

    The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.

    This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process. The technique was revolutionary, rejecting traditional notions of brushstrokes and composition.

    He used a variety of materials: oil paints, house paints, inks, and even tar.

    His movements were often described as dance-like or ecstatic.

    Iconic Works and Lasting Legacy

    Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction. Critics initially struggled to understand or appreciate this new approach, but over time, Pollock's work gained recognition as a groundbreaking contribution to modern art.

    His style transcends mere aesthetics; it’s an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies. The paintings are often interpreted as reflections of the artist’s inner turmoil and spiritual quest.

    Influence and Historical Significance

    Pollock's impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. He was a key figure in the rise of Abstract Expressionism, alongside artists like Mark Rothko and Willem de Kooning. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.

    Despite facing initial criticism and skepticism, Pollock’s legacy has solidified over time. He is now considered one of the most important and influential artists of the 20th century, a visionary who dared to challenge conventions and redefine the boundaries of artistic expression. His innovative techniques and expressive style continue to inspire and provoke, ensuring his enduring presence in the art world for generations to come.

    Further Exploration

    Key Resources:

    Jackson Pollock - Wikipedia:

    Smithsonian American Art Museum:

    National Gallery of Art:

    Les mer her

    Finn denne på nett

    QR-kode som lenker til nedlastingssiden for Number 27, 1950

    wahooart.com/no/art/download/paul-jackson-pollock-number-27-1950-8EWJXF-en/

    Kildehenvisning for dette kunstverket

    MLA
    Pollock, Jackson. Number 27, 1950. n.d., https://wahooart.com/no/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    APA
    Pollock, Jackson (n.d.). Number 27, 1950 [Painting]. https://wahooart.com/no/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    Chicago
    Jackson Pollock. Number 27, 1950. n.d. https://wahooart.com/no/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/
    Harvard
    Pollock, Jackson (n.d.) Number 27, 1950. Available at: https://wahooart.com/no/art/paul-jackson-pollock-number-27-1950-8EWJXF-en/

    Se nøye etter

    Number 27, 1950 — Jackson Pollock

    Se nærmere etter

    Svar med egne ord. Det finnes ingen feil svar her – bare svar du kan forklare.

    1. Hva fanger blikket ditt først, og hvorfor?
    2. Hvilke farger eller former skaper stemningen – og hva er den stemningen?
    3. Vår katalog klassifiserer dette verket under: abstract, drip painting, pollock. Er du enig? Hva ville du lagt til, eller fjernet?
    4. Se tilbake på Nummer 1, 1949 (1950), tidligere i denne guiden. Nevn to ting den har til felles med dette verket, og én ting som er annerledes.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se dette i dette verket?

    Ditt svar

    Skriv et kort avsnitt om dette kunstverket. Bruk fakta fra de tidligere delene av denne guiden og svarene dine ovenfor.

    Kunstquiz

    Number 27, 1950 — Jackson Pollock

    Hvor godt kjenner du dette kunstverket?

    Marker ett svar for hvert av de 5 spørsmålene nedenfor. Hvert spørsmål har nøyaktig ett riktig svar.

    1. 1. Jackson Pollock's 'Number 27, 1950' is most closely associated with which art movement?

      • A Impressionism
      • B Abstract Expressionism
      • C Cubism
    2. 2. What is a defining characteristic of Pollock’s technique in 'Number 27, 1950'?

      • A Precise brushstrokes and realistic depiction
      • B Dripping and splattering paint onto the canvas
      • C Use of traditional perspective
    3. 3. Where is 'Number 27, 1950' currently housed?

      • A The Louvre Museum, Paris
      • B Museum of Modern Art (MoMA), New York City
      • C The National Gallery, London
    4. 4. What is the approximate size of 'Number 27, 1950'?

      • A 80 x 60 cm
      • B 137 x 109 cm
      • C 200 x 150 cm
    5. 5. The image description notes the texture of 'Number 27, 1950' as being heavily what?

      • A Smooth and polished
      • B Impasto – thick application of paint
      • C Watercolor-like and translucent

    Min poengsum: ____ av 5

    Fasit — til læreren

    Dette starter en ny utskrevet side, slik at den enkelt kan utelates fra kopiene.

    1B · 2B · 3B · 4B · 5B